Gavri Banai

참여 작품

The Giants of Easter Islands
Two love stories develop in a world that follows traditional norms: young Zaza loves Zehava, as they bond in a magical world. The beautiful and independent Madea is in love with the charming neighborhood thug. Watching over is the patriarch grandfather, fighting to bind everyone to the old rules.
Kirschenbaum
Himself
Seven years after his death, Motti Kirschenbaum’s eldest son Canaan decids to open the great archive left behind by his father. The archive clips, old films and photos paint a picture of one of the most important and busy television producers in Israel. The son traces Motti’s long career, along the way he meets journalists and actors who worked with Kirschenbaum over the years and reveals the lesser-known sides of his personality, his function as a spouse, father and friend.
Battle of the Chairmanship
Jimmy Atsmon
A funny comedy about a battle for a chairmanship of condo association. AKA Condo Mishmash
Morning Star
A story about a young fisherman Avi who doesn't lose his optimism even during the most difficult times.
The Hit
Ben-Gurion (Benji) Shemesh
Dr. Shuki Chaftziva is a ballroom dancing instructor who tries his hand at match-making. He follows the obituaries and takes his client, Zigi Fuchsman, an auto mechanic and childhood friend, to comfort the mourners and check out the widow and her property. At the same time, Ben Gurion Shemesh, a grease monkey who wants to be a singer, tries to win the heart of Dina, the disco floozy and also Zigi's daughter
Halfon Hill Doesn't Answer
Sergio Konstanza, a Swindler, owes money to Mr. Hasson. He escapes to the desert where he joins a wacky army reserve unit whose Seargent is engaged to one of Mr. Hasson's Daughters.
Take Off
3 friend try to have swingers night.
Fish, Football and Girls
The story of a soccer team, respectable families, a corrupt night club owner, and a young lad to guide all to a happy ending.
The Other Side
An experimental and absurd avant-garde film about a bunch of unrelated people, all standing on the side of the road waiting for the traffic light to change from red to green, but the traffic light won't change. More and more people gather on the sidewalk, and a kind of class society is formed there. The film was shot during one day in which Ephraim Kishon lent Uri Zohar the set of "Blaumilch Canal" at Herzliya Studios.
Ervinka
מוסא
A good-natured but incorrigible layabout becomes embroiled in a plot to rob the Israeli lottery, all the while indulging in his boundless zeal for mischief and romance.