Maurizio Ponzi

The story of the legendary star Alida Valli through the unpublished words of her letters and diaries, enriching it with other exclusive materials: photographs, family film in 8mm, new interviews with her sons, relatives, friends and collaborators, and much more archive material.

In the summer of 1959, as a correspondent for “Successo” magazine, Pasolini traveled along the Italian coast. In 1963, he documented Italian sex behavior, explained in “Love Meetings,” a 1964 film. In the winter of 1970-71, he witnessed the plight of the most impoverished Italian population and the innocents who suffered the boot of state power. After these three journeys, he concluded that Italian society had changed dramatically for the worse throughout all those years.

Three different couples are looking for a house to live.

Interviews with directors Marco Bellocchio and Carlo Lizzani, assistant director Maurizio Ponzi, and editor Roberto Perpignani.

When young cop Andrea is assigned to keep watch over dangerous Godfather Sante, who's in hospital after a fake suicide attempt, the stage is set for disaster.

Annetta, of Sicilian origins, is annoyed by the different treatments and freedoms reserved for men and women. Because of her rebellious attitude, the girl is locked up in the house of her relatives where she suffers an attempt of violence by her uncle. After returning to her parents, she finally gets married to her beloved Nicola.

Annetta, of Sicilian origins, is annoyed by the different treatments and freedoms reserved for men and women. Because of her rebellious attitude, the girl is locked up in the house of her relatives where she suffers an attempt of violence by her uncle. After returning to her parents, she finally gets married to her beloved Nicola.

Ugo Maria Volpone is a very rich shipowner. He dissimulates to be close to die in order to have the attention of three of his friends: Corvino, Voltore and Corbaccio. The three accepts every kind of humiliation and money loss in order to inherit all Volpone's fortune. Volpone hires a new servant, Mosca. Together the two start to realize new jokes and extortions to the three greedy fake friends. Who will win the inheritance?

Ugo Maria Volpone is a very rich shipowner. He dissimulates to be close to die in order to have the attention of three of his friends: Corvino, Voltore and Corbaccio. The three accepts every kind of humiliation and money loss in order to inherit all Volpone's fortune. Volpone hires a new servant, Mosca. Together the two start to realize new jokes and extortions to the three greedy fake friends. Who will win the inheritance?

Mario, a tram-driver, and Silvio, a banker, make friends in the group of participants in a survival training course.

Mario, a tram-driver, and Silvio, a banker, make friends in the group of participants in a survival training course.

Mario, a tram-driver, and Silvio, a banker, make friends in the group of participants in a survival training course.

A single mother is trying to trace previous partners in order to help her fund a life changing operation for her blind son.

A single mother is trying to trace previous partners in order to help her fund a life changing operation for her blind son.

Francesco, nicknamed 'Toscano', is a very good pool player but he never wins when he plays for money. He meets Chiara, a saxophone player, on a late night bus by swapping his case containing the cue with her one, containing the sax. The two fall in love, but in the meantime Francesco loses a big amount of money playing versus 'Scuro', the long-time Italian champion. His only chance to pay the debt is to win the Italian Championships.

Francesco, nicknamed 'Toscano', is a very good pool player but he never wins when he plays for money. He meets Chiara, a saxophone player, on a late night bus by swapping his case containing the cue with her one, containing the sax. The two fall in love, but in the meantime Francesco loses a big amount of money playing versus 'Scuro', the long-time Italian champion. His only chance to pay the debt is to win the Italian Championships.

On December 12th, 1969 a bomb went off at the Piazza Fontana in Milan that killed 16 people and injured 84. Railway worker and anarchist activist Giuseppe Pinelli was picked up, along with other anarchists, for questioning regarding the attack. He was held and interrogated for three days, longer than Italian law specified that people could be held without seeing a judge. Just before midnight on December 15, 1969 Pinelli was seen to fall to his death from a fourth floor window of the Milan police station. Although officially deemed a suicide, the reporter who watched the fall from the street maintained that he was pushed. Three police officers interrogating Pinelli were put under investigation in 1971 for murder but charges were dropped because of lack of evidence.

Psychiatrist takes young man to castle owned by strange woman, where the latter discovers he's the incarnation of a dead man.

A beautiful smiling guy's walking on the streets of a city, bringing with him a large paper poppy. The boy is the goodness and innocence of youth, which is soon cut short by human wickedness.

다섯 명의 감독이 연출한 다섯 개의 에피소드로 된 옴니버스 영화. EP1. 무관심 [L'indifferenza] : 선량한 사마리아인 우화에 대한 내용 (카를로 리자니) EP2. 임종 [Agonia] : 임종 직전의 사람이 미노르 무화과나무 우화로 선에 대한 의문을 던지는 내용 (베르나르도 베르톨루치) EP3. 종이꽃다발 [La sequenza del fiore di cart] : 현대 세계의 공포에 대한 죄의식을 다룬 내용 (피에르 파올로 파졸리니) EP4. 사랑 [L'Amore] : 혁명, 민주주의에 관한 견해의 차이로 헤어지는 남녀에 대한 내용 (장 뤽 고다르) EP5. 논의하자, 논의하자 [Discutiamo, discutiamo] : 대학생들과 벨로치오 감독 간에 사회주의, 개혁 등에 대한 토론을 다룬 내용 (마르코 벨로치오)

파솔리니의 영원한 소년 전령사 니네토 다볼리가 여전히 순진한 얼굴로 로마 거리를 돌아다닌다. 그리고 소란한 거리와 사람들이 만들어내는 다양한 풍경은 쿠바 혁명, 베트남 전쟁의 이미지들과 겹쳐지며 독특한 분위기를 만들어낸다.

A film by Maurizio Ponzi.

Inspired by the writings by Robert Musil. Won the Golden Leopard at the Locarno International Film Festival in 1968.

Italian film, theater and opera director Luchino Visconti is shown in rehearsal for a revival of Goethe's 1788 drama "Egmont," staged at Florence's Teatro Goldoni by the "Compagnia dei giovani." The documentary includes scenes of the company in rehearsal, and an interview with Visconti, as well as an analysis of some of the director's films.

A short film about Roberto Rossellini's films.

Reflections on the first films of Pier Paolo Pasolini with his considerations on the real language of cinema.