Sylvia Carissoli

Filmes

Scarlet
Key Makeup Artist
In northern France, Juliette grows up alone with her father, Raphaël, a veteran of the First World War. Passionate about singing and music, one summer the lonely young girl meets a magician who promises that scarlet sails will one day take her away from her village.
Canailles
Makeup Artist
Following a failed hold-up, leg-hurted Antoine is looking to hide at Elias's home. Nothing reserved the anarchist robber to meet this life-disciplined history teacher. Then, a strange balance of power set in, between ascendency and friendship, before the arrival of Lucie, investigator in charge of the case.
Kitchen Brigade
Key Makeup Artist
Cathy is a sous-chef wanting to open a restaurant. With financial difficulties, Cathy accepts a job at a shelter for young migrants. At first she hates the job then her passion for cuisine starts to change children's lives.
A fratura
Key Makeup Artist
Raf e Julie, um casal prestes a se separar, estão em um pronto-socorro na noite de um grande protesto dos 'coletes amarelos' em Paris. O encontro com Yann, um manifestante ferido e furioso, vai chacoalhar suas certezas e preconceitos. Lá fora, a tensão aumenta e logo o hospital tem que fechar as portas e a equipe fica sobrecarregada. A noite vai será longa, reveladora e hilária.
People
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
Kiss Me!
Makeup Designer
Claude falls in love with Cécile. She is convinced that she is the woman of her life unlike her mother who knows the tumultuous sentimental life of her daughter.
Três Vidas e Uma Só Morte
Key Makeup Artist
Um homem que se divide em quatro nomes e quatro personalidades que nos coloca em quatro diferentes histórias de amor, luxúria e crime.
As Pessoas Normais Não Têm Nada de Especial
Key Makeup Artist
Martine tem 25 anos e acaba de se separar de François. Desesperada, persegue o ex-marido pela rua para obter uma última explicação mas, completamente alucinada, provoca um acidente que a conduz às urgências de um hospital psiquiátrico. Acometida por uma amnésia momentânea, decide ficar no hospital para se recompor. Durante esse tempo, desenvolve uma grande atividade: ocupar-se das vidas sentimentais dos outros. Cheia de energia e uma sufocante e desajeitada boa vontade, ela faz tudo o que pode para juntar pessoas que não exigem tanto…
23h58
Makeup Artist
This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.
The Other Night
Key Makeup Artist
When Éric and Marie go to meet their parents at the harbor for the holidays, the latter are victims of an overnight hit-and-run. Marie hides the truth from Éric, investigates the accident alone, and soon finds the presumed culprit.
Double Gentlemen
Makeup & Hair
In a routine look at what it means to finally leave adolescence behind — even in one’s mature years — this series of mood swings and sequences focuses on two grown men. Francois (Jean Francois Stevenin, the director) and Leo (Yves Alonso) are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene (Carole Bouquet) comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light.