Marek Rozenbaum

Two love stories develop in a world that follows traditional norms: young Zaza loves Zehava, as they bond in a magical world. The beautiful and independent Madea is in love with the charming neighborhood thug. Watching over is the patriarch grandfather, fighting to bind everyone to the old rules.

이스라엘 감독 대니 로젠버그가 아버지를 주인공으로 만든 첫 장편으로, 자전적 픽션과 다큐멘터리적 요소가 공존하는 영화다. 감독은 카메라로 아버지의 불치병이 악화되는 과정을 따라가지만, 노아 콜러와 같은 전문 배우도 등장한다. 영화적 미로를 만들기 위해 고전적 형식을 의식적으로 거부하는 이 영화는 아버지와 그의 암투병에 대한 감독의 오마주다.

이스라엘 감독 대니 로젠버그가 아버지를 주인공으로 만든 첫 장편으로, 자전적 픽션과 다큐멘터리적 요소가 공존하는 영화다. 감독은 카메라로 아버지의 불치병이 악화되는 과정을 따라가지만, 노아 콜러와 같은 전문 배우도 등장한다. 영화적 미로를 만들기 위해 고전적 형식을 의식적으로 거부하는 이 영화는 아버지와 그의 암투병에 대한 감독의 오마주다.

Menachem, a former frontman for a rock band, is now religious, and a father to a six-year-old. When his daughter is diagnosed with cancer, he must find a creative solution to fund the expensive treatments. He reunites his band for one last tour. The journey to save his daughter exposes old wounds and allows him to reconnect with his secular past. Menachem understands that only a new connection to his past and to his music can pave the road to his own redemption.

A man and a woman meet eachother in a hotel suite for a day full of fantasy, they are celebrating their 10th wedding anniversary and this is their routine celebration. But this year is different. Through this day secrets, lies, will coming out while they are both living their sexual fantasy.

A man and a woman meet eachother in a hotel suite for a day full of fantasy, they are celebrating their 10th wedding anniversary and this is their routine celebration. But this year is different. Through this day secrets, lies, will coming out while they are both living their sexual fantasy.

Was Sigmund Freud a revolutionary genius who changed our thought and sought to release humanity from shackles of oppression, religion and hypocrisy? Or was he a greedy and devious charlatan who swindled theories from others? Was he the generator of the present sense of individuality or did he contaminate humanity’s moral values with selfcenteredness? With debate from world-renowned Freud experts and philosophers, and animation, humour, art and music, More Alive than Dead explores the multifaceted Freudian influence on our culture and society.

Ovadia Rachmim is the strongest and most violent doorman of Tel Aviv night clubs. He and his wife Rachel are trying to get pregnant for 5 years. A small time gangster named Shalom, offers Ovadia a job, to be a debts collector, offering him a lot of money. Ovadia sees this as great opportunity to start an expensive private treatment for his wife. As soon as Rachel gets pregnant, he decides to stop working for Shalom. Shalom wants him for the most important mission. The mission in which Ovadia has to betray all his best friends. Now it's the time to pay the price of becoming a father.

Rules must be followed. For the "supervisors" of the Bat Yam neighbourhood in Israel, this means ensuring that women are dressed appropriately, that people respect Shabbat, or that Arabs from Jaffa don't enter the neighbourhood with music blaring from their cars. Avi, Kobi and Yaniv are young and know how to fight. They want to force their neighbours to become religious, without hesitating to be violent in the name of God. The inhabitants admire the gang and are afraid of them at the same time. One day a new girl, Miri, arrives. She is not familiar with the strict rules of modesty. The gang's leader Avi is going to be torn between his feelings for Miri and his dedication to the gang.

Tamar, an attractive single mother, lives alone in a small village with her two daughters. Unsatisfied, she attempts to fill her many voids through meaningless sexual rendezvous.

2009년 회고전을 가졌던 예르지 스콜리모프스키 감독의 최신작. 미군에 의해 아프가니스탄에서 붙잡힌 모하메드는 유럽의 비밀 구류 시설로 옮겨지는데…. 빈센트 갈로 주연의 베니스영화제 심사위원특별상 수상작. (2011년 제12회 전주국제영화제)

Vasermil tells the story of three teenagers who live in the same tough neighborhood, growing up in an unforgiving environment, pinning their hopes on football as a way out. Shlomi lives with his widowed mother, little sister, and step-father and works as a pizza delivery boy. Adiel, of Ethiopian descent, has to look after his young brother and sick mother. Dima, a new immigrant from Russia, has a father who is unemployed and a mother who works as a cleaning lady. The three teens are recruited by the coach of the local football team. Learning to work together as a team is the key to success in the tournament and success in the tournament means getting noticed by the scouts of the local football empire. In order to win the tournament they will have to play as a team, overcome their differences, get over their sense of inferiority and prejudice.

Debbie, a young belly dancer, her dangerous yet charming lover, a criminal, and a dance club owner tell the story about love and crimes, friendship and betrayal.

In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

Michale is a thirty year old woman. She works with her father in a Tel Aviv accounting office providing services to important religious institutions. She divides her time between her child, her husband, her work and the man with whom she is having an affair. When Michale learns of the tragic death of her lover, her life is shattered.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.

Zaza is a 31-year old Israeli bachelor, handsome and intelligent, and his family wants to see him married. But tradition dictates that Zaza has to choose a young virgin. She must be beautiful and from a good family, preferably rich. Zaza's parents, Yasha and Lily drag Zaza to meet potential brides and their families. Zaza has no choice. He plays along with his family, advocates of the suffocating traditions of their Georgian Jewish heritage. But Zaza always manages to somehow get out of being engaged. What his parents don't know is that Zaza is already in love. Judith is sensuous, strong and intriguing. She's also a divorcée with a 6-year-old daughter. So Zaza has kept Judith a secret from his family. He will have to choose between respect of the strict confines of family and tradition, or the love of his life.

An excessively ambitious police investigator pursues a tip that a singer with underworld ties is responsible for a recent robbery/homicide, becoming obsessed with the case and the suspect's wife.

An excessively ambitious police investigator pursues a tip that a singer with underworld ties is responsible for a recent robbery/homicide, becoming obsessed with the case and the suspect's wife.

Little Benjamin and Margalit are raised in the boondocks of Israel by their long-suffering mother, but they have in them something of their father, who can't stay in a place with no prospect of riches and excitement.

The year is 1999 and the storyline is actually a number of sub-plots all revolving around the 13-year old Clara, a girl that can predict the future and has telekinetic powers. The sub-plots include a boy in her class who has a crush on her, his family, her family and her principal that keeps talking French for some strange reason.

Two interconnected stories in the 1930s, one set in Berlin, the other in Palestine: Mania Vilbouchevich Shohat (1880-1961), called Tania, a Russian Jew and revolutionary, goes from Minsk to Palestine to live on a collective. She promotes feminism and laments a shift in the men from self-defense to aggression. Her friend, Else Lasker-Schuler (1869 - 1945), expressionist poet and German Jew, is in Berlin, writing, caring for her son, watching Hitler's movement take power. She goes to Jerusalem and imagines a park for Arab and Jew. Her poems, voiced from within, capture her experience. The film meditates on the violence at the root of Israel's birth: of the Nazis and of the Zionists.

Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?

A fantasy about a daughter’s yearning for her mother’s warmth and comfort, which turns into a nightmare about harsh reality of a group of homeless quarry workers. Masha arrives at the quarry with a heavy heart, burdened by a secret she hasn’t told anyone about. She wants to speak with her mother, Vera, but she has struggles of her own. A young woman finds herself in a deafening masculine environment where no one's listening. A journey to save herself quickly blurs into a venture to save her own mother. Ants crawling on the walls of the house, childhood photos and Russian food, are the harsh reality of one woman, and a comforting memory for the other.

A look into the complex and contradictory personality of Yossef Nachmani, the man largely responsible for the first Zionist settlements in the Galilee. As director of the Jewish National Fund office in the Galilee, Nachmani acquired as much land from Arabs as possible to establish Jewish settlements upon it. The film focuses on events in Tiberius, Nachmani's hometown, a mixed community where Arabs and Jews coexisted harmoniously. Nachmani left behind a fascinating series of diaries that shed new light upon events in the Galilee during those years. Through these diaries, the film examines the critical early years of Zionism and the beginning of the Jewish-Arab conflict from his unique perspective. This provocative historical documentary is sure to become a significant document in the ongoing debate about the basic foundation myth of Israel.