Brian Freeman

Filmes

Jewelle: A Just Vision
Self
Jewelle: A Just Vision traces the nodes of social movements from Civil Rights to Marriage Equality. It reveals radical Black and Indigenous feminist networks and thought that could shape what is to come. It drinks deeply from the art and activism of the incomparable Jewelle Gomez, Ioway & African American, Wampanoag, and Cape Verdean lesbian elder. Her life and work replenish humanity with fierce hope as her power swells into the world, from histories of Massasoit and her great-grandmother’s buckskin dress, queer Black ancestors, and slavery-era vampires to starry regenerative futures.
Neighborhoods: The Hidden Cities of San Francisco - The Castro
Self
Now known internationally as the world's first "gay hometown," San Francisco's Castro District was a quiet, working-class neighborhood of European immigrants only a few decades ago. In this documentary, the story of the Castro's transformation is told by those who lived it, young and old, straight and gay. It's a tale of social upheaval, exuberant street culture, political assassination, and the inspiring coming-of-age of an entire community an ongoing saga even today.
The Watermelon Woman
Lee Edwards
Cheryl é uma jovem lésbica negra americana, que trabalha em uma locadora de vídeos na Filadélfia com sua amiga Tamara. Eles ganham dinheiro extra, fazendo vídeos profissionais para as pessoas.
Anthem
A collage of erotic images and a call to arms, with a feverish hip-hop energy that celebrates the lives of African American men.
Línguas Desatadas
Self
Imagens de performances, cenas chocantes, entrevistas sérias, críticas mordazes à homofobia em filmes negros, pessoas em close recitando poesia ou simplesemente contando suas vidas, formando um retrato de energia inesgotável tanto dos negros quanto dos homossexuais.
Línguas Desatadas
Associate Producer
Imagens de performances, cenas chocantes, entrevistas sérias, críticas mordazes à homofobia em filmes negros, pessoas em close recitando poesia ou simplesemente contando suas vidas, formando um retrato de energia inesgotável tanto dos negros quanto dos homossexuais.