Luisa Buratti

The strand that opposes the bourgeois morality of the solar facade freedom of sexual behavior is an additional coarse exemplary in this film where the most excessive declarations of honesty of a family hiding intrigues and debauchery. Father, mother and son are all entangled. Only daughter, Anna, seems to be out. "He studied and preserved virgin" is the recommendation that the father, truffle hardened, the repeats. But when she discovers her father with his secretary, starts for her, more than a drama, a confused search morbid. Approaches, waste, leaks, adventurous experiences until, almost by breaking it with an equivocal situation, ask an occasional companion to deprive her of her virginity, as a cumbersome burden. Then haughtily refuses the marriage with a young friend, that his father would want to impose "the good name of the family" and flees with the father of his friend, to a free tomorrow.

In Mussolini's Rome a murderer is targeting young girls. The movie explores how the fascist mind works, how it plays its values off the sentiment of the masses and explores the role of the press in creating a unified narrative.

На бескрайних мексиканских просторах встречаются два «солдата удачи» — развеселый бандит Хуан Миранда, грабящий со своими детишками почтовые дилижансы, и ирландский террорист и бомбометатель Мэллори, мчащийся на своем мотоцикле навстречу опасности и оставляя позади себя воронки от разрывов динамитных шашек. Миранда мечтает использовать «взрывоопасный» талант Мэллори — для ограбления банка. Но вместо банковских сейфов он освобождает политических заложников и становится героем революции. Очень скоро друзьям предстоит забыть радости вольной жизни на полях сражений за свободу мексиканского народа…