Juan Pablo Richter

Фильмы

El cuento de Max y Emma
Director
Max returns home after many years of having left. His sister is waiting there for him to bury the ashes of the man who raised them after their parents' death, an old boxing champion named Eduardo “La Bruja” Sánchez.
98 Seconds Without Shadow
Director
Genoveva, 16, lives in a small Bolivian shithole of a town in the 80´s. Her obsession is time. For how long it takes an ant to cross a leaf from one side to the other or the time it takes for a glass of water to fill. In the loneliness of her adolescent days, her adolescent hours, her adolescent minutes, Geno tries to survive the nuns at school, her hostile classmates, her hopeless parents, and men with guns.
Blood-Red Ox
Editor
Amir and Amat are invited to a trip into the South American rain forest, but the pleasant visit to Bolivia quickly takes a bizarre turn as Amat starts having strange visions and loses his mind over the ghostly presence of a giant blood red ox. Amir must save his boyfriend from paranoia but he will quickly realize he can't trust nothing and nobody - as he might be losing his mind too.
The River
Writer
An introvert city teenager is sent to his father's limber ranch. While trying to figure out his place as the son of the boss he finds himself in a world packed with naturalized violence.
The River
Director
An introvert city teenager is sent to his father's limber ranch. While trying to figure out his place as the son of the boss he finds himself in a world packed with naturalized violence.
Наш бренд – кризис
Casting Assistant
Фильм, основанный на документальных съемках, покажет изнанку избирательной кампании 2002 года, когда кандидат в президенты Боливии Гонсало Санчес де Лосада нанял политтехнологов из консалтинговой фирмы Greenberg Quinlan Rosner, чтобы прийти к победе.
Casting
Writer
A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.
Casting
Production Designer
A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.
Casting
Producer
A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.
Casting
Director
A team of young aspiring filmmakers are searching for the ideal actress for a horror film. The candidates are forced to endure long torture scenes, which they cannot stop once begun, including strange incisions in different parts of the body with sharp instruments of various sizes, the use of cigarettes and blowtorches to burn the skin, the crushing of the toes at the point of a hammer, and other twisted things that leaving the girls as bleeding remains. This is alternated with direct explanations to the camera by the director, the producer, and the cameraman who explain their crazy criteria about art and the aesthetic-dramatic sense of the scenes.