Silvio Naumann

취르허 형제는 전작에서 벗어나기보다 변주하는 쪽을 택했다. 사람들은 좁은 실내를 오가고, 소리는 곁을 맴돌고, 아이와 고양이와 개는 물끄러미 바라보고, 한두 가지의 멜로디가 반복해서 삽입된다. 그리고 사물은 무심한 흔적을 남긴다. 정서의 흐름과 그곳에서 발생하는 감각으로 이루어진 영화의 달라진 점이 있다면, 가족에서 멜로로의 변화다. 어긋난 감정의 교류가 인물을 묶는다. 각자의 기억은 어떤 파장도 일으키지 못하고, 부질없는 응시는 상처를 입는다. 시선끼리 벌이는 전쟁에 승자는 없다. 그저 습관처럼 공유했던 공간, 거미가 떠난 거미줄처럼 공간만이 모든 걸 기억하는 무덤으로 남는다. 감독은 그걸 ‘일상의 신화’라 했다. 영화를 본 뒤, ‘디자이어리스’의 「보야지, 보야지」가 예전과 달리 들리지 싶다.

한 소녀가 잠자리를 찾아 도시를 방황한다. 요가 스튜디오, 미술관 그리고 이방인의 침대 그 어디에도 그녀를 위한 공간은 없다. 핑크와 블루로 표현된 포스트 모던 코미디.

The love story between Maryam and Gabriel starts by coincidence but feels like a match made in heaven. It also marks an emotional tide change in Maryam´s life in Berlin as a single mom of three daughters. Only one crucial thing stands between her, Gabriel and a “happily ever after” – prison bars. Nevertheless, the love Maryam feels empowers her not only to live in the moment, but to be true to herself when Gabriel suddenly starts to show a different side to his character.

아스트리드의 열세살 난 아들이 일주일간 무단 가출 후 아무 설명도 없이 자연에서 집으로 돌아오며 시작되는 이야기다.

Southern Italy, the end of summer: the Durati family lives in an isolated house amidst the imposing rocky landscape. Both protected and cut off from everything, they are connected to the outside world by a single road that runs through their olive tree plantation. Today, as they prepare to celebrate the older sister’s impending wedding, time flies in this secluded reality. Dora, Matteo, Renzo and Alice Durati don’t realize this is their last day alive.

사람들이 마녀와 고대 마법을 두려워하며 살던 15세기 오스트리아 알프스. 마녀로 의심받으며 고립된 생활을 이어가는 알브런은 제정신을 지키기 위해 노력하지만...

Todor is in his early thirties and lives with his mother, reliant on her cooking, ironing, washing, and company. The comfort of this co-dependent lifestyle is suddenly altered one night when Todor arrives home late after an office party.

Winter in a big city. Thirty-year-old Klara arrives home with a random guy that she has just met. Both are drunk, they are giggling, having fun. But there is someone else in the apartment: Anton (9) catches them having sex. The next morning, Anton is gone.

Shortly after World War II, over 1,000 paintings were found in a cellar in southern France. The paintings were created by a young Jewish woman named Charlotte Salomon. She painted her turbulent life story in a unique creation called: ‘Life? Or Theater? – A Tri-Colored Operetta.’ Death and the Maiden unravels the story behind her creation.

A mass panic at a vast subway station somewhere in the Northwestern hemisphere leaves its survivors perplexed. What happened to trigger the stampede? At the peak of the rush hour the film goes on a journey into the landscape of public fears.

Her search for identity began with an extremely brutal hate song by the neo-Nazi band "White Aryan Rebels", which called for murder against the black German Mo Asumang: "The bullet is for you, Mo Asumang". Fortunately, the Nazi poison works like a motor for Mo, which in her debut film takes her across Germany and into Africa, and in which Mo talks to her mother and father about belonging for the first time. Roots Germania is a search for the roots, a search for her own identity. The film is also a spiritual journey to African and Germanic ancestors and cult places.