Luisa Buratti

참여 작품

A Virgin in the Family
Seamstress
The strand that opposes the bourgeois morality of the solar facade freedom of sexual behavior is an additional coarse exemplary in this film where the most excessive declarations of honesty of a family hiding intrigues and debauchery. Father, mother and son are all entangled. Only daughter, Anna, seems to be out. "He studied and preserved virgin" is the recommendation that the father, truffle hardened, the repeats. But when she discovers her father with his secretary, starts for her, more than a drama, a confused search morbid. Approaches, waste, leaks, adventurous experiences until, almost by breaking it with an equivocal situation, ask an occasional companion to deprive her of her virginity, as a cumbersome burden. Then haughtily refuses the marriage with a young friend, that his father would want to impose "the good name of the family" and flees with the father of his friend, to a free tomorrow.
Girolimoni, the Monster of Rome
Seamstress
In Mussolini's Rome a murderer is targeting young girls. The movie explores how the fascist mind works, how it plays its values off the sentiment of the masses and explores the role of the press in creating a unified narrative.
석양의 갱들
Key Costumer
좀도둑질을 일삼는 무식하고 가난한 후안은 꾀를 내어 지나가는 역마차에 탄다. 부자들이나 타는 역마차에 동승한 그는 지주, 공증인, 성직자, 아델리타, 미국인 남자로부터 짐승 취급을 당한다. 그러나 마차의 길목에서 지키고 있던 후안의 패거리들은 마차를 탈취하고, 후안은 자기가 당했던 모욕을 고스란히 되돌려준다. 후안은 우연히 아일랜드 폭탄전문가 존 맬로리를 만나 다이너마이트의 위력을 알게 되고, 존을 자기의 계획에 끌어들이기 위해 애 쓰는데….