Sarah Abbott

Filmes

This Time Last Winter
Writer
Unable to remember a violent incident, a young woman, Iona, returns to a place of magic and love to look for answers. Through interracial relationships and the healing potential of a talking circle, the film explores violence in young relationships and the moment of choice we face when the urge to be violent surfaces.
This Time Last Winter
Producer
Unable to remember a violent incident, a young woman, Iona, returns to a place of magic and love to look for answers. Through interracial relationships and the healing potential of a talking circle, the film explores violence in young relationships and the moment of choice we face when the urge to be violent surfaces.
Out In the Cold
Editor
On a night so cold it hurts to breathe, Soft as Snow and Cold as Ice meet Thomas, a drunk young man, who's been dumped on the outskirts of town. When Thomas suggests the two men should walk back with him, they persuade him to stay the night.
Out In the Cold
Producer
On a night so cold it hurts to breathe, Soft as Snow and Cold as Ice meet Thomas, a drunk young man, who's been dumped on the outskirts of town. When Thomas suggests the two men should walk back with him, they persuade him to stay the night.
HERE
Director of Photography
The combination of constantly moving abstract imagery and a familiar-yet-cryptic soundtrack in HERE reflects the struggle of being aware and present in life’s moment(s).
HERE
Editor
The combination of constantly moving abstract imagery and a familiar-yet-cryptic soundtrack in HERE reflects the struggle of being aware and present in life’s moment(s).
HERE
Producer
The combination of constantly moving abstract imagery and a familiar-yet-cryptic soundtrack in HERE reflects the struggle of being aware and present in life’s moment(s).
HERE
Writer
The combination of constantly moving abstract imagery and a familiar-yet-cryptic soundtrack in HERE reflects the struggle of being aware and present in life’s moment(s).
HERE
Director
The combination of constantly moving abstract imagery and a familiar-yet-cryptic soundtrack in HERE reflects the struggle of being aware and present in life’s moment(s).
KNEE LEVEL
Director of Photography
A terminally ill woman describes the circumstances of her love life while images of a domestic interior taken from a single and static viewpoint simultaneously construct and deconstruct the narrative.
KNEE LEVEL
Producer
A terminally ill woman describes the circumstances of her love life while images of a domestic interior taken from a single and static viewpoint simultaneously construct and deconstruct the narrative.
KNEE LEVEL
Writer
A terminally ill woman describes the circumstances of her love life while images of a domestic interior taken from a single and static viewpoint simultaneously construct and deconstruct the narrative.
KNEE LEVEL
Editor
A terminally ill woman describes the circumstances of her love life while images of a domestic interior taken from a single and static viewpoint simultaneously construct and deconstruct the narrative.
KNEE LEVEL
Director
A terminally ill woman describes the circumstances of her love life while images of a domestic interior taken from a single and static viewpoint simultaneously construct and deconstruct the narrative.
PATCHING
Director of Photography
PATCHING is the metaphoric intermingling of a journey, a flat tire, a break-up and tips for getting back on the road. PATCHING is the second tape in a series known as BICYCLE DIARIES.
PATCHING
Editor
PATCHING is the metaphoric intermingling of a journey, a flat tire, a break-up and tips for getting back on the road. PATCHING is the second tape in a series known as BICYCLE DIARIES.
PATCHING
Writer
PATCHING is the metaphoric intermingling of a journey, a flat tire, a break-up and tips for getting back on the road. PATCHING is the second tape in a series known as BICYCLE DIARIES.
PATCHING
Producer
PATCHING is the metaphoric intermingling of a journey, a flat tire, a break-up and tips for getting back on the road. PATCHING is the second tape in a series known as BICYCLE DIARIES.
PATCHING
Director
PATCHING is the metaphoric intermingling of a journey, a flat tire, a break-up and tips for getting back on the road. PATCHING is the second tape in a series known as BICYCLE DIARIES.
LOOKING BACK TO SEE
Director of Photography
LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.
LOOKING BACK TO SEE
Producer
LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.
LOOKING BACK TO SEE
Editor
LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.
LOOKING BACK TO SEE
Writer
LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.
LOOKING BACK TO SEE
Director
LOOKING BACK TO SEE is a journey through a dreary, artificial landscape accompanied by ghostly sounds that speak of escape at the same time that they remind us of worlds that have been paved over "to make life better." LOOKING BACK TO SEE is the first in a series of videos known as BICYCLE DIARIES.
My Heart the Prophet
Director
Abbott reflects on her unfortunate experience with childhood love.
My Heart the Prophet
Producer
Abbott reflects on her unfortunate experience with childhood love.
My Heart the Prophet
Editor
Abbott reflects on her unfortunate experience with childhood love.
My Heart the Prophet
Writer
Abbott reflects on her unfortunate experience with childhood love.
My Heart the Prophet
Self
Abbott reflects on her unfortunate experience with childhood love.
My Heart the Lunchbox
Director of Photography
Drummond takes a humourous look at a single incident from his youth and isolates the jelling of personality in relation to how we form our sexual/love molds.
My Heart the Lunchbox
Producer
Drummond takes a humourous look at a single incident from his youth and isolates the jelling of personality in relation to how we form our sexual/love molds.
My Heart the Lunchbox
Editor
Drummond takes a humourous look at a single incident from his youth and isolates the jelling of personality in relation to how we form our sexual/love molds.
My Heart the Lunchbox
Director
Drummond takes a humourous look at a single incident from his youth and isolates the jelling of personality in relation to how we form our sexual/love molds.
rug
Director of Photography
An erotic poem, a video camera is accidentally left on during a thunderstorm.
rug
Producer
An erotic poem, a video camera is accidentally left on during a thunderstorm.
rug
Editor
An erotic poem, a video camera is accidentally left on during a thunderstorm.
rug
Director
An erotic poem, a video camera is accidentally left on during a thunderstorm.
The Light in Our Lizard Bellies
Director of Photography
Through choreography and performance by Susanna Hood, and editing and effects in exposure caused by hand-processing, "The Light in Our Lizard Bellies" reflects the intensities that discombobulate us as we go through change and face parts of ourselves previously denied or unknown.
The Light in Our Lizard Bellies
Editor
Through choreography and performance by Susanna Hood, and editing and effects in exposure caused by hand-processing, "The Light in Our Lizard Bellies" reflects the intensities that discombobulate us as we go through change and face parts of ourselves previously denied or unknown.
The Light in Our Lizard Bellies
Director
Through choreography and performance by Susanna Hood, and editing and effects in exposure caused by hand-processing, "The Light in Our Lizard Bellies" reflects the intensities that discombobulate us as we go through change and face parts of ourselves previously denied or unknown.
My Withered Tomato Friend
Director
A haunting, experimental narrative that merges the roaming voice of a battered wife with popular images of women to question the conventional ideology of representation and the denial of domestic violence. Alternating between provocative poetry and submissive prose, the voice echoes terrifying thoughts of the abused woman while gradually deconstructing - and reconstructing- manipulated found footage.