Alejandro Agresti

A disgruntled book editor is about to commit suicide when he is interrupted by a woman, who threatens to do the same if he does not read her book.

A disgruntled book editor is about to commit suicide when he is interrupted by a woman, who threatens to do the same if he does not read her book.

A disgruntled book editor is about to commit suicide when he is interrupted by a woman, who threatens to do the same if he does not read her book.

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

Зима 2006 года. Ощутив необходимость изменить свою жизнь, доктор Кейт Форестер покидает свой необычный дом у озера в пригороде Иллинойса и устраивается на работу в чикагскую больницу. По дороге в город Кейт оставляет в почтовом ящике письмо, которое должен получить новый обитатель дома. Когда же в него вселяется талантливый, но разочаровавшийся в жизни архитектор Алекс Уайлер, он видит этот дом совсем не таким, каким описала его в своём письме Кейт. Для Алекса это жилище имеет особое значение, поскольку оно было построено его отцом, знаменитым архитектором, который ради карьеры оставил свою семью. В итоге Алекс решает придать дому его первоначальный вид. Однажды странный случай заставляет Алекса написать ответное письмо Кейт; в процессе их переписки выясняется, что он живёт в 2004 году, а она — в 2006-м. И лишь загадочный почтовый ящик служит неким соединяющим их мостиком.

A woman reunites with her husband, who vanished on her years ago.

A woman reunites with her husband, who vanished on her years ago.

Valentin, a 9-year-old boy living with his grandmother in late-1960s Buenos Aires, believes his family has problems that only he can solve. The youngster dreams of being reunited with his mother, who's separated from Valentin's abusive father.

Valentin, a 9-year-old boy living with his grandmother in late-1960s Buenos Aires, believes his family has problems that only he can solve. The youngster dreams of being reunited with his mother, who's separated from Valentin's abusive father.

Valentin, a 9-year-old boy living with his grandmother in late-1960s Buenos Aires, believes his family has problems that only he can solve. The youngster dreams of being reunited with his mother, who's separated from Valentin's abusive father.

In Curuguazu, located in the Argentinian countryside, seventeen year-old Daniel Montero has been raised by his grandmother for three years since the death of his parents in a car accident. Daniel has a boring life, working in a poultry processing plant and meeting his friends in the square to make small talk. He saves some money from his salary and buys an old television, where he watches late night porn shows of Sabrina Love.

In Curuguazu, located in the Argentinian countryside, seventeen year-old Daniel Montero has been raised by his grandmother for three years since the death of his parents in a car accident. Daniel has a boring life, working in a poultry processing plant and meeting his friends in the square to make small talk. He saves some money from his salary and buys an old television, where he watches late night porn shows of Sabrina Love.

Soledad, a girl tired of being a taxi driver in Buenos Aires, travels with her car to Patagonia. She stops in a village whose inhabitants live in isolation and their only contact with the outside world is a cinema where old films are projected.

Soledad, a girl tired of being a taxi driver in Buenos Aires, travels with her car to Patagonia. She stops in a village whose inhabitants live in isolation and their only contact with the outside world is a cinema where old films are projected.

Alfredo loses his job as a film critic after twenty years working for the same newspaper. His work mates have been trying to help him for a year because he is always drunk and angry, and his reviews have become sloppy. The cause: his wife and daughters have abandoned him and she is now living with Pablo, a famous artist. Alfredo wants to get his family back at any cost and tries to find out some terrible secrets about his new enemy to discredit him before Claudia...

Premiered at International Film Festival Rotterdam 1998.

This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past

This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past

This is Buenos Aires, its characters, its history, its reality. A complex movie for a complex city, depicted in the character's language, and in their relationship with the present and the past

After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.

A mage steals a book from a stranger and becomes very famous.

A mage steals a book from a stranger and becomes very famous.

One day, Tim (Roy Ward) stops to speak with one of those men with no apparent income and no apparent place of residence who can be seen on the streets of Amsterdam and who are ready to speak of profundities and mock-profundities at the drop of a hat. This particular man tells him that "people don't die, they get killed." For some reason, this strikes the lonely television repairman as profound. He has been building a ham radio at home out of spare parts so that he will have someone to talk to. Shortly after talking to the street person, his circle of friends is diminished by one when his friend Alex is reported to have killed himself. This in itself is a bit of a mystery, and Tim attempts to make sense of it by talking to a lawyer, Alex's girlfriend, and others.

One day, Tim (Roy Ward) stops to speak with one of those men with no apparent income and no apparent place of residence who can be seen on the streets of Amsterdam and who are ready to speak of profundities and mock-profundities at the drop of a hat. This particular man tells him that "people don't die, they get killed." For some reason, this strikes the lonely television repairman as profound. He has been building a ham radio at home out of spare parts so that he will have someone to talk to. Shortly after talking to the street person, his circle of friends is diminished by one when his friend Alex is reported to have killed himself. This in itself is a bit of a mystery, and Tim attempts to make sense of it by talking to a lawyer, Alex's girlfriend, and others.

One day, Tim (Roy Ward) stops to speak with one of those men with no apparent income and no apparent place of residence who can be seen on the streets of Amsterdam and who are ready to speak of profundities and mock-profundities at the drop of a hat. This particular man tells him that "people don't die, they get killed." For some reason, this strikes the lonely television repairman as profound. He has been building a ham radio at home out of spare parts so that he will have someone to talk to. Shortly after talking to the street person, his circle of friends is diminished by one when his friend Alex is reported to have killed himself. This in itself is a bit of a mystery, and Tim attempts to make sense of it by talking to a lawyer, Alex's girlfriend, and others.

An anthology film centering around the worldwide adventures of the Nissan Figaro.

Collection of documentary shorts by various acclaimed directors

As an anonymous man, Fermin leaves his underground hideout in the subway. The dictatorship in the country is followed by democracy, but the bright light of it blinds Fermin: he is displaced. At the police station, his anonymity is complete and he doesn't remember his own name. He is fitted with a past of 13 years of illegal political opposition from the police archives. When he keeps silent about the crimes of the dictator regime, he will be a free man. The woman he promised to marry, doesn't recognize him anymore, and thinks he is dead.

José is a young journalist who gets fired over refusing to write an article about an American film crew, overdramatizing the situation in Argentina. When he goes looking for his old girlfriend, he runs into the crew again.

José is a young journalist who gets fired over refusing to write an article about an American film crew, overdramatizing the situation in Argentina. When he goes looking for his old girlfriend, he runs into the crew again.

José is a young journalist who gets fired over refusing to write an article about an American film crew, overdramatizing the situation in Argentina. When he goes looking for his old girlfriend, he runs into the crew again.

While searching for the theme for his new novel, a writer interacts with various characters with whom he interacts.

While searching for the theme for his new novel, a writer interacts with various characters with whom he interacts.

While searching for the theme for his new novel, a writer interacts with various characters with whom he interacts.

While searching for the theme for his new novel, a writer interacts with various characters with whom he interacts.