Director
From the very beginning, Simón Velez’s film instils a sense of dramatic tension: moving from a sudden crescendo and the grainy sounds of nervous electro noise to a bucolic archery scene between two men, and the texture of analogue film.
Co-Producer
실화를 바탕으로 한 이야기. 콜롬비아의 도시 메데인. 핑키는 도망치고 있다. 교주의 지배로부터 벗어나 마침내 자유를 찾은 것이다. 지낼 장소와 티셔츠 공장에서의 일자리를 구한 그는 자신만의 신념에 사로잡혀 모든 것에 의문을 품기 시작한다. 자신의 부서진 삶의 조각들을 다시 끼워 맞추려고 하자, 폭력적인 기억들이 그를 괴롭히고 복수를 꿈꾸게 한다.
(2021년 제22회 전주국제영화제)
Production Design
On 6 March 1906, four men were executed for the attempted murder of Colombian president Rafael Reyes. The event was photographed, and the photos were later used for a fictionalised film on the failed coup. From then on, cinema in this South American country has been inextricably linked to its violent history. Moving images have been used for historiography, propaganda, disinformation and to instil unity in a nation that refuses to come together. Falsos positivos, murdered youths disguised as guerrillas by the army to simulate military success, are a common element.
Director
After jumping from a bridge, William steals a motorcycle to take his girlfriend for a ride.
