Ivan Lebedev

In late nineteenth-century Yakutia, Habji and his wife Keremes have just buried their second child, and are preparing for a harsh winter of famine. Instead of giving them the help he promised, the local prince foists a Russian convict, Kostya, on the family, who the law decrees must live in the same house as them. They initially struggle to find a common language, and the convict soon decides that he will be the master of the house from now on.

Kolya and Sasha hide away in an old lodge in the middle of the forest. They are in love, and the world around seems strange and wonderful. But the idyll of the sunny summer days is continually disturbed by nightmares. Sasha dreams that she is submerged by a huge wave. Once they meet a mysterious married couple living in the neighbourhood. The Man and the Woman are very much like the young lovers. With their help, they try to understand their feelings.

The Golden Moose restaurant was a Turku legend. An old-fashioned funky establishment, opened in 1968 and seemingly never having changed since then. A meeting place for friends and family. A shrine for hundreds of locals. A place many called home. A family – for those who served there, as well as those being served. Now, in December 2016, the building has been bought by a major Finnish retail corporation in order to open a new supermarket, and the restaurant has to close its doors forever…

The film is about the long-term relationship between the director and the character of her first film, the French indie artist, musician and director Siegfried, known as Sig. The story is dedicated to the experience of growing up, emancipation and finding their own identity in life and in art. The film raises questions about the nature of the student-teacher relationship, which inevitably involves submission and conflict, and the nature of the director and hero relationship, which is based on love and a little manipulation.

The film is a parable about fear; it is a story about the attitudes of a mother and daughter deprived of love, who temporarily find mutual understanding, rallied by fear before the story invented by the mother about a cannibalistic wolf. On a philosophical level it is a reflection on the lost purity of thoughts, which is the main condition for the harmony of human life, and yet another illustration of the proverb: “The sleep of reason produces monsters”

Riga, Latvia. Four women: Elita, a passioned actress, Elina, her daughter, Iveta, a tourist guide and Paulina, a teenage ballet dancer. All are in love and going through strong emotions. A free-style composition about passion and arts, a visually stunning cinematic jazz partition.

An almost Chekhovian story about a once successful director making his last film, in spite of everything and everybody, in his country house. Strange guests, vain actors, somewhat eccentric neighbours and the director are reason enough for the author’s irony, and sometimes sarcasm. And you remember? Chekhov’s guns always fire!

Annual Charitable Christmas Evening “Action!”

Oleg is a young gifted paramedic. His wife Katya works as a nurse at the hospital emergency department. She loves Oleg, but is fed up with him caring more about patients than her. She tells him she wants a divorce. The new head of Oleg’s EMA department is a cold-hearted manager who’s got new strict rules to implement. Oleg couldn’t care less about the rules – he’s got lives to save; his attitude gets him in trouble with the new boss. The crisis at work coincides with the personal life crisis. Caught up between their patients, alcohol-fueled off-shifts, and an evolving health care system, Oleg and Katya have to find the binding force that will keep them together.

쇄빙선 미하일 그로모프 호는 항해 도중 빙산과 충돌한다. 쏟아지는 빙산 파편은 가까스로 피했으나 오히려 해빙에 사이에 갇히고 만다. 선체가 망가지고 엔진이 고장나서 움직일 수도 없는 상황. 70명의 쇄빙선 선원들이 남극 한 가운데에 고립되고 만다. 과연 그들은 살아남을 수 있을까?

상트 페테르부르크를 배경으로 만들어진 옴니버스 영화. 7명의 여성 감독들이 연출한 각각의 단편들은 사랑과 외로움, 행운과 희망, 그리고 기적에 대해 이야기한다. 현재 러시아의 젊은 감독들이 관찰한 도시의 서로 다른 풍경과 러시아의 잊혀진 영화들에 대한 추억이 특히 흥미로운 작품. (2019 러시아 영화제 - 위대한 유산, 새로운 이름들)

The life of the ordinary teenager Vania changes when he makes the acquaintance of three strange guys. Sportsmen, hooligans, dreamers – they call themselves “Rag Union” and believe that they can change the world. Enchanted by his new friendship, Vania puts them up at his dacha and tries to become part of their grand organization. But the neighbour girl Sasha has her own plans with this company.

The film details the early years of the legendary Siberian Punk/Rock group 'Гражданская Оборона' (Grazhdanskaya Oborona), and its frontman, Egor Letov.

Sasha is a young girl living in a block flat with her family in Moscow. Once she falls in love with Antonin, a bohemian artist and hard drinker. Their short love affair is pulling her down, to the bottom of her subconscious. Overwhelmed with beautiful and frightening visions, she starts to paint - violently, until she can stand on her feet.

He's an unemployed guy who earns some money by giving lifts to strangers. She's a graphic designer who just got her first job. The film tracks their relationship - and the way it gradually melts away - throughout a year. A subtle, moving portrait of an immature love that breaks down easily.

Sascha lives in a village on the Kola Peninsular in northern Russia and dedicatedly manages what is left of an old collective farm. He gets on well with his farm workers who respect him and also tolerate his more or less clandestine love-affair with Anya, a secretary at the local government office. But then Sascha is suddenly faced with a dilemma: the district’s self-seeking administrators, none of whom could be termed squeamish, offer him a lucrative deal for the farm. In legal terms, Sascha doesn’t have much of a leg to stand on since his lease on the farm was only agreed with a handshake. The pressure mounts, and even more so when his employees convince him to stand firm. Against the backdrop of a landscape exposed to the elements, this unflinching man’s destiny takes its course.

Every year, 25,000 people die on Russian roads. You could say a whole city is disappearing from our planet. And about a third of its "residents" were involved in an accident due to speeding. Many drivers do not consider acceleration even at 30 km / h a violation, but statistics show that they are wrong. Five different stories combined in movie almanacs will make every viewer, at least, think about the right choice of speed. Both on the road and in life.

Every year, 25,000 people die on Russian roads. You could say a whole city is disappearing from our planet. And about a third of its "residents" were involved in an accident due to speeding. Many drivers do not consider acceleration even at 30 km / h a violation, but statistics show that they are wrong. Five different stories combined in movie almanacs will make every viewer, at least, think about the right choice of speed. Both on the road and in life.

A group of friends and bandmates look to escape from the Chernobyl disaster.

Yuriko, a daughter of Yakudza boss is lost in Russia. Here she finds Alexey - a young man who is trying to help her.

러시아의 어느 한적한 섬. 세르게이와 파벨은 바깥 세상과 차단된 기상관측소에서 함께 일한다. 둘 사이에는 공통점이 거의 없다. 어느 날, 두 사람 중 하나가 중요한 정보를 놓치는 일이 발생하고 차가운 북극해에는 감당하기 힘든 혼란이 휘몰아친다.

Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.

Kind and lazy Jenya comes to Moscow from small village in Belarus for earnings. Criminal incident unexpectedly separates Jenya from companions and leaves him alone without money and documents. He has no friends or relatives in this big and hostile city and he is about to end as a homeless bum.

One Monday morning Katya, Vika and Zhanna learn that there will be a school disco, their first disco, on the coming Saturday night. The girls feverishly start preparing for the event, which rapidly becomes the most important moment ever in their universe, and looks like the ideal way to escape their daily lives...

Part two of filmmaker Siegfried's travelogue, continuing through China and Southeast Asia.

Lesha Shultes, a pickpocket, leads the ordinary life of an average urban creature. The only extraordinary thing about Shultes is that he carries a little notebook with him and notes down everything. This minimalist drama of a 'small man' in a metropolis delivers an existential message with a distinct Russian flavour.

A dying actor asks a doctor to help him commit suicide in return for a masterpiece.

Having lost his wife in a plane crash, a man tries to find out the real reason for the disaster. Forced to sift through all the lies amassing around him, he temporarily foggets about his grief. He finds a flight crew who survived a crash and celebrates his rebirth with them. Suddenly moments of grief turn into a never-before-experienced flash of freedom for him. This illusion becomes a lulling trap in which he can relive the happiest moments of his life. What we can see on the screen is an ordinary life where simple things become rare and unusual, and where grief turns to joy. Daily routine to which he finally comes back after all shade in a contrast way the brightness of the recent events.

WishMaster, Clever Lil, New, Skunk, Fox, Foxy, CatÖ this is a group of people who reckon that their invented life is much more important and real than what their birth held in store for them. They practice a sado-masochism, creating around their passions the romantic image of another world visible only to them. From the position of ordinary citizens they are no more than perverts with mental deviations. And still, who are they? How do they survive in a world that they call ìvanillaî? And why do they use these strange nicknames and carefully chosen, ominous attributes: flogging scourges or latex suits? What do they see in their hobby that we do not see ñ and never shall see, if we limit ourselves by a documentary approach?

"Free Floating" is a melodrama with elements of comedy about a young lad from an ordinary provincial town like many in Russia, with just one kindergarten, one school, one factory. As a result, one grows up here never facing the alternative as to what to choose, for everything is preordained. Leonid is an ordinary lad who, like his peers, goes to discos, dances with girls and picks fights with the local riff-raff later. Everything is going well for him, as his life is totally predictable. But one day the factory closes down and he becomes disoriented. For the first time ever, he is to make a choice on his own and think seriously about what he would like to do...

The film takes place a few years after the events shown in Bummer. Kostyan "Kot", who lost all his friends, the woman he loved and was nearly killed in the first installment of the film tries to begin a new, peaceful life. But is it possible to do? Has Russia changed and do "bratki" on black "bummers" no longer control business? Can he escape his past?

제1차 세계대전을 목전에 둔 1914년. 프란츠 페르디난트 대공의 암살로 시작되는 혼란의 시대를 살아가는 네 친구를 중심으로 펼쳐지는 이야기이다. ´가르파스툼´은 고대 로마인들이 했던 구기 경기를 의미하는 라틴어이다.

The Nomad is a historical epic set in 18th-century Kazakhstan. The film is a fictionalised account of the youth and coming-of-age of Ablai Khan, as he grows and fights to defend the fortress at Hazrat-e Turkestan from Dzungar invaders.

This is a fractured tale of Kiwi (Iaroslav Zhalnin), a teen thief with a penchant for driving his motorcycle into traffic, playing video games and turning invisible; Alisa (Vasilisa Petina), a young model whose face is splashed all over city billboards and ads, with whom Kiwi grows fixated; and Alik (Khazizov), a metrosexual writer who roller-skates in his cavernous hard-wood-floored apartment and plucks a drunken Alisa after her fateful encounter with Kiwi. Alik, responding to Alisa’s pleas, eventually confronts the pestering Kiwi; a misunderstanding (did he rape her? did he not?) erupts into violence.

Somewhere deep, deep in Russia there is a town called Marks (named after Karl Marks, founder of Communism theory) where all people are working on toy factory and receiving their wages as toys. News from other cities are arriving on very rare occasion. One morning, Boris, a former boxing who is running from something, wakes up in train and see four letters MAR_S. From his first steps he starts to meet new people as Gregori, young man with a dream who is in love with local librarian, Greta, whose dream is to get out from this god-forgotten town. With each new step, he is meeting new people, but the past is hard to escape

A sad story about life and love as it told by Grigori Stepanovich Smirnov who is trying to find what caused the suicide of young 15 years old Volodya.

Fifteen year old Mustafa has a nickname Schizo. He is hired by his mother’s boyfriend to find fighters for illegal fistfights. His life is changed forever when a young man mortally beaten in one of the fights asks Schizo to deliver his prize money to his girlfriend and young son. Schizo takes the money to the woman as promised and falls in love with her. Now he knows for whom he has to make money, no matter what the cost. In fistfights there are no rules… until blood is spilled!

A widowed aeronautics engineer, who has lost his job, travels with his son hopping freight trains from Moscow to Koktebel, a town by the Black Sea, to start a new life with the father's sister.

Corrupt cops, street gangs, "Bratki" in "Bummers" (BMWs) steal and "Merins" (Mercedeses), angry truck drivers, beautiful women and death are what four friends in a black Bummer who go on a mission from one region of Russia to another are about to face in the wasteland of small-town Russia. A critique of the policies of Boris Yeltsin, it depicted the economic crisis that followed Russia's transition towards a free market economy, and with it, a lost generation, with no job security, who are pushed into a world of crime and rebellion. Despite a modest budget of US$700,000, and a limited cinematic release, it became a national hit in Russia as well its soundtrack, popularized by 'Seryoga's' (Серёга) music video "Чёрный Бумер" ("Black Bummer"). Both the film and its soundtrack have won awards, including the prestigious Golden Aries from the Russian Guild of Film critics.

The plot is not developed; in the film we see a man (he) and a woman (she) who, in fact, are neither connected nor familiar with each other; they casually met in hospital. "She" (Viktoria Tolstoganova) does not see that she is in danger in connection with her plan to use a tape with illegally made recordings as compromising evidence in court. "He" (Il'ia Shakunov, an actor of the Petersburg TYuZ) is a gay translator who, after the random meeting with her, is pursued by her image which frequently pops up in front of him. As a consequence, his relationship with a young boy no longer satisfies him. Both he and she lose sight of the meaning of life, because of their own inability to see others and to see love, as perception relies on proximity instead of distance.

Based on Edvard Radzinsky’s play "104 Pages about Love". They saw each other in a cafe. They could not meet, as in this cafe there was nobody but the bartender. And then for a long time they lived, not seeing anyone around: love is self-sufficient, it rejects the superfluous. Meetings at the desolate metro station "Arbatskaya". He will make time between business trips, she between flights. Flowers and kisses outside, in the cold rain. A bed in his empty bright house. Parting again. But soon he will understand that "the most beautiful girl in Moscow and the Moscow region" is his fate...