Marina Lameiro
출생 : 1986-01-01, Iruñea, Nafarroa, Euskal Herria
약력
Marina Lameiro Garayoa (Iruñea / Pamplona, 1986) is a Basque filmmaker.
Producer
On October 4th, 2007 Arantza, the director of the film, was detained and taken to prison. She remembers a few things about those days: endlessly walking around the prison exercise yard, swimming competitions, Rasha's prison journey... After 918 nights locked up, Arantza is set free. From then onwards, she recorded her memories and doubts, which are heard throughout the documentary as a kind of fragmented memoir.
Director of Photography
Two men measure the heights of pine trees. A woman listens to what the trees are saying. The children of the village set up the camp. A cloud of digital dots reveals the forest. The pines have said that we can ask. They always called this place 'Paraíso'. Machines will come soon.
Editor
Two men measure the heights of pine trees. A woman listens to what the trees are saying. The children of the village set up the camp. A cloud of digital dots reveals the forest. The pines have said that we can ask. They always called this place 'Paraíso'. Machines will come soon.
Sound Recordist
Two men measure the heights of pine trees. A woman listens to what the trees are saying. The children of the village set up the camp. A cloud of digital dots reveals the forest. The pines have said that we can ask. They always called this place 'Paraíso'. Machines will come soon.
Screenplay
Two men measure the heights of pine trees. A woman listens to what the trees are saying. The children of the village set up the camp. A cloud of digital dots reveals the forest. The pines have said that we can ask. They always called this place 'Paraíso'. Machines will come soon.
Director
Two men measure the heights of pine trees. A woman listens to what the trees are saying. The children of the village set up the camp. A cloud of digital dots reveals the forest. The pines have said that we can ask. They always called this place 'Paraíso'. Machines will come soon.
Director of Photography
Director
Producer
A study on what the transition to old age means from a female perspective, taking as an example the director's two grandmothers, witnesses of the dictatorship, the transition and of contemporary Spain.
Camera Operator
Created by 24 fabulous filmmakers and two talented sound artists in conjunction with the 2018 edition of Punto De Vista International Documentary Film Festival in Pamplona, Spain.
Director of Photography
'Young & Beautiful' is the polyhedric portrait of a generation accused of not wanting to grow-up; a generation which has been cornered to accept a hopeless world and a country in crisis, in which it has been announced that the one way to survive is to abandon dreams.
Producer
'Young & Beautiful' is the polyhedric portrait of a generation accused of not wanting to grow-up; a generation which has been cornered to accept a hopeless world and a country in crisis, in which it has been announced that the one way to survive is to abandon dreams.
Screenplay
'Young & Beautiful' is the polyhedric portrait of a generation accused of not wanting to grow-up; a generation which has been cornered to accept a hopeless world and a country in crisis, in which it has been announced that the one way to survive is to abandon dreams.
Director
'Young & Beautiful' is the polyhedric portrait of a generation accused of not wanting to grow-up; a generation which has been cornered to accept a hopeless world and a country in crisis, in which it has been announced that the one way to survive is to abandon dreams.
Editor
An example of a very extended practice in New York City, a city where apparently there is no place anymore for low income and working class people. The detention of Josh and Amron Israel opens a space for hope
Director of Photography
An example of a very extended practice in New York City, a city where apparently there is no place anymore for low income and working class people. The detention of Josh and Amron Israel opens a space for hope
Writer
An example of a very extended practice in New York City, a city where apparently there is no place anymore for low income and working class people. The detention of Josh and Amron Israel opens a space for hope
Director
An example of a very extended practice in New York City, a city where apparently there is no place anymore for low income and working class people. The detention of Josh and Amron Israel opens a space for hope
