Yves Gasc

Alceste loves Célimène, a flirtatious woman from the Parisian high society. He loathes this world for its hypocritical etiquette but, shaken by a public trial he is called to by this social circle, he must visit Célimène to ask for her help…

Not long before World War I, in a French Alpine town near the Italian border, a pack of slaughtered wolves is delivered to local taxidermist Leon (Patrick Chesnais). A surviving black cub comes down from the mountains looking for his family, and is saved from discovery and certain death by Leon’s young daughter Angele, who releases him back into the wild. The Great War comes and goes, making local foundry owners the Garcins rich. Family patriarch Albert Garcin (Michel Galabru), who happens to be Angele’s godfather, has given a free lifetime’s lease of a shack in the hills to a gypsy woman (played in flashbacks by Elisa Tovati in which she’s seen, literally, having dances with wolves on stage). Her son Guiseppe (Stefano Accorsi), who appears to be slightly mentally handicapped, guards the wolves he’s befriended up there, especially the black pack leader he calls Carbone.

At Versailles, the last rehearsal of a play, ordered to molière by Louis XIV the king. Staged in their own characters, actors and author display their art's conception. It is, too, the opportunity for them to answer by irony to their detractors.

17세기 중반 프랑스는 루이 14세가 집정하고 있던 시기. 당시 잘 알려지지 않았던 비올라의 거장 쌩뜨 꼴롱브는 어린 두 딸과 함께 아내의 죽음을 맞이하게 된다. 아내의 죽음으로 인해 충격을 받은 쌩뜨는 두 딸을 유일한 제자로 삼으며 궁정에서 제의하는 모든 제안을 거절하고, 자연 속에서 오두막을 짓고 생활한다. 어두운 성격의 소유자인 그는 악기만을 다루며 생활한다. 그는 두 딸에게는 물론 제자가 되기위해 찾아온 마랭 마레에게도 그리 친절한 스승이 되지 않는다. 가난한 구두 수선공의 아들인 마랭은 가난한 삶에서 벗어나기 위해 쌩뜨의 제자가 되기를 자청한다. 음악적으로 성공하기 위함이다. 그가 열 두 번째 교습을 받으러 갔을 때 스승의 딸 마들린은 홍조 띤 얼굴로 문을 연다. 마랭은 그런 마들린을 사랑하게 된다. 하지만 마랭이 궁중에서 음악을 연주했다는 것을 안 쌩뜨는 마랭을 내쫓는다. 마랭은 결국 마들린을 버리고 화려하고 낭만적인 궁중 생활로 빠져드는데...

The Venetian performance world is on the alert: an impresario is looking for talent to stage what he defines as the most beautiful opera of his time. Everyone goes there from their pushy little merry-go-round to attract the favors of the character and extricate themselves from misery. But the main interested party hardly seems to be sensitive to these effects.

30대에 접어드는 피아니스트 레미는 약 10년 전 어린 딸이 있는 마르탕과 결혼했다. 음악가로서 이렇다 할 경력을 쌓지 못한 채 세월이 흐르고, 빠듯한 살림에 레미와 마르탕은 갈등을 겪는다. 그러던 어느 날, 사고로 마르탕이 갑자기 숨지고, 14살이 된 딸 마리옹은 친부에게 가야만 하는 상황에 처한다. 그러나 마리옹은 의붓아버지인 레미 곁에 머물기를 원하고, 점점 레미를 남자로 바라보게 된다. 블리에가 자신이 쓴 동명 소설을 각색했다. 의붓아버지와 의붓딸의 사랑이라는 논쟁적인 소재에도 불구하고 호평을 받았다. (2017 영화의 전당 - [시네마테크] 서머 스페셜 2017)

Two married couples share the same holiday house. Everything seems to go smoothly except that Pierre, one of the two husbands, is irresistibly attracted to Marthe, his friend's wife. As for the latter, she feels exactly the same for him. One night (or is it the same thing every night?) Pierre and Marthe remain in the living room after their mutual partners have gone to bed. They talk and banter pleasantly until they half-wordily evoke the present that could be theirs if they had married each other or what future they could contemplate if they escaped together.

First performed in 1732, Marivaux's play on the theme of cross-dressing, depicts the stratagems of the young princess Léonide in love with Agis, the legitimate heir to the throne of Sparta. To meet the prince, watched over by the philosopher Hermocrates and his sister, Léonide disguises herself as a man and seduces the whole household.

An old lady returns from Africa where she made a fortune to find her son in Paris, whom she has not seen in five years, with the intention of bringing him back with her. But this project fails.