Jayashree B.

참여 작품

Yuvarathnaa
Cameo
A government aided college, RK University, is on the verge of completing its golden jubilee but a bizarre event shuts it down indefinitely. Will RK University restore its lost glory?
Visions of Mookajji
Mookambika/Mookajji
An 80-year-old widow with extra-sensory perceptions can see the history behind the objects she touches, through which she comments on evolution of culture, concepts of God, religion, relationships, humans and their sexuality, etc.
Maasthi Gudi
Masti Gudi is a 2017 Indian Kannada-language action film directed by Nagshekar, starring Duniya Vijay who is also credited for the film's story, Kriti Kharbanda and Amulya in lead roles
Ishtakamya
Rich Dr.Akarsh and young middle class girl Acchari meet by accident, and seem to have the perfect romance going for them. Just when you think there's a happily ever after, there enters the other woman, Aditi
Kiragoorina Gayyaligalu
The movie depicts the indomitable feminine spirit in all its grandeur. Most importantly the role of women in countering the evils of society on a broad canvas of agrarian India.
Care of Footpath
Mother
An orphan slum boy who is adopted by an old lady who finds him on a footpath. She brings him to live with her in the slums. With his friends, he makes a living picking up selling rags. An encounter with some school going students, who call him an uneducated brute, changes the life of this slum boy. He takes up a personal challenge to attend school and get educated. The film depicts how this slum boy faces hardships in getting admission and attending schools and in fulfilling his dream to become educated.
Nagamandala
The story of the film was adapted from a play of the same name written by well-known writer Girish Karnad. The movie was directed by award winning director T.S. Nagabharana, who is deemed to be one of the ace directors in Kannada film industry. Music was scored by C. Aswath and Srihari L. Khoday produced the movie. The film touches one of the most sensitive issues of marital life. In folk style and form, the film throws open a question as to who is the husband – the person who marries an innocent girl and indulges in self pleasures or the person who gives the real and complete experience of life. G.S.Bhaskar, and his work is a visual thunder in this movie. Especially the night scenes & interior scenes are spellbounded. Bhaskar is a famous technician; he used contrast lighting in this movie, that clearly gave the touch of folk life in every frame.