Matteo Vieille

오소는 지역 주민을 규합해 델타 지역의 환경을 보호하려는 운동가다. 엘리아는 가난한 이주민 가족과 함께 고향 델타로 돌아와 불법 어획을 자행한다. 오소와 엘리아의 오랜 기억 속에서 델타는 사람들이 평화롭게 생선을 잡던 공간이었다. 하지만 두 세력이 부딪히면서 델타는 죽음과 복수의 공간으로 변한다.

A steel mill about to close divides a city in southern Italy. The conflict between environmentalism and labor is posed in apparently unsolvable terms. The director embarks on a contemporary drama with expositive clarity, power and good faith—history is also written in the present tense.

Om El Khir is a real fighter. Her husband has disappeared. One morning, he left on a boat for Europe and she has since received no evidence on whether he is dead or alive. Alone with her three children, in her empty and white apartment in the surroundings of Tunis, she bravely takes charge of a day-to-day life changed forever by the absence of her husband.

In Costa Rica, Panchita has just turned 109 and hopes for a visit from two of her children: Pablo, 93 years old, and Calixto, 88 years old. Sarita, who is 93, has no hesitation in confessing her love for Denis, a young policeman. Pachito’s daughter, fearing that something may happen to her 98-year-old father, tries to prohibit him from continuing horse-riding. In Sardinia, for his 93rd birthday, Adolfo wants to fulfil his dream of flying a plane. In Okinawa, Tomi, 93 years old, cannot recover from the death of her first son. Her friend Haru, who is 98, encourages her to return to the pop group formed of the island’s grandmothers.

2001년 제노바 G8 정상회담 마지막 날 자정 직전, 300명이 넘는 경찰들이 디아즈 학교를 급습하여 블랙 블록 시위대를 찾고 있었다. 학교 안에는 90명의 활동가들이 있었으며 대게는 유럽에서 온 학생들이었고 몇 명은 해외 기자들이었으며 이들은 그날 저녁 학교 바닥에서 잠 잘 준비를 하고 있었다. 경찰이 들이닥치자 젊은 시위자들은 손을 들고 항복했다. 하지만 시위대의 항복에도 경찰들은 남녀노소 가리지 않고 무차별적인 폭행을 하기 시작하는데…

Stefano doesn't believe in miracles. He's just above thirty, but he lives his life without passion. Every single morning, as he drives to work, he is swallowed up by the traffic of the Big City. Then, one evening, the unexpected happens. Stefano finds a parking spot right in front of his building, as well as the long-lost 'joie de vivre'.

Since 2012, a group of women has staged regular demonstrations in front of government buildings in Tunis. These are the "Photograph-Women". They are called this because they hold portraits of men in gilt frames in their arms: their sons, brothers, husbands - all of whom have disappeared trying to reach Lampedusa clandestinely at the time of the Arab Spring. Shortly before they arrived on the island, some of them made calls to their nearest and dearest. Since then, no news. But nor have any bodies been found to demonstrate that they are dead. The calls received are interpreted as proof of life by the "Photograph Women".