Āris Matesovičs

출생 : 1992-09-07, Lielvārde

참여 작품

The Ring of Fire
Self
New performers have recently moved into the 130-year-old building of the Riga Circus. Having built a stage in the stables, actors Ance, Āris, Klāvs, Reinis and the other members of the theatre company Kvadrifrons are reinvigorating and preserving the tradition of live art in the circus. The name of the group is an acronym in Latvian that conveys their ethos: they are an organisation that can chill with their friends, have bursts of amazing creativity, and whose members are far from unintelligent. And all the while, the strong smell of elephants wafts through the building. Here and there, the life of the previous inhabitants makes itself known. Soon shamanistic rituals alternate with clowning around, fortune-telling with illusion juggling, stagecraft with personal choices. Then suddenly, out of Nothing… emerges Theatre.
Nearby
Kaspars
By chance, Louise and Kaspars meet on a trip to celebrate Midsummer’s Eve. She’s running away from annoying neighbours and general sense of pointlessness; he’s running away from a failing marriage. They’re both young, talented, and lost; they both want to become artists; they’re both unsure how to go on about their lives. Maybe that’s why their shared trip turns into a strange, sometimes funny and sometimes complicated journey through a relationship over the course of three years.
Dzimtenīte
Converts
Customs officer
Maija is a young and ambitious journalist who wants to do something that no other journalist has dared. In order to conduct a groundbreaking research on Daesh, she pretends to be an Islamic convert and tries to join them.
Barons
A cinephile father and his son travel by car through Latvian countryside while trying to sell an antique piece of furniture in order to fund the son’s endeavour in filmmaking. The father dreams about his son’s future in film business, but his son has different plans for the future.
Lotus
Baltic German Alice Fon Trota returns to her father’s manor in Latvia in 1919 to sell it and start new life. She meets hostile resistance of local workers and discovers she has been lured into a carefully tailored trap, organized by demonic lawyer Emil Keizerling, decadent underground organization “Viva La Mort” and its necrophile leader Zība Falstaff. They plan to manipulate with Alice, who has received good education in France but also had suffered severe physical traumas. Knowing that her deepest desire is to carry out her unexpressed creative talents, they want to use her potential for their demoniacal purposes that regard the future of Latvia. While escaping the clutches of her “helpers”, she meets Latvian silent cinema enthusiasts. While being with them and working with cinematograph, she learns to use it as a self-discovery tool, as a weapon of confrontation of her enemies and as a way to transform her healing wounds by creating masterpiece of silent cinema.