Art Direction
대기근으로부터 13년이 흐른 1862년. 영국의 간호사 립 라이트(플로렌스 퓨)는 한 마을의 독실한 주민들로부터 부름을 받아 아일랜드 중부로 향한다. 이들의 요청은 자신들의 마을에 사는 사람 한 명을 15일간 지켜봐달라는 것이었는데, 그는 바로 열한 살의 애나 오도널(킬라 로드 캐시디). 주민들의 말에 따르면 애나가 4개월간 아무것도 먹지 않고 ‘하느님의 양식’만으로 기적적으로 생존하고 있다는 것. 하지만 애나의 건강이 급격히 악화되자 립은 믿음을 깨고 싶어 하지 않는 주민들에게 맞서 진실을 폭로하기로 결심한다.
Art Direction
Packed off to a foster home after her father is institutionalized, a rebellious young Irish girl resolves to bust her dad out of the hospital where he's been confined.
Art Direction
Pig and Runt born on the same day, in the same hospital, moments apart. Twins, all but by bloodline. Inseparable from birth, they are almost telepathic. They are one, needing no one else, inhabiting a delicate, insular and dangerous world where they make their own rules and have their own language. But days before their 17th birthday the balance of their world begins to shift. Pig's sexual awakening and jealousy begins to threaten their private universe.
Supervising Art Director
When schoolteacher Kieran Johnson discovers that his father was not a French sailor (as he had been led to believe) but rather an Irish farmer, he looks to his mother for answers. When she refuses to provide any, Kieran travels to Ireland.
Production Design
A charming story about a West Indian girl who moves to 1950s London. Marcia has spent most of her 11 years living with her Jamaican grandmother but is sent to damp, dark London to start a new life with her parents. Missing her gran terribly, Marcia is surrounded by bullying schoolgirls, racism on TV and a jealous younger brother... Only her favourite pop star will help her feel at home. Concrete Garden is a wonderfully observed graduation film from director Alrick Riley. With warm performances from a young cast and exquisite detail in the production design, this tender short film powerfully evokes the trials and tribulations faced by kids settling in 1950s Britain.
Art Designer
Using a blend of magic realism and realist drama, Memsahib Rita looks at the physical and emotional violence of racism. Shanti is haunted by both the racist taunts of nationalist white youths and the memory of her white mother.
