Director
The life of man is poor and nasty. A few plants give temporary relief: marijuana, alcohol, and opium. After a history of opium, including the 19th-century Opium Wars, we learn of the discovery of heroin; the rest of the film examines heroin trade and addiction in the U.S. Two tons a year enter the U.S., with only 100 pounds interdicted. Most is used in New York City. Interviews with customs officials, prosecutors, medical doctors and junkies provide points of view. The harsh 1956 law and the medically-oriented law of 1966 are contrasted, with the film on the side of treatment and rehabilitation. It ends with advocating reducing use here and finding other cash crops for farmers abroad.
Director
This film describes the 1960s drug culture. Addicts discuss their experiences in the United States and in Vietnam. Dr. Stanley Yolles, director of the National Institute of Mental Health (NIMH), talks about the drug culture and the NIMH role in prevention and treatment. The tape describes growth in the use of marijuana and heroin. In 1966, the Narcotic Addict Rehabilitation Act is the first law to give the addict a choice of treatment or jail. Synanon in California is a private, self-help, residential community that helps people deal with their addictions. New York's Daytop Village works not only with addicts on addictions, but on developing a new lifestyle. Methadone, though still experimental, has proved to be an effective treatment for heroin addiction.
Director
Robert Mitchum narrates an anti drug propaganda film.
Screenplay
In a totalitarian future society, a man whose daily work is rewriting history tries to rebel by falling in love.
Writer
George Orwell's novel of a totalitarian future society in which a man whose daily work is rewriting history tries to rebel by falling in love. Episode 1 of Season 6 of Studio One's anthology series.
Writer
A panhandler who opens car doors for people in London's theatre district finds himself involved in a deadly mystery when a corpse with a cash-stuffed wallet falls out of a vehicle and he helps himself to some of the money.
Screenplay
The hero discovers his estranged wife dead and tries to frame her lover for the murder. He becomes involved with the criminals who make various unsuccessful attempts on his life while the police clear up the mystery.
Additional Dialogue
주런던 프랑스 대사관, 대사의 어린 아들 필립은 관저 살림을 책임지는 베인스를 잘 따른다. 날카로운 베인스의 아내와 달리 그는 필립과 잘 놀아 준다. 대사가 관저를 비운 주말, 혼자 놀던 필립은 관저를 떠나는 베인스를 보고 그를 뒤따라가는데, 찻집에서 내연 관계인 줄리와 만나고 있던 베인스는 필립을 보고 깜짝 놀란다. 한편, 남편의 외도를 눈치챈 베인스 부인과 베인스가 다투고, 예상치 못한 사고로 부인이 죽고 만다. 그런데 하필 사고 장면을 목격한 필립은 베인스가 부인을 죽였다고 생각한다. 비극적 사고는 아이의 순수한 눈을 거치며 더욱 끔찍한 사건으로 비화해 간다. 이 작품으로 캐롤 리드는 1950년 아카데미 감독상 후보에 오른다
