Jérôme Petit

After marrying a girl from his native village, Sokuro, a young Burkinabe immigrant living in Italy, tries to build a future with her despite the distance that separates their two worlds.

Witness at her best friend's wedding, Pauline hopes to enjoy this extraordinary day and to get closer to Raphael. But it will be hard for her to take her eyes off her disabled daughter Emma, whom she could not bring herself to let keep.

Since the death of Jesus, Mary Magdalene has withdrawn from the world. Her hair has turned white, she eats berries, drinks water from the rain and sleeps among the trees. Alone in the heart of the forest, she remembers her lost love. She looks for a way to find him.

Victor, in his early 20s, works at the town hall and lives with his girlfriend Charlotte, who is expecting their first child. When an incident happens at the nearby nuclear power plant, he and his high school friends are forced to confine themselves inside a farmhouse, whereas they should have evacuated the area. As the rain is threatening, they are keeping an eye out for the radioactive cloud. The next 24 hours will be crucial.

Sahar tirelessly travels the forgotten plains and cliffs of his native island to prospect for a rare mineral. Suddenly, a voice upsets his search, his relationship with the world, and our Milky Way.

In October 1995, Forbach witnessed one of the most violent strikes in the history of contemporary France. A thousand or so miners took to the streets for a merciless struggle against a reform in their rights. Twenty years after the mines shut down, people’s will to fight is still alive, just hidden away somewhere.

전설적인 무용수 이사도라 던컨은 1913년 4월에 자신의 아이가 세상을 떠난 뒤 ‘엄마’라는 이름의 독무를 창작했다. 부드러움의 정점에 이르는 순간, 엄마는 아이를 떠나보내기 직전 마지막으로 그를 보듬어본다. 현대의 프랑스에서 이사도라를 포함한 4인의 여성이 새롭게 ‘엄마’를 접하고 이를 각자만의 방식으로 해석해나간다.

A slow movement through a residential neighbourhood, with empty streets, plain facades, as though artificial. A man recounts his story about the first time, attraction, desire, dizziness of the ignition, forgetfulness, complete blackout. The monologue is composed from transcriptions of psychotherapeutic sessions with arsonists, from the period 1960-1980.

Margot has memories, black ideas that haunt her and lead her to the mountains of her childhood, to her brother Adrien. In the cold of winter, the ghost of a missing brother reappears.