Baloji

출생 : 1978-09-12, Democratic Republic of the Congo

참여 작품

Zombies
Music
A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator’s sense of glory to a modern western in the style of Takeshi Kitano.
Zombies
Screenstory
A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator’s sense of glory to a modern western in the style of Takeshi Kitano.
Zombies
Director
A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator’s sense of glory to a modern western in the style of Takeshi Kitano.
Never Look at the Sun
Director
Ancestral patterns combined with modern prejudices and stigma explain skin bleaching.
말괄량이 빈티와 오카피 클럽
Jovial
콩고 이주민인 빈티네 가족. 경찰이 갑자기 들이닥쳐 빈티와 오빠는 도망을 치던 중 일리아스를 만나게 된다. 브이로거가 꿈인 빈티는 일리아스가 운영하는 '오카피 클럽'을 홍보할 수 있게 도와주고, 동시에 완벽한 계획을 생각해낸다. 바로 빈티의 아빠가 일리아스의 엄마와 결혼해서 추방 당할 걱정 없이 함께 벨기에에서 사는 것이다.
Kaniama Show
Writer
Kaniama Show is a satire of national TV in an African country, spreading its propaganda of soft power between complaisant interviews and musical interludes.
Kaniama Show
Director
Kaniama Show is a satire of national TV in an African country, spreading its propaganda of soft power between complaisant interviews and musical interludes.
Peau de Chagrin/Bleu de Nuit
The Man
The Congolese-Belgian artist Baloji looks at Congolese pygmy wedding traditions.
Peau de Chagrin/Bleu de Nuit
Director
The Congolese-Belgian artist Baloji looks at Congolese pygmy wedding traditions.
Augure
Writer
Between Brussels, Kinshasa and Lubumbashi, Augure borrows from magic realism to paint a portrait of “undesirables” and “sorcerers” through the intertwined stories of protagonists of different genders and generations, confronted with the prejudice and suspicion of those around them.
Augure
Director
Between Brussels, Kinshasa and Lubumbashi, Augure borrows from magic realism to paint a portrait of “undesirables” and “sorcerers” through the intertwined stories of protagonists of different genders and generations, confronted with the prejudice and suspicion of those around them.