Daniele Ciprì

Pietro and Eleonora, both avid gardeners, are strangers who only meet because their two terraces are close to each other. The relationship that grows between them helps them to alleviate the pain each feels over something secret and very serious, a pain both try to hide from themselves and those around them. In this limbo they inhabit, the two make a stab at finding happiness together, until their paths diverge once more.

Inside a warehouse in Palermo, a group of people smashes a man’s arm to pieces with a wheelie bag packed with weights. This is the method used by an amateur criminal organization that fractures the limbs of its willing victims before staging fake accidents and raking in the insurance payouts. Vincenzo recruits the individuals from among the down-and-outs that haunt the city streets, where Luisa is a habitué, since she gets her crack there. Vincenzo’s problems suddenly get worse, though, after a series of mistakes shut him out of the gang, and Luisa is now his only chance: he convinces her to have her bones broken.

A shy 17-year-old girl playing classical piano discovers soul music through a strange friendship with an old rocker in a summer that will change her life.

In one of Rome’s suburbs, a multiethnic and diverse neighborhood, a mother and her two sons are evicted from their home. The two brothers, convinced that it is being reassigned to an immigrant family, will decide to take justice into their own hands. They will do anything to take their home back.

In the bowels of a city of the dead, in a world that has been ravaged and is now unrecognizable, Marcello lives surrounded by Sicilian puppets. Time and captivity have twisted him; in order to survive in a hostile, incomprehensible environment, he goes ahead with a diabolical plan to obtain a weapon that will protect him and give him power. Things will work out somewhat differently.

Valerio and his six-year-old son, Carlo, live in the attic above the apartment they've been evicted from. Every time new tenants arrive, they terrify them by pretending to be ghosts, in the hopes of being able to move back "downstairs". To Carlo, it's just a game that protects him from their poverty and his motherless condition. It even works, for a while, until Myriam and her daughter Emma arrive, in flight from her abusive husband. And Myriam's not afraid of ghosts…

1936. Giovanni Comini, the youngest Federal in Fascist Italy, is summoned to Rome for a delicate mission: to surveil aging national poet Gabriele D'Annunzio, whose increasingly restless behavior Mussolini fears could damage his alliance with Nazi Germany. However, after spending time with D'Annunzio, Comini finds himself torn between loyalty to the Party and his fascination with the poet, who will put his burgeoning career at risk.

It follows Gaia, who works in a funeral home and one day something unexpected happens.

Early one morning, in an unspecified and seemingly far off time, a 12 year old boy, together with some friends, is searching a thick forest for objects of value. There is a lot of fog. The boy goes off by himself to another part of the wood and stands admiring an antique object he has found at the foot of a tree. His happy expression turns to one of curiosity as he is distracted by some high pitched cries which come and go intermittently.

A thief and a priest end up magically transported in the year 0's Palestine, where they'll have to make sure that the Nativity will follow its course.

Once Don Gino discovers his son's homosexuality, he'll have to choose between family and respect.

Capossela denounces the impossibility for mankind to realize the Christian precept: "Love your neighbor as yourself". Thus Christ renounced his mission, made himself poor and ended up poor man. And now he is silent, while the man screams as loud as he can.

Capossela denounces the impossibility for mankind to realize the Christian precept: "Love your neighbor as yourself". Thus Christ renounced his mission, made himself poor and ended up poor man. And now he is silent, while the man screams as loud as he can.

Two families meet for a marriage that neither want, and things take a turn when the respective patriarchs fall in love.

Two families meet for a marriage that neither want, and things take a turn when the respective patriarchs fall in love.

니콜라를 비롯한 열 명의 10대 소년들은 어른들의 마약 밀매 사업을 도우며 세력을 늘려나간다. 새로운 스쿠터를 구매하여 나폴리의 골목을 질주하고, 총을 사들여 어른들의 조직을 잠식해가기 시작한다. 새로운 실세가 된 니콜라는 시장에서 일하는 어머니를 위해 가구를 사들이고, 다른 구역에 있는 소녀와도 사랑에 빠지게 된다. 이들은 관행처럼 행해지던 세금을 거둬들이는 일을 멈추고 존경까지 받으며 구역을 확보해 나간다. 그것은 다른 구역과의 갈등으로 이어지고, 소년들 사이에서도 다툼이 일어나기 시작한다. 심지어 니콜라의 동생과 또래 아이들이 형들의 행동을 흠모한 나머지 총을 들고 남몰래 거리로 나서는 사태로 이어진다.

기원전 753년. 노예로 붙잡힌 로물루스와 레무스 형제는 극적으로 탈출에 성공하지만 그 과정에서 로물루스가 큰 부상을 입고 만다. 한편, 자신이 이끄는 전사들에게 왕으로 추대받은 레무스는 점점 광기어린 폭군으로 변모하고, 형제 중 하나가 피를 흘려야만 왕이 탄생할 것이라는 신녀의 예언이 전해지자 제국의 운명을 놓고 두 형제의 욕망이 치열하게 대립하기 시작하는데…! 목숨을 걸고 전쟁을 선포한 두 형제, 왕을 차지하는 자, 제국의 전설이 된다!

In 1968, five girls from Tuscany who dreamt of seeing the world were offered to tour the Far East as an all-girl band, finding themselves in the middle of the Vietnam War. Fifty years later, they tell the story of Le Stars' adventure amongst American soldiers, remote jungle bases and soul music.

Renzo, 40, lives alone in an apartment that has turned into a kind of bunker. It's been a long time since he leaves home and the only source of livelihood are pizzas and supplì that come home. Convinced that jihadist terrorism is on the verge of attacking Italy, he decides to take justice on his own by sending a bombshell to the Embassy of Saudi Arabia, a nation guilty, in his opinion, of financing terrorists. Not everything will run smoothly as he had expected.

EYES is a fictional short film (13' - genre: soft drama). It deals with a issue deeply connected with everyday life in present times: it denounces the daily frenzy of our lives and a spreading indifference. EYES strongly criticises our society, which is more and more prone to violence, inaction and consumerism. Is it still possible that people could hope in something better? In EYES, 30 actors played with eyes wide shout. This short film is dedicated to the memory of Niccolò Ciatti, and to all the other victims of Indifference.

A 12-year-old boy tries everything to join a music lovers club.

In the middle of nowhere, a group of guys play a game of football. At stake is much more than a simple victory.

Set on the small island of Porto Buio, the traditional live Christmas Nativity scene might not go ahead because the baby who’s always played Jesus has grown up and no new babies have been born on the island in years! With this fundamental tradition on the line, newly elected Mayor Cecco (Claudio Bisio) wants to ask the local Tunisian community to “borrow” one of their children, but there’s conflict between the two communities. Cecco enlists the help of local Islam convert Bilal (Alessandro Gassman) to cross the cultural divide… but both communities are not sure what to make of a baby Jesus that may need his nationality, and even his religion changed!

어머니의 수수께끼 같은 죽음으로 목가적이던 유년기가 산산조각 난 지 근 30년, 마시모는 부모님의 아파트를 처분하려 한다. 과거의 정신적 충격에서 헤어나지 못하는 그를 동정한 의사 엘리사는 그가 마음을 열고 유년기의 상처를 직면하도록 돕는다. 거장의 시네필적 감성이 충만한 영화.

In the theater of a small village, rehersals are taking place for a show based on the opera I Pagliacci. There is no orchestra, just a piano and the singers. Amongs the few people in the audience there is the mother of the singer, a rich local lady and financer of the project, the sister, and a few other people involved in the show. During a dinner party at this rich lady’s house, a hiposis session takes place, where rancor and pain emerge from the brother and sister towards their mother and their impossibility of overcoming them.

Italy, third millennium. Andrei, a Romanian university student, ends up embroiled in an intrigue linked to the disappearance of a German antiquarian.

철창신세의 두 어린 남녀. 만나서 얘기할 수 없다고 사랑마저 불가능한 걸까?

Between 1926 and 1927, the Italian intellectual and Communist political figure Antonio Gramsci spent 44 days imprisoned on the island of Ustica, off the northern coast of Sicily. Together with his fellow prisoners, he founded a school. This unique institution was open to all, welcoming people of all ages and social backgrounds, even the illiterate. Ustica still remembers this revolutionary school. Ustica, remote and neglected, still waits patiently at the harbor, hoping that the boat from the mainland will come.

Northern Italy, 17th century. In a monastery, a nun accused of witchcraft tries to seduce a young confessor who refuses to yield to his searing temptation.

A compassionate look at the way the digital revolution has affected the Sicilian movie theater industry.

Ambulance-chasing lawyers takes on the case of a convicted murderer who, just being released after doing 27 years in jail, claims he was innocent.

Ambulance-chasing lawyers takes on the case of a convicted murderer who, just being released after doing 27 years in jail, claims he was innocent.

Ambulance-chasing lawyers takes on the case of a convicted murderer who, just being released after doing 27 years in jail, claims he was innocent.

Inspired by the novel by Aldo Nove, this is the dramatic coming-of-age story of a boy who takes his experiences to the point of seeking death, only to be reborn. His favourite poet chose death, but he finds the strength to survive and tell about his “obscene life”.

A child is in the park playing with his plasticine figures, that he modeled himself. His favorite character is Isaac. Isaac is a little boy just like he is, who dreams, hopes and confides in the world. Isaac is happy because this is the day he will accompany his father on the mountains to help him out. Isaac's father is named Abraham.

Salvo, a ruthless Sicilian Mafia hit man, changes his priorities after being involved in a bloody ambush.

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

17년간 식물인간으로 살다가 죽음을 앞둔 엘루아나 엔글라로가 이탈리아를 혼란에 빠뜨린다. 안락사에 대한 법안투표를 앞두고 고심하는 상원의원, 코마에 빠진 딸을 둔 유명 여배우, 자살하려는 마약중독자 여성, 이렇게 세 이야기가 치밀하게 직조되면서 삶의 의미를 묻는다. 이탈리아 거장 마르코 벨로키오의 신작은 고전 동화 를 안락사라는 민감한 문제와 접목시켜 연출한 수작이다. 거장의 지휘하에 절묘한 리듬으로 편집되는 세 개의 독립된 이야기는 안락사에 대한 다양한 입장을 제시함으로써 우리의 성찰을 도모한다. 영화는 수수께끼 같은 측면이 있어 더욱 빛을 발한다. ‘잠자는 미녀’가 셋 등장하지만 감독이 선택한 한 명만이 잠에서 깨어나게 되는 것이다. 이런 의미에서 영화의 첫 숏은 조심스럽게 열쇠를 제시한다. 2008년 11월 실제 있었던 사건을 토대로 한 영화로, 이자벨 위페르, 토니 세르빌로, 알바 로바허 등 쟁쟁한 배우들의 연기 또한 볼 만하다. (이수원_2012년 제17회 부산국제영화제)

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

The Ciraulo family lives in the miserable district of Palermo called "Zen". When one of their children dies in a shootout between mafia gangsters they receive compensation and buy a luxury black Volvo. Things go wrong when Trancredi, another son, takes the car out and damages the car door.

Nicola is a man who has spent much of his life in a mental institution, though not always as a patient. Nicola's mother suffered from mental illness, and when young Nicola grew old enough to understand some of her stranger behavior as well as the family's other dark secrets, a few of the adults around him preferred to suggest he was disturbed like his mother, and he was encouraged to visit an asylum not far from his home. As an adult, Nicola has spent enough time around people who have a tenuous connection with reality that he has a superficial resemblance to them, and has developed a strange set of imaginary friends to go along with his eccentric real-life companions and the woman he loves from afar, Marinella.

무솔리니에게 첫눈에 반한 이다는 그가 발간하는 사회주의 일간지 ‘라반티’를 적극 지원한다. 우파로 돌변한 그가 파시스트당의 전신 ‘포폴로 디탈리아’를 창설하는데 전 재산을 쏟아 붓지만 자신이 낳은 아들이 인정받지 못하게 되면서 투쟁이 시작된다. 무솔리니의 내연관계를 처음 스크린에 담아 칸에서 화제가 됐던 거장 마르코 벨로키오의 신작.

In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".

In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".

In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".

True story of an attractive Sicilian mob-wife who participates in her husband's drug-dealing business and falls for her husband's lackey.

In relation to some of Pasolini's visits to Palermo for this last film, in 2000 Ciprì and Maresco shot Arruso, which begins with a phrase by Pasolini ("I banished the word hope from my vocabulary") and consists of imaginary interviews with some local characters who are presumed to have had homosexual relationships with the director. The two record the testimonies, sometimes affectionate others less, of those who had the opportunity to meet him and know the trends on the occasion of that trip.

In relation to some of Pasolini's visits to Palermo for this last film, in 2000 Ciprì and Maresco shot Arruso, which begins with a phrase by Pasolini ("I banished the word hope from my vocabulary") and consists of imaginary interviews with some local characters who are presumed to have had homosexual relationships with the director. The two record the testimonies, sometimes affectionate others less, of those who had the opportunity to meet him and know the trends on the occasion of that trip.

A visit to the Rotoli cemetery in Palermo, while film director Carmelo Bene reads a fragment of Antonio Pizzuto's book "Signorina Rosina".

A visit to the Rotoli cemetery in Palermo, while film director Carmelo Bene reads a fragment of Antonio Pizzuto's book "Signorina Rosina".

A visit to the Rotoli cemetery in Palermo, while film director Carmelo Bene reads a fragment of Antonio Pizzuto's book "Signorina Rosina".

Ciprì and Maresco's delicious documentary portrays Sicilian super-agent Enzo Castagna, a man with some 20,000 extras on his books, who has worked with the likes of Loren, Pasolini, Rosi, Coppola and Cimino (indeed, virtually anyone who's ever chosen to film in Palermo). It's typically weird, witty and wonderful, partly due to its subject, a self-styled 'little big man' who consents to be described as 'almighty' and 'the greatest contributor to Italian cinema in the last 35 years'. The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b/w, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.

Ciprì and Maresco's delicious documentary portrays Sicilian super-agent Enzo Castagna, a man with some 20,000 extras on his books, who has worked with the likes of Loren, Pasolini, Rosi, Coppola and Cimino (indeed, virtually anyone who's ever chosen to film in Palermo). It's typically weird, witty and wonderful, partly due to its subject, a self-styled 'little big man' who consents to be described as 'almighty' and 'the greatest contributor to Italian cinema in the last 35 years'. The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b/w, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.

Ciprì and Maresco's delicious documentary portrays Sicilian super-agent Enzo Castagna, a man with some 20,000 extras on his books, who has worked with the likes of Loren, Pasolini, Rosi, Coppola and Cimino (indeed, virtually anyone who's ever chosen to film in Palermo). It's typically weird, witty and wonderful, partly due to its subject, a self-styled 'little big man' who consents to be described as 'almighty' and 'the greatest contributor to Italian cinema in the last 35 years'. The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b/w, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.

The film has three stories. First is about local village idiot Paletta, who can not afford the services of a whore and so steals a locket from a holy shrine belonging to local mafia don. Second shows the story of betrayal of Pitrinu (who's dead now) by his lover Fefe. Final episode is about lowlife Lazarus. He is killed by mob boss Toto, but raised from the dead by a local messiah, who is also known as Toto (and is played by same actor).

The film has three stories. First is about local village idiot Paletta, who can not afford the services of a whore and so steals a locket from a holy shrine belonging to local mafia don. Second shows the story of betrayal of Pitrinu (who's dead now) by his lover Fefe. Final episode is about lowlife Lazarus. He is killed by mob boss Toto, but raised from the dead by a local messiah, who is also known as Toto (and is played by same actor).

The film has three stories. First is about local village idiot Paletta, who can not afford the services of a whore and so steals a locket from a holy shrine belonging to local mafia don. Second shows the story of betrayal of Pitrinu (who's dead now) by his lover Fefe. Final episode is about lowlife Lazarus. He is killed by mob boss Toto, but raised from the dead by a local messiah, who is also known as Toto (and is played by same actor).

Shot in his butcher shop by a rival clan during the Mafia wars of 1988, the Palermo Mobster Tano Guarrasi is mourned by his wife, four unmarried sisters and his daughter. But in truth, his death represents a kind of liberation for the women.

Ciprì and Maresco are fierce critics of post-modern society. They bear witness to the colonization of the imagination attributable in part to the omnipresence of mass communications and the globalization of neo-capitalist values. Their works, scatological in the literal but especially in the metaphorical and etiological sense, denounce social institutions and practices thought to be at the root of injustice, inequality and criminality.

The Italian duo Ciprì & Maresco, known to be cynical deconstructionists, weave a fascinating film around memories of a decadent Sicily. Ruins, memories of ruins - memories are ruins. This thoroughly surrealist piece unfolds like a dream, with no clear direction but the haunting feeling of familiarity and the ready acceptance of otherness as oneness.

Daniele Ciprì short film

The Italian duo Ciprì & Maresco, known to be cynical deconstructionists, weave a fascinating film around memories of a decadent Sicily. Ruins, memories of ruins - memories are ruins. This thoroughly surrealist piece unfolds like a dream, with no clear direction but the haunting feeling of familiarity and the ready acceptance of otherness as oneness.

The best italian film of the 90's, the most extreme and radical work since SALO', a ruthless representation, in a surreal-metaphorical key, of a civilization condemned to worshipping its own blindness. The two sicilian directors use a language free from compromise and from the traditional storyline rules: the movie is photographed in a sharp and very contrasting black & white, with no beautiful pimp music, and lacks a logical story. There are no women (the ones we see are actually men), and the language is strict sicilian dialect. The directing style is characterized by long fixed shots on a post-atomic world, which is really present-day Palermo, inhabited by fat people in socks and underwear who burp and fart while roaming around smelly alleyways and waste dumps.

An anthology of video short films directed by Daniele Ciprì and Franco Maresco. interviews conducted by the two directors with alienated, crazy and squalid characters of a desolate Sicily.

Short 35mm experimental film featuring Sam Fuller.

Short 35mm experimental film featuring Sam Fuller.