Yannick Bellon
출생 : 1924-04-06, Biarritz, France
사망 : 2019-06-02
Writer
In the evening of her life, Yannick Bellon reflects on her past. She evokes her career as a film director, which began in the 1940s and the themes, sometimes controversial (rape, bisexuality, drugs, ecology) she chose to deal with. She also tells about her friendships, her loves, her leftist political commitment, which earned her many troubles with the censors.
Director
In the evening of her life, Yannick Bellon reflects on her past. She evokes her career as a film director, which began in the 1940s and the themes, sometimes controversial (rape, bisexuality, drugs, ecology) she chose to deal with. She also tells about her friendships, her loves, her leftist political commitment, which earned her many troubles with the censors.
Self
In the evening of her life, Yannick Bellon reflects on her past. She evokes her career as a film director, which began in the 1940s and the themes, sometimes controversial (rape, bisexuality, drugs, ecology) she chose to deal with. She also tells about her friendships, her loves, her leftist political commitment, which earned her many troubles with the censors.
Writer
Through photos made by the French photographer Denise Bellon, a personal history of France.
Director
Through photos made by the French photographer Denise Bellon, a personal history of France.
Director
In this earnest drama, a rural schoolteacher who has become a strong advocate for ecological awareness and is a committed opponent of hunting in the local swamp becomes romantically embroiled with a single mother who has returned to her birthplace since just before her boy (now nine years old) was born. Despite some hard feelings from the adult population of the town (who are very pro-hunting), the teacher's romance progresses smoothly until he learns that his girlfriend's brother stuffs and mounts specimens of endangered species.
Story
Is there still a chance for Marie, an unwed young mother and a former drugs addicted prostitute, who is sent to a reformatory school?
Screenplay
Is there still a chance for Marie, an unwed young mother and a former drugs addicted prostitute, who is sent to a reformatory school?
Director
Is there still a chance for Marie, an unwed young mother and a former drugs addicted prostitute, who is sent to a reformatory school?
Writer
In the docks of Bordeaux a well-known homosexual was murdered. Police Inspector Michel Verta starts investigating, when he falls in love with Bernard, a handsome young musician. This not only threatens his family life but also his integrity, for he is married with a child and Bernard is one of the murder suspects.
Director
In the docks of Bordeaux a well-known homosexual was murdered. Police Inspector Michel Verta starts investigating, when he falls in love with Bernard, a handsome young musician. This not only threatens his family life but also his integrity, for he is married with a child and Bernard is one of the murder suspects.
Writer
An educated woman ,with good prospects falls in love with an oceanographer .But breast cancer strikes : will she remain a true woman ,in spite of a mastectomy?
Director
An educated woman ,with good prospects falls in love with an oceanographer .But breast cancer strikes : will she remain a true woman ,in spite of a mastectomy?
Producer
Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma. Following a friend's advice, she decides to file a lawsuit.
Writer
Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma. Following a friend's advice, she decides to file a lawsuit.
Director
Nicole, nurse in Grenoble, is raped one night by four men. Deeply scarred, emotionally and physically, she thinks she will never recover from the trauma. Following a friend's advice, she decides to file a lawsuit.
Director
Claire (Bulle Ogier) returns to France following the death of her actress friend Agathe (Loleh Bellon). She attends an auction of her friend's possessions, provoking memories of the past. As her camera glides across the auction house bric-a-brac, Yanick Bellon mixes past, present and future to create a delicate piece of cinematic poetry. Set to the music of Georges Delerue.
Writer
Claire (Bulle Ogier) returns to France following the death of her actress friend Agathe (Loleh Bellon). She attends an auction of her friend's possessions, provoking memories of the past. As her camera glides across the auction house bric-a-brac, Yanick Bellon mixes past, present and future to create a delicate piece of cinematic poetry. Set to the music of Georges Delerue.
Director
Writer
A portrait of loneliness in contemporary France.
Director
A portrait of loneliness in contemporary France.
Director
Passers-by, those who knew him in his youth, René Barjavel, witness of his beginnings, his wife, his doctor, writers ... By questioning them Michel Polac tries to better understand the troubled personality of Louis-Ferdinand Céline, Notorious anti-Semite and genius writer.
Director
Editor
Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.
Director
An international anthology about the struggles of female workers around the world.
Editor
A romantic German girl is brought to France. After an interlude with an old roue, she falls in love with a simple, but married, man. She goes to work for him as a servant, but after a night of love with him, she commits suicide.
Director
In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born.
Director
Script
Director