Rita Renoir

The climbing of an immense staircase made up of the most varied stairs- Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet.

The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.

A large company offers consumers to acquire a "second identity", having the character traits that individuals would not normally adopt. Because of all these uninhibited behaviors, anarchy is quick to take hold.

Serge Morgan is a killer working for the American Mafia. After performing a contract in New York for his employers, he takes the plane back to Paris and, during the flight, he gets to know Jane, the rich daughter of an ambassador. Once in Orly Airport he gets seriously wounded by the men of French drug kingpin Henri Emery. He manages to escape them though and takes refuge at Jane's. Passion sets in between the killer and the young lady. As of then, sex will be intertwined with blood and death. For better or worse...

"Desire Caught by the Tail" - Described as surrealistic, absurd, and weird. The narrative is nonlinear and the meaning nearly impossible to decipher, the work has been praised despite, and sometimes for, its lack of message.

프랑스가 낳은 악의 영웅·판토마의 암약을 그린 시리즈 제3탄. 인류를 위기에 빠뜨릴 비밀 병기를 입수한 판토마는 세계의 자산가들에게 "생명 보장 세금"을 요구한다. 이에 반기를 든 맥라쉴리 경은 예전의 비밀 조직 동료나 이탈리아의 마피아 그리고 쥬베 경감과 팬돌, 엘렌느 등과 합세해 판토마에 대항하는데...

Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran. Though initially confusing, as Rooks blends drug-illusion with reality, and cuts color with black-and-white and monochrome tinted shots, "Chappaqua" is conventionally constructed with a beginning, middle, and end.

붉은 사막에서 공장지대의 회색공장까지 엷은 녹색의 코트를 걸친 모니카 비티가 혼자 걸어간다. 공장의 굴뚝에서는 노란 빛을 띤 연기가 나부낀다. 영화는 이렇게 한 여자의 모습으로부터 시작된다. 고도성장시대의 살벌한 이탈리아의 공업도시에서 공장 기사인 남편 및 아들과 셋이 살아가는 쥴리아나(모니카 비티 분)는 자동차 사고를 당해 입원해있다 퇴원한 뒤로 남편과의 관계가 소원해지고 정신이 불안정해져 노이로제 상태에 빠져들게 된다. 가족들의 존재도 그녀의 가슴에 괴어 있는 불안을 완화시켜주지는 못한다. 노이로제 증상으로 인한 그녀의 감정적이고 괴팍한 성격은 그녀 주변의 모든 사람들을 고통스럽게 하지만, 정작 그녀 자신은 잘못된 것은 아무것도 없다는 듯 행동한다. 영국인 건축가인 코라도 젤러(리차드 해리스 분)는 이런 그녀를 이해하면서, 그녀의 문제 속으로 빠져들게 된다. 남편의 출장을 계기로 쥴리아나는 코라도와 불륜관계에 빠져들게 되지만, 그녀의 육체적 정신적 고통은 해소되지 않고, 내면 속의 문제가 쉽게 해결되지 않을수록 그녀는 코라도와의 불륜에 몰입해간다.

A documentary highlighting some of the oddest, strangest and more grotesque examples of human behavior. Included are a tour of the Grand Guignol theater in Paris, a man who sticks long needles through his body, reindeer being castrated, and footage of lesbians and strippers.

Gerard, a young man from a "good family" dreams of becoming an actor. To do this, he follows everywhere his sister Frédérique who is infatuated with cinéma vérité.

Three events that seemingly nothing related, namely the murder of a truck driver, the discovery of the corpse of a vitriolic young woman, and the death of another who was crushed, will launch the Inspector Maréchal on the trail of a prostitution network. The girl-mother Olga, a friend of the trucker, confesses her the underwear of the women's exploitation.