Cécile Morin

An adventure between a father and his son, in a world where some humans have started mutating into other animal species.

Disaster movies tend to inhabit the close-but-not-too-close realm of the ‘what if?’, but Quentin Reynaud’s taut drama evokes a reality that is painfully immediate, as the world combusts around us. Alex Lutz (recently seen as the son in Gaspar Noé’s Vortex) plays a man determined to escape with his elderly father (the ineffable André Dussollier) from a wildfire that is rapidly approaching their forested area of southern France. The pair know all the local roads, and the secret detours, but when they are caught in a dead end, they seem to be running out of possible exits. At once road movie, claustrophobic jeopardy thriller and portrait of a prickly but tender father-son relationship, this finely acted and executed film expertly lays on the heat.

Sandra, a young woman forced to leave the south of France to flee a violent husband. Without attachment, she returned to Boulogne-sur-Mer, the city of her childhood which she left almost 15 years ago. She finds her mother there and a world she left behind. Without money, she is hired in a fish cannery where she befriends two workers. But one day, one of her colleagues tackles her insistently, she defends herself and kills him accidentally.

The story revolves around 22-year-old Laure, who is trying to find her feet. After performing brilliantly in her literature studies, she enrols as a communications officer in the Naval Fusiliers. She will quickly have to adapt to and assimilate the rules that apply within the institution. But Laure is a determined woman, and she has a thirst for knowledge – still. A thirst to learn to get to know and be comfortable with herself, and to find her place.