Alejandro Agresti

A disgruntled book editor is about to commit suicide when he is interrupted by a woman, who threatens to do the same if he does not read her book.

A disgruntled book editor is about to commit suicide when he is interrupted by a woman, who threatens to do the same if he does not read her book.

A disgruntled book editor is about to commit suicide when he is interrupted by a woman, who threatens to do the same if he does not read her book.

비슷비슷한 상업 영화만 찍어대다가 질릴 대로 질려버린 할리우드 배우. 아르헨티나로 건너가 실험적이면서도 의미 있는 일을 찾아보기로 한다.

비슷비슷한 상업 영화만 찍어대다가 질릴 대로 질려버린 할리우드 배우. 아르헨티나로 건너가 실험적이면서도 의미 있는 일을 찾아보기로 한다.

비슷비슷한 상업 영화만 찍어대다가 질릴 대로 질려버린 할리우드 배우. 아르헨티나로 건너가 실험적이면서도 의미 있는 일을 찾아보기로 한다.

비슷비슷한 상업 영화만 찍어대다가 질릴 대로 질려버린 할리우드 배우. 아르헨티나로 건너가 실험적이면서도 의미 있는 일을 찾아보기로 한다.

2006년 겨울 아침, 호수 위의 집에 살던 의사 케이트 포레스터(산드라 블록)는 시카고의 병원 생활을 위해 집을 떠나야 하는 것이 못내 아쉽다. 다음 세입자에게 자기 앞으로 오는 우편물을 챙겨달라는 것과 현관 앞의 강아지 발자국은 이사오기 전부터 있었다는 설명을 적어 우편함에 넣는다. 뒤 이어 호수 위의 집으로 오게 된 건축가 알렉스 와일러(키아누 리브스)는 케이트의 편지와는 달리 오랫동안 사람이 살지 않아 잡풀이 무성하고 강아지의 발자국이란 어디를 찾아봐도 보이지 않아 당황한다. 그러나 며칠 후, 페인트 칠을 하고 있을 때 집 잃은 강아지가 현관을 밟고 지나가 그 자리에 발자국이 남자 알렉스는 우편함으로 주고받은 편지를 통해 케이트가 2004년 자신과 2년이나 떨어진 시간에 있음을 알게 된다. 어느새 서로에게 특별한 감정을 느끼게 된 그들은 다른 시간의 차이를 극복해보기로 하는데...

A woman reunites with her husband, who vanished on her years ago.

A woman reunites with her husband, who vanished on her years ago.

1960년대의 부에노스 아이레스. 8살의 발렌틴은 3년 전 자신을 떠난 엄마가 다시 돌아와 가족 모두가 행복하게 사는것만이 절실한 꿈이다. 일과 여자밖에 모르는 아빠는 발렌틴에게 통 관심을 쏟지 않는다. 발렌틴은 유일한 친구인 피아노 선생님 루포에게만 자신의 고민을 털어놓는다. 아무도 왜 엄마가 자신을 버리고 떠났는지 말해주지 않자 결국 발렌틴은 스스로 이유를 알기 위해 나선다.

1960년대의 부에노스 아이레스. 8살의 발렌틴은 3년 전 자신을 떠난 엄마가 다시 돌아와 가족 모두가 행복하게 사는것만이 절실한 꿈이다. 일과 여자밖에 모르는 아빠는 발렌틴에게 통 관심을 쏟지 않는다. 발렌틴은 유일한 친구인 피아노 선생님 루포에게만 자신의 고민을 털어놓는다. 아무도 왜 엄마가 자신을 버리고 떠났는지 말해주지 않자 결국 발렌틴은 스스로 이유를 알기 위해 나선다.

1960년대의 부에노스 아이레스. 8살의 발렌틴은 3년 전 자신을 떠난 엄마가 다시 돌아와 가족 모두가 행복하게 사는것만이 절실한 꿈이다. 일과 여자밖에 모르는 아빠는 발렌틴에게 통 관심을 쏟지 않는다. 발렌틴은 유일한 친구인 피아노 선생님 루포에게만 자신의 고민을 털어놓는다. 아무도 왜 엄마가 자신을 버리고 떠났는지 말해주지 않자 결국 발렌틴은 스스로 이유를 알기 위해 나선다.

In Curuguazu, located in the Argentinian countryside, seventeen year-old Daniel Montero has been raised by his grandmother for three years since the death of his parents in a car accident. Daniel has a boring life, working in a poultry processing plant and meeting his friends in the square to make small talk. He saves some money from his salary and buys an old television, where he watches late night porn shows of Sabrina Love.

In Curuguazu, located in the Argentinian countryside, seventeen year-old Daniel Montero has been raised by his grandmother for three years since the death of his parents in a car accident. Daniel has a boring life, working in a poultry processing plant and meeting his friends in the square to make small talk. He saves some money from his salary and buys an old television, where he watches late night porn shows of Sabrina Love.

Soledad, a girl tired of being a taxi driver in Buenos Aires, travels with her car to Patagonia. She stops in a village whose inhabitants live in isolation and their only contact with the outside world is a cinema where old films are projected.

Soledad, a girl tired of being a taxi driver in Buenos Aires, travels with her car to Patagonia. She stops in a village whose inhabitants live in isolation and their only contact with the outside world is a cinema where old films are projected.

Alfredo loses his job as a film critic after twenty years working for the same newspaper. His work mates have been trying to help him for a year because he is always drunk and angry, and his reviews have become sloppy. The cause: his wife and daughters have abandoned him and she is now living with Pablo, a famous artist. Alfredo wants to get his family back at any cost and tries to find out some terrible secrets about his new enemy to discredit him before Claudia...

Premiered at International Film Festival Rotterdam 1998.

This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past

This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past

This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past

After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.

A mage steals a book from a stranger and becomes very famous.

A mage steals a book from a stranger and becomes very famous.

One day, Tim (Roy Ward) stops to speak with one of those men with no apparent income and no apparent place of residence who can be seen on the streets of Amsterdam and who are ready to speak of profundities and mock-profundities at the drop of a hat. This particular man tells him that "people don't die, they get killed." For some reason, this strikes the lonely television repairman as profound. He has been building a ham radio at home out of spare parts so that he will have someone to talk to. Shortly after talking to the street person, his circle of friends is diminished by one when his friend Alex is reported to have killed himself. This in itself is a bit of a mystery, and Tim attempts to make sense of it by talking to a lawyer, Alex's girlfriend, and others.

One day, Tim (Roy Ward) stops to speak with one of those men with no apparent income and no apparent place of residence who can be seen on the streets of Amsterdam and who are ready to speak of profundities and mock-profundities at the drop of a hat. This particular man tells him that "people don't die, they get killed." For some reason, this strikes the lonely television repairman as profound. He has been building a ham radio at home out of spare parts so that he will have someone to talk to. Shortly after talking to the street person, his circle of friends is diminished by one when his friend Alex is reported to have killed himself. This in itself is a bit of a mystery, and Tim attempts to make sense of it by talking to a lawyer, Alex's girlfriend, and others.

One day, Tim (Roy Ward) stops to speak with one of those men with no apparent income and no apparent place of residence who can be seen on the streets of Amsterdam and who are ready to speak of profundities and mock-profundities at the drop of a hat. This particular man tells him that "people don't die, they get killed." For some reason, this strikes the lonely television repairman as profound. He has been building a ham radio at home out of spare parts so that he will have someone to talk to. Shortly after talking to the street person, his circle of friends is diminished by one when his friend Alex is reported to have killed himself. This in itself is a bit of a mystery, and Tim attempts to make sense of it by talking to a lawyer, Alex's girlfriend, and others.

An anthology film centering around the worldwide adventures of the Nissan Figaro.

Collection of documentary shorts by various acclaimed directors

As an anonymous man, Fermin leaves his underground hideout in the subway. The dictatorship in the country is followed by democracy, but the bright light of it blinds Fermin: he is displaced. At the police station, his anonymity is complete and he doesn't remember his own name. He is fitted with a past of 13 years of illegal political opposition from the police archives. When he keeps silent about the crimes of the dictator regime, he will be a free man. The woman he promised to marry, doesn't recognize him anymore, and thinks he is dead.

José is a young journalist who gets fired over refusing to write an article about an American film crew, overdramatizing the situation in Argentina. When he goes looking for his old girlfriend, he runs into the crew again.

José is a young journalist who gets fired over refusing to write an article about an American film crew, overdramatizing the situation in Argentina. When he goes looking for his old girlfriend, he runs into the crew again.

José is a young journalist who gets fired over refusing to write an article about an American film crew, overdramatizing the situation in Argentina. When he goes looking for his old girlfriend, he runs into the crew again.

While searching for the theme for his new novel, a writer interacts with various characters with whom he interacts.

While searching for the theme for his new novel, a writer interacts with various characters with whom he interacts.

While searching for the theme for his new novel, a writer interacts with various characters with whom he interacts.

While searching for the theme for his new novel, a writer interacts with various characters with whom he interacts.