Yannick Bellon

In the evening of her life, Yannick Bellon reflects on her past. She evokes her career as a film director, which began in the 1940s and the themes, sometimes controversial (rape, bisexuality, drugs, ecology) she chose to deal with. She also tells about her friendships, her loves, her leftist political commitment, which earned her many troubles with the censors.

In the evening of her life, Yannick Bellon reflects on her past. She evokes her career as a film director, which began in the 1940s and the themes, sometimes controversial (rape, bisexuality, drugs, ecology) she chose to deal with. She also tells about her friendships, her loves, her leftist political commitment, which earned her many troubles with the censors.

In the evening of her life, Yannick Bellon reflects on her past. She evokes her career as a film director, which began in the 1940s and the themes, sometimes controversial (rape, bisexuality, drugs, ecology) she chose to deal with. She also tells about her friendships, her loves, her leftist political commitment, which earned her many troubles with the censors.

Through photos made by the French photographer Denise Bellon, a personal history of France.

Through photos made by the French photographer Denise Bellon, a personal history of France.

In this earnest drama, a rural schoolteacher who has become a strong advocate for ecological awareness and is a committed opponent of hunting in the local swamp becomes romantically embroiled with a single mother who has returned to her birthplace since just before her boy (now nine years old) was born. Despite some hard feelings from the adult population of the town (who are very pro-hunting), the teacher's romance progresses smoothly until he learns that his girlfriend's brother stuffs and mounts specimens of endangered species.

Is there still a chance for Marie, an unwed young mother and a former drugs addicted prostitute, who is sent to a reformatory school?

Is there still a chance for Marie, an unwed young mother and a former drugs addicted prostitute, who is sent to a reformatory school?

Is there still a chance for Marie, an unwed young mother and a former drugs addicted prostitute, who is sent to a reformatory school?

In the docks of Bordeaux a well-known homosexual was murdered. Police Inspector Michel Verta starts investigating, when he falls in love with Bernard, a handsome young musician. This not only threatens his family life but also his integrity, for he is married with a child and Bernard is one of the murder suspects.

In the docks of Bordeaux a well-known homosexual was murdered. Police Inspector Michel Verta starts investigating, when he falls in love with Bernard, a handsome young musician. This not only threatens his family life but also his integrity, for he is married with a child and Bernard is one of the murder suspects.

An educated woman ,with good prospects falls in love with an oceanographer .But breast cancer strikes : will she remain a true woman ,in spite of a mastectomy?

An educated woman ,with good prospects falls in love with an oceanographer .But breast cancer strikes : will she remain a true woman ,in spite of a mastectomy?

Николь, молодая жительница Гренобля, однажды вечером была изнасилована четырьмя парнями. Она думает, что никогда не оправится от этого шока. Жених отдаляется от нее. По совету подруги, Николь подает судебный иск...

Николь, молодая жительница Гренобля, однажды вечером была изнасилована четырьмя парнями. Она думает, что никогда не оправится от этого шока. Жених отдаляется от нее. По совету подруги, Николь подает судебный иск...

Николь, молодая жительница Гренобля, однажды вечером была изнасилована четырьмя парнями. Она думает, что никогда не оправится от этого шока. Жених отдаляется от нее. По совету подруги, Николь подает судебный иск...

Claire (Bulle Ogier) returns to France following the death of her actress friend Agathe (Loleh Bellon). She attends an auction of her friend's possessions, provoking memories of the past. As her camera glides across the auction house bric-a-brac, Yanick Bellon mixes past, present and future to create a delicate piece of cinematic poetry. Set to the music of Georges Delerue.

Claire (Bulle Ogier) returns to France following the death of her actress friend Agathe (Loleh Bellon). She attends an auction of her friend's possessions, provoking memories of the past. As her camera glides across the auction house bric-a-brac, Yanick Bellon mixes past, present and future to create a delicate piece of cinematic poetry. Set to the music of Georges Delerue.

A portrait of loneliness in contemporary France.

A portrait of loneliness in contemporary France.

Passers-by, those who knew him in his youth, René Barjavel, witness of his beginnings, his wife, his doctor, writers ... By questioning them Michel Polac tries to better understand the troubled personality of Louis-Ferdinand Céline, Notorious anti-Semite and genius writer.

Steph, Jean-Claude and Jacques work in a Parisian art shop, but they mainly work in the field of eroticism, which they conceive as a wide-ranging field of exercises and experiments.

В 1954-1956 гг. по просьбе Всемирной демократической федерации женщин было снято пять короткометражек для художественно-документального фильма «Роза ветров», в которых были показаны истории из жизни женщин в Бразилии, Китае, Франции, Италии и Советском Союзе. В сборник вошли новеллы: «УТРО КАК ДРУГИЕ» (Um matin comme les autres, Франция, 1956, реж. Янник Беллон); «ДЖОВАННА» (Giovanna, Италия, 1956, реж. Джилло Понтекорво); «АНА» (Ana, Бразилия, 1955, реж. Алекс Виани); «ЧЭНЬ ЛИН» (Chen Ling / 陳玲, Китай, 1956, реж. У Ю-ин); «НАДЕЖДА» (СССР, 1954, реж. Сергей Герасимов и Альберто Кавальканти). Художественным руководителем проекта выступил известный голландский режиссёр-документалист Йорис Ивенс.

A romantic German girl is brought to France. After an interlude with an old roue, she falls in love with a simple, but married, man. She goes to work for him as a servant, but after a night of love with him, she commits suicide.

In conversation, in her Paris apartment, Sidonie-Gabrielle Colette, mime, dancer, novelist, wonders whether she should give the green light to a proposed film about the houses in which she lived. “I’m no longer photogenic,” she insists; nearly 80, marriages, affair with a stepson and intermittent lesbianism behind her, refusing now even to mention the arthritis that confines and assaults her, Colette is vivacious. Yannick Bellon’s captivating postmodernist film, as much a study of evanescence as any poem by Dickinson, segues into the film that Colette, a few years before her end, has just said she doesn’t want to do. Giving voice(over) to her own commentary, she goes back, first, to the home in Saint-Sauveur-en-Puisaye, Yonne, where she was born.