Miloslav Holman

The gripping and thought-provoking #Annaismissing follows young Nina as she investigates the disappearance of Anna, a popular influencer known for her controversial online content. With shocking revelations about her own father’s connection to Anna, Nina must navigate a dangerous world of online predators and revenge porn to uncover the truth.

Thirty-something Jonas is not doing well at the moment. He has been taking antibiotics for a long time, so he is out of shape, and the trainer does not nominate him for the upcoming boxing match, he had a fight with a homosexual customer at work and is facing criminal charges because of that, and he also got a little involved with his colleague Silva, which logically does not please Jonas's friend Klařá. But Jonas hides the biggest problem by far from everyone. Although the suspicion of rectal cancer is fortunately not confirmed, the method of treatment of the damaged colon nevertheless shocks him - he has to regularly insert a dilator into his ass!

The discovery of decades-old skeletal remains kicks off a criminal investigation into the ancient secrets of the Beskydy Mountains.

Marital fidelity can wear you down, and Ondra and Vitek are certainly suffering from a case of serious fatigue. Working side by side and living next door to each other, it doesn't take long before these two long-married middle-aged pals start comparing sex notes, and it's plain to see their latest scores have fallen far below what they would have hoped. Luckily, a surprise holiday on a tropical island rekindles their interest in their wives - only they don't exacly lust after their designated partners. With no one to divert their attention, their roaming eyes inevitably settle on the wrong spouse, and pretty soon they've established their own little Holy Quaternity.

“The fact that I’m playing myself doesn’t mean that it’s me.” Four old schoolmates, today well-known Czech actors (Pavel Liška, Tomáš Matonoha, Josef Polášek and Marek Daniel), decide to make a movie together. Their ambitious colleague Jan Budař takes up directing duties and financing has arrived from Poland. What started out pleasantly enough, however, soon goes awry. Liška’s pronunciation difficulties, Daniel’s alter ego Havlát, and Matonoha’s financial machinations turn the shoot into a fight for survival. More than just a film about friendship and the absurdity of actors’ lives, director Marek Najbrt gives us a witty meditation on reality and illusion, and a unique take on the reality film genre. One of Pavel Liška’s on-set comments (“I didn’t know if I should act as if I were acting, or act as if I weren’t acting, or just not act at all”) illustrates the provocative nature of Najbrt’s subversive, quasi-documentary game.

Ice hockey is a Czech national obsession, and the country's victory over Russia in the 1969 World Championships, the year following the Soviet invasion, is a celebrated moment in its history. In Marek Najbrt's black comedy, the heroic exploits take place only on a black and white tv screen as a group of representative misfits gather and watch the game in a desolate village on the Czech border. While consisting of recognisable types, Najbrt's bleak portrait reveals a world of alcoholism, debt, racism, bigotry, and infidelity that trails behind the dreams of nationalism and bears little resemblance to the fantasies of the new consumerism. A clever and multi-levelled film, it provides a sharp antidote to the reconciliatory charms of the conventional Czech comedy.