Writer
Unable to remember a violent incident, a young woman, Iona, returns to a place of magic and love to look for answers. Through interracial relationships and the healing potential of a talking circle, the film explores violence in young relationships and the moment of choice we face when the urge to be violent surfaces.
Producer
Unable to remember a violent incident, a young woman, Iona, returns to a place of magic and love to look for answers. Through interracial relationships and the healing potential of a talking circle, the film explores violence in young relationships and the moment of choice we face when the urge to be violent surfaces.
Editor
On a night so cold it hurts to breathe, Soft as Snow and Cold as Ice meet Thomas, a drunk young man, who's been dumped on the outskirts of town. When Thomas suggests the two men should walk back with him, they persuade him to stay the night.
Producer
On a night so cold it hurts to breathe, Soft as Snow and Cold as Ice meet Thomas, a drunk young man, who's been dumped on the outskirts of town. When Thomas suggests the two men should walk back with him, they persuade him to stay the night.
Director of Photography
The combination of constantly moving abstract imagery and a familiar-yet-cryptic soundtrack in HERE reflects the struggle of being aware and present in life’s moment(s).
Editor
The combination of constantly moving abstract imagery and a familiar-yet-cryptic soundtrack in HERE reflects the struggle of being aware and present in life’s moment(s).
Producer
The combination of constantly moving abstract imagery and a familiar-yet-cryptic soundtrack in HERE reflects the struggle of being aware and present in life’s moment(s).
Writer
The combination of constantly moving abstract imagery and a familiar-yet-cryptic soundtrack in HERE reflects the struggle of being aware and present in life’s moment(s).
Director
The combination of constantly moving abstract imagery and a familiar-yet-cryptic soundtrack in HERE reflects the struggle of being aware and present in life’s moment(s).
Director of Photography
A terminally ill woman describes the circumstances of her love life while images of a domestic interior taken from a single and static viewpoint simultaneously construct and deconstruct the narrative.
Producer
A terminally ill woman describes the circumstances of her love life while images of a domestic interior taken from a single and static viewpoint simultaneously construct and deconstruct the narrative.
Writer
A terminally ill woman describes the circumstances of her love life while images of a domestic interior taken from a single and static viewpoint simultaneously construct and deconstruct the narrative.
Editor
A terminally ill woman describes the circumstances of her love life while images of a domestic interior taken from a single and static viewpoint simultaneously construct and deconstruct the narrative.
Director
A terminally ill woman describes the circumstances of her love life while images of a domestic interior taken from a single and static viewpoint simultaneously construct and deconstruct the narrative.
Director of Photography
PATCHING is the metaphoric intermingling of a journey, a flat tire, a break-up and tips for getting back on the road. PATCHING is the second tape in a series known as BICYCLE DIARIES.
Editor
PATCHING is the metaphoric intermingling of a journey, a flat tire, a break-up and tips for getting back on the road. PATCHING is the second tape in a series known as BICYCLE DIARIES.
Writer
PATCHING is the metaphoric intermingling of a journey, a flat tire, a break-up and tips for getting back on the road. PATCHING is the second tape in a series known as BICYCLE DIARIES.
Producer
PATCHING is the metaphoric intermingling of a journey, a flat tire, a break-up and tips for getting back on the road. PATCHING is the second tape in a series known as BICYCLE DIARIES.
Director
PATCHING is the metaphoric intermingling of a journey, a flat tire, a break-up and tips for getting back on the road. PATCHING is the second tape in a series known as BICYCLE DIARIES.
Director of Photography
LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.
Producer
LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.
Editor
LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.
Writer
LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.
Director
LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.
Director
Abbott reflects on her unfortunate experience with childhood love.
Producer
Abbott reflects on her unfortunate experience with childhood love.
Editor
Abbott reflects on her unfortunate experience with childhood love.
Writer
Abbott reflects on her unfortunate experience with childhood love.
Self
Abbott reflects on her unfortunate experience with childhood love.
Director of Photography
Drummond takes a humourous look at a single incident from his youth and isolates the jelling of personality in relation to how we form our sexual/love molds.
Producer
Drummond takes a humourous look at a single incident from his youth and isolates the jelling of personality in relation to how we form our sexual/love molds.
Editor
Drummond takes a humourous look at a single incident from his youth and isolates the jelling of personality in relation to how we form our sexual/love molds.
Director
Drummond takes a humourous look at a single incident from his youth and isolates the jelling of personality in relation to how we form our sexual/love molds.
Director of Photography
An erotic poem, a video camera is accidentally left on during a thunderstorm.
Producer
An erotic poem, a video camera is accidentally left on during a thunderstorm.
Editor
An erotic poem, a video camera is accidentally left on during a thunderstorm.
Director
An erotic poem, a video camera is accidentally left on during a thunderstorm.
Director of Photography
Through choreography and performance by Susanna Hood, and editing and effects in exposure caused by hand-processing, "The Light in Our Lizard Bellies" reflects the intensities that discombobulate us as we go through change and face parts of ourselves previously denied or unknown.
Editor
Through choreography and performance by Susanna Hood, and editing and effects in exposure caused by hand-processing, "The Light in Our Lizard Bellies" reflects the intensities that discombobulate us as we go through change and face parts of ourselves previously denied or unknown.
Director
Through choreography and performance by Susanna Hood, and editing and effects in exposure caused by hand-processing, "The Light in Our Lizard Bellies" reflects the intensities that discombobulate us as we go through change and face parts of ourselves previously denied or unknown.
Director
A haunting, experimental narrative that merges the roaming voice of a battered wife with popular images of women to question the conventional ideology of representation and the denial of domestic violence. Alternating between provocative poetry and submissive prose, the voice echoes terrifying thoughts of the abused woman while gradually deconstructing - and reconstructing- manipulated found footage.
