Director
From the very beginning, Simón Velez’s film instils a sense of dramatic tension: moving from a sudden crescendo and the grainy sounds of nervous electro noise to a bucolic archery scene between two men, and the texture of analogue film.
Co-Producer
Пинки, преступник и наркоман, освободившись из некоей секты, пускается в бега, все глубже погружаясь во чрево мрачного апокалиптического мегаполиса. Он ищет свет в конце тоннеля, но его преследуют призраки подсознания и собственного прошлого.
Production Design
On 6 March 1906, four men were executed for the attempted murder of Colombian president Rafael Reyes. The event was photographed, and the photos were later used for a fictionalised film on the failed coup. From then on, cinema in this South American country has been inextricably linked to its violent history. Moving images have been used for historiography, propaganda, disinformation and to instil unity in a nation that refuses to come together. Falsos positivos, murdered youths disguised as guerrillas by the army to simulate military success, are a common element.
Director
After jumping from a bridge, William steals a motorcycle to take his girlfriend for a ride.
