Brian Freeman

참여 작품

Jewelle: A Just Vision
Self
Jewelle: A Just Vision traces the nodes of social movements from Civil Rights to Marriage Equality. It reveals radical Black and Indigenous feminist networks and thought that could shape what is to come. It drinks deeply from the art and activism of the incomparable Jewelle Gomez, Ioway & African American, Wampanoag, and Cape Verdean lesbian elder. Her life and work replenish humanity with fierce hope as her power swells into the world, from histories of Massasoit and her great-grandmother’s buckskin dress, queer Black ancestors, and slavery-era vampires to starry regenerative futures.
Neighborhoods: The Hidden Cities of San Francisco - The Castro
Self
Now known internationally as the world's first "gay hometown," San Francisco's Castro District was a quiet, working-class neighborhood of European immigrants only a few decades ago. In this documentary, the story of the Castro's transformation is told by those who lived it, young and old, straight and gay. It's a tale of social upheaval, exuberant street culture, political assassination, and the inspiring coming-of-age of an entire community an ongoing saga even today.
워터멜론 우먼
Lee Edwards
젊은 흑인 레즈비언 영화감독이 1930년대에 흑인 가정부의 전형을 연기하던 배우 워터멜론 우먼의 삶을 파고든다.
Anthem
A collage of erotic images and a call to arms, with a feverish hip-hop energy that celebrates the lives of African American men.
Tongues Untied
Self
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
Tongues Untied
Associate Producer
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.