Director
Max returns home after many years of having left. His sister is waiting there for him to bury the ashes of the man who raised them after their parents' death, an old boxing champion named Eduardo “La Bruja” Sánchez.
Director
Genoveva, 16, lives in a small Bolivian shithole of a town in the 80´s. Her obsession is time. For how long it takes an ant to cross a leaf from one side to the other or the time it takes for a glass of water to fill. In the loneliness of her adolescent days, her adolescent hours, her adolescent minutes, Geno tries to survive the nuns at school, her hostile classmates, her hopeless parents, and men with guns.
Editor
Amir and Amat are invited to a trip into the South American rain forest, but the pleasant visit to Bolivia quickly takes a bizarre turn as Amat starts having strange visions and loses his mind over the ghostly presence of a giant blood red ox. Amir must save his boyfriend from paranoia but he will quickly realize he can't trust nothing and nobody - as he might be losing his mind too.
Writer
An introvert city teenager is sent to his father's limber ranch. While trying to figure out his place as the son of the boss he finds himself in a world packed with naturalized violence.
Director
An introvert city teenager is sent to his father's limber ranch. While trying to figure out his place as the son of the boss he finds himself in a world packed with naturalized violence.
Casting Assistant
지지율이 낮은 볼리비아의 대선주자가 “재앙”이라 불리는 제인 보딘(산드라 블록)이 이끄는 미국의 매니지먼트 팀을 고용하면서, 단점도 많지만 뛰어난 전략가인 제인은 자신의 직업적 맞수, 악명높은 팻 캔디(빌리 밥 손튼)를 이기기 위해 수단과 방법을 가리지 않는다. 팻이 경쟁 후보의 편에 서게 되면서 선거는 물불을 가리지 않는, 승리만이 전부인 정치 조언가들간의 대격돌로 급변하게 된다.
Writer
A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.
Production Designer
A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.
Producer
A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.
Director
A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.
