Amparo Noguera

Gioconda Martínez, a well-remembered comic television actress, decided to return to her hometown to stage a play about the conquest of Chile, which will allow her to regain the artistic recognition she thought she had lost but never had.

18살 블랑키타는 사회 지도층과 길거리의 아이들이 관련된 섹스 스캔들의 핵심 증인이다. 사건을 파헤칠수록 블랑키타의 진술은 신빙성을 잃어가고, 실제로 어떤 일이 있었는지조차 의문이 생긴다.

Part of the project for the new feature film that José Luis Torres Leiva is currently preparing. The short film describes the creative process and the images that come to a writer as she reflects on the figure of lighthouses as insular guides and as a source of existential support and anchorage.

하루 아침에 난치성 질환 환자가 된 세르히오는 지금까지 의사로서는 느끼지 못했던 의료 시스템의 불편함과 부당함을 온몸으로 겪게 된다. 제대로 가눌 수 없는 몸뚱이, 치료비를 걱정하는 아내, 병간호 중에도 아웅다웅 하는 자녀들, 죽음의 공포 속에서 이제 그에게 남은 것은 자신의 경험담을 기록해 환자로서, 아버지로서, 그리고 인간으로서 존엄성을 회복하기 위해 애쓰는 것뿐이다.

평생을 함께 산 아나와 마리아. 말기 암 진단을 받은 마리아를 위해 숲속 나무집으로 이사한 이들은 그곳에서 자연스럽게 죽음이 다가오길 기다린다. 틀에 박힌 일과에 묻혀 지내던 커플은 자신들에게 찾아온 고통의 순간을 함께 이겨내며 다시금 사랑을 확인한다.

피노체트 군부 독재가 극에 달한 1980년대 산티아고에서 예기치 못한 로맨스가 싹튼다. 늙고 가난한 신세로 전락한 크로스드레서 “퀸”은 어느 밤 청년 게릴라요원 카를로스의 도움을 받아 위기를 모면한다. 카를로스는 퀸에게 물건을 맡아 달라고 부탁하고, 호의로 부탁을 들어준 퀸은 자신의 아파트에 보관된 상자 속에 피노체트 정권을 무너뜨릴 무기가 들어있다는 사실을 모르는데…

칠레의 독재자 ‘피노체트’ 집권 시기, 독재자 암살에 실패한 ‘마누엘 로드리게스 애국전선’ 소속의 혁명가들이 악명 높은 산티아고 교도소에 수감된다. 독재자 암살의 목표를 굽히지 않은 24명의 혁명가들은 공학 박사인 ‘레온’의 치밀한 계산 아래 지하통로를 통한 탈옥 작전을 세운다. 아무런 탈출 장비도, 방법도 없는 상황에서 그들은 오직 독재 타도와 자유를 위해 하루에 몇 cm씩, 끝없는 전진을 이어간다.

열정적인 안무가이자 댄서인 에마는 충격적인 사건으로 가정이 뿌리째 흔들리자 자유를 향한 긴 여행을 시작한다.

Michelsen, an older trucker who is lonely and sick, while traveling through Patagonia meets someone on the highway who reminds him of his daughter, whom he has not seen in years.

This film follows Arturo Belano, alter ego of the writer Roberto Bolaño, shared with his creator a great part of his biography. The director searches for him in places where his stories and novels occur, meeting with real and imaginary characters, in a territory where reality and fiction have a diffuse frontier. A new form of literary biopic, where the writer and his character turn into one and only person.

The Ahumada family wants to be happy at all costs and do not mind sacrificing others along the way. But happiness, is not always where you seek it.

In the midst of a convulsed country, a group of people attend a poetry workshop that can last only one night,taught by the renowned academic David Sanhueza.

죽음에 대한 존중과 망각에 대한 저항을 탁월한 비주얼로 설파하는 아름다운 영화. 신원미상의 시체가 외딴 시체보관소에서 발견된다. 이곳에는 노년의 관리인, 무덤 파는 남자, 실종된 딸을 찾고 있는 여성, 상처 입은 영구차 운전사가 있다. 그들은 이 시신의 장례를 치러주기로 한다.

Stark formal choices counterbalance profound emotions and vulnerability in this poignant lover’s goodbye.

Ana, wants her brother Andres to forgive her father, after years of distance. She must deal over and over again with all the situations that affect her dysfunctional family, while in silence, her own children coexist with abortion, drugs and indifference. Three conflicts over lack of communication and an unexpected end.

낮에는 웨이트리스, 밤에는 가수로 활동하는 마리나는 생일에 연인 올란도를 갑작스레 잃는다. 사랑하는 이의 죽음을 슬퍼하기도 전 올란도의 가족과 경찰은 마리나가 트렌스젠더라는 이유로 그녀를 용의선상에 올린다. 마리나는 세상의 의심과 편견에 맞서 자신의 사랑과 존재를 지키기 위해 힘든 싸움을 시작한다.

권력에 저항한 정치인이자 민중을 대변하는 칠레의 전설적인 시인 ‘네루다’. 공개적으로 정부를 비난한 그를 잡아오라는 대통령의 명령을 받은 비밀경찰 ‘오스카’는 도피를 위해 아내 ‘델리아’와 함께 은둔생활을 하는 ‘네루다’의 흔적을 밤낮 없이 쫓는다. 아이러니하게도 은둔생활이 길어질수록 ‘네루다’는 세계적 영웅이 되어가고, 그를 잡아야만 하는 ‘오스카’조차 그가 남긴 책 속 문장들에 매료되고 마는데…

The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".

Raquel is a teacher who resists the idea of retiring. One day she has to teach a class at her old school, only to find out she has been replaced with someone much younger. She insists still on teaching, and gets the support of her former students who will occupy the classroom demanding her reinstatement, leading to a small revolution that will threaten the establishment's order.

After reading in the newspaper that a newborn baby was found in a dumpster, a teacher becomes obsessed with giving it a proper burial.

Alejandro, a solitary, fragile and unpredictable man is crushed by the hostility of his mysterious past.

1988년 칠레. 피노체트 군부 독재를 8년 더 허용할 것인가의 국민투표를 둘러싸고 ‘찬성’과 ‘반대’ 양측이 대립한 가운데 광고회사에서 일하는 르네가 ‘반대’측에 가담해 TV캠페인을 제작하는 과정을 그리고 있다.

During one hot summer day, little things happen to the visitors and workers of an old thermal resort in southern Chile. Julieta, Francisco, Isa, Rodrigo, Ignacio, Mariana, Muriel, Gabriela, Eliseo, Norma, Alejandra and Claudio experience the long vacation hours in nature, sleeping in the sun, learning how to drive, cleaning the house, kissing for the first time, swimming at night or just walking and talking, while the day slowly unravels into small fragments of happiness and discovery.

In Chile, 1973, during the last days of Salvador Allende's presidency, an employee at a Morgue's recording office falls for a burlesque dancer who mysteriously disappears.

After long decades of exile, a leftist former activist returns to Chile to settle accounts with his conscience, related to the death of a colleague and political hero . The task of Atalibar is to reveal his secret. But his view clashes with the current country, godless, far from the old ideologies and where all his old colleagues have changed.

A man is obsessed with John Travolta's disco dancing character from "Saturday Night Fever".

Gaspar is a young, lonely cinematographer. Unable to deal with his sister and sick grandfather he spends his time with Susana, an actress working on a opera. When he meets Alvaro, an idealistic traveler, Gaspar's life changes. They embark on a adventure that help them unearth the fragility and value of human existence

Radio Corazón recreates Chile's most successful radio show of all time. Composed of 3 fun, sexy and romantic short films based on true stories as told by the show's listeners to "Rumpy", an unparalleled radio host.

Concerned about the future of her three children, a widow takes them to the city with the purpose of getting them married.

Children come to a hospital to visit their dying father they haven't seen for 8 years. They try to recover their relationships before he dies.

Nicolás is furious. Once again they broke into his house and took his bicycle. Outside, in the streets, the city is half destroyed by an earthquake. There is a curfew and Pinochet is asked if he is going to declare a state of catastrophe. Nicolás accompanies his mother to court to recognize the thief.

Four stories, four women; four women struggle for the liberation of their souls.

In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't know what is true or false, what is dream or reality.

Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.

No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.

An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".

The seductive quality of the night of a saturday where both the rich and the poor experience the drunken urgency of the party and the clock.

A thief asks his wife to visit him in prison, she goes without imagining that he is planning his escape.

A female television journalist has a strange affair with a terrorist.

An architect witness the brutal massacre by the police of an anti-government meeting and escapes to a remote archipelago.

A surreal Chilean road movie in which two wanderers come across an assortment of oddballs.

A cyclist decides to go for everything and win the 'Tour of Chile' Race, so he can finance the medical treatment for his ill mother with the prize. However, he must soon recognize that the sporting event is corrupted by commercial and marketing interests, in addition to the political goals of the military regime.

A mix between documentary and fiction, Angeles shows the story of a group of college students who gradually disappear, with no explanation. Focuses specifically on the story of Juan Maino.