Miloslav Holman

The gripping and thought-provoking #Annaismissing follows young Nina as she investigates the disappearance of Anna, a popular influencer known for her controversial online content. With shocking revelations about her own father’s connection to Anna, Nina must navigate a dangerous world of online predators and revenge porn to uncover the truth.

Thirty-something Jonas is not doing well at the moment. He has been taking antibiotics for a long time, so he is out of shape, and the trainer does not nominate him for the upcoming boxing match, he had a fight with a homosexual customer at work and is facing criminal charges because of that, and he also got a little involved with his colleague Silva, which logically does not please Jonas's friend Klařá. But Jonas hides the biggest problem by far from everyone. Although the suspicion of rectal cancer is fortunately not confirmed, the method of treatment of the damaged colon nevertheless shocks him - he has to regularly insert a dilator into his ass!

The discovery of decades-old skeletal remains kicks off a criminal investigation into the ancient secrets of the Beskydy Mountains.

열대 휴가를 떠난 두 중년 커플의 유쾌한 섹스 코미디!!온드라와 비텍은 수년동안 회사 동료이자 룸메이트였고, 그들의 아내들과 아이들은 친구처럼 지내왔다. 하지만, 온드라 비텍은 중년으로 들어서며 자신들의 부인을 사랑하지만 열정적으로 섹스하던 때를 그리워하며 서로를 위로한다. 카브리해에서 휴가를 떠난 두 커플. 휴가지에서 지루함을 느끼던 온드라와 비텍은 서로의 부인에게서 눈길이 떠나지 않는데..

“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.

Ice hockey is a Czech national obsession, and the country's victory over Russia in the 1969 World Championships, the year following the Soviet invasion, is a celebrated moment in its history. In Marek Najbrt's black comedy, the heroic exploits take place only on a black and white tv screen as a group of representative misfits gather and watch the game in a desolate village on the Czech border. While consisting of recognisable types, Najbrt's bleak portrait reveals a world of alcoholism, debt, racism, bigotry, and infidelity that trails behind the dreams of nationalism and bears little resemblance to the fantasies of the new consumerism. A clever and multi-levelled film, it provides a sharp antidote to the reconciliatory charms of the conventional Czech comedy.