Silvio Naumann

Lisa está saindo do apartamento onde vive com Mara e Markus, e sua mudança significa o fim de uma era. À medida que caixas são deslocadas, paredes pintadas e armários construídos, os abismos começam a se abrir. Enquanto Lisa está ansiosa pela mudança, Mara enfrenta uma montanha-russa de emoções.

A girl roams through the city looking for a place to sleep. Along the way she meets young mothers who celebrate motherhood religiously, goes home with an abstinent existentialist for whom sex is “just another market”, and waits for the end of capitalism in a drag bar. Her attempt to write a book doesn’t make it beyond the first sentence of the second chapter, and she finds no space between art galleries, yoga studios and the beds of strangers. Instead of trying to fit in, she starts regarding her depression as a political issue.

The love story between Maryam and Gabriel starts by coincidence but feels like a match made in heaven. It also marks an emotional tide change in Maryam´s life in Berlin as a single mom of three daughters. Only one crucial thing stands between her, Gabriel and a “happily ever after” – prison bars. Nevertheless, the love Maryam feels empowers her not only to live in the moment, but to be true to herself when Gabriel suddenly starts to show a different side to his character.

Um garoto de 13 anos desaparece, sem deixar vestígios. Após uma semana, ele reaparece no pátio da escola, sujo e diferente. Sua mãe e seus professores podem apenas tentar adivinhar o que ele procurava: uma extrema proximidade com a natureza ou a morte, por causa da recente perda de seu pai. O comportamento do garoto invalida tudo aquilo que, até então, eles tomavam como certo.

Southern Italy, the end of summer: the Durati family lives in an isolated house amidst the imposing rocky landscape. Both protected and cut off from everything, they are connected to the outside world by a single road that runs through their olive tree plantation. Today, as they prepare to celebrate the older sister’s impending wedding, time flies in this secluded reality. Dora, Matteo, Renzo and Alice Durati don’t realize this is their last day alive.

Paranoia e Superstição na Europa no Século 15. Um jovem criador de cabras nos Alpes do século XV, após a morte traumatizante de sua mãe, começa a sentir uma presença na escuridão.

Todor is in his early thirties and lives with his mother, reliant on her cooking, ironing, washing, and company. The comfort of this co-dependent lifestyle is suddenly altered one night when Todor arrives home late after an office party.

Winter in a big city. Thirty-year-old Klara arrives home with a random guy that she has just met. Both are drunk, they are giggling, having fun. But there is someone else in the apartment: Anton (9) catches them having sex. The next morning, Anton is gone.

Shortly after World War II, over 1,000 paintings were found in a cellar in southern France. The paintings were created by a young Jewish woman named Charlotte Salomon. She painted her turbulent life story in a unique creation called: ‘Life? Or Theater? – A Tri-Colored Operetta.’ Death and the Maiden unravels the story behind her creation.

A mass panic at a vast subway station somewhere in the Northwestern hemisphere leaves its survivors perplexed. What happened to trigger the stampede? At the peak of the rush hour the film goes on a journey into the landscape of public fears.

Her search for identity began with an extremely brutal hate song by the neo-Nazi band "White Aryan Rebels", which called for murder against the black German Mo Asumang: "The bullet is for you, Mo Asumang". Fortunately, the Nazi poison works like a motor for Mo, which in her debut film takes her across Germany and into Africa, and in which Mo talks to her mother and father about belonging for the first time. Roots Germania is a search for the roots, a search for her own identity. The film is also a spiritual journey to African and Germanic ancestors and cult places.