Ksenia Okhapkina

Apatity, a far-north industrial town in Russia, first came into being as a USSR concentration camp. Although its environment is at the brink of ecological disaster, the people here still believe in the state’s promise of immortality that can be gained through sacrificial service to the fatherland. This is how the elite in a totalitarian state buy a person’s will, strength, talent and, indeed, life, turning the human being into another resource that is as faceless as a grey lump of ore. ‘I cannot fight big corporations or state structures with a film. But I hope that there is someone in the darkness of the cinema whose heart will get a bit warmer after seeing it,’ says the director. The larger part of the film was shot during the polar night.

Apatity, a far-north industrial town in Russia, first came into being as a USSR concentration camp. Although its environment is at the brink of ecological disaster, the people here still believe in the state’s promise of immortality that can be gained through sacrificial service to the fatherland. This is how the elite in a totalitarian state buy a person’s will, strength, talent and, indeed, life, turning the human being into another resource that is as faceless as a grey lump of ore. ‘I cannot fight big corporations or state structures with a film. But I hope that there is someone in the darkness of the cinema whose heart will get a bit warmer after seeing it,’ says the director. The larger part of the film was shot during the polar night.

Apatity, a far-north industrial town in Russia, first came into being as a USSR concentration camp. Although its environment is at the brink of ecological disaster, the people here still believe in the state’s promise of immortality that can be gained through sacrificial service to the fatherland. This is how the elite in a totalitarian state buy a person’s will, strength, talent and, indeed, life, turning the human being into another resource that is as faceless as a grey lump of ore. ‘I cannot fight big corporations or state structures with a film. But I hope that there is someone in the darkness of the cinema whose heart will get a bit warmer after seeing it,’ says the director. The larger part of the film was shot during the polar night.

Apatity, a far-north industrial town in Russia, first came into being as a USSR concentration camp. Although its environment is at the brink of ecological disaster, the people here still believe in the state’s promise of immortality that can be gained through sacrificial service to the fatherland. This is how the elite in a totalitarian state buy a person’s will, strength, talent and, indeed, life, turning the human being into another resource that is as faceless as a grey lump of ore. ‘I cannot fight big corporations or state structures with a film. But I hope that there is someone in the darkness of the cinema whose heart will get a bit warmer after seeing it,’ says the director. The larger part of the film was shot during the polar night.

A poetic documentary about life in a war-torn Chechen village, with the cemetery as its symbolic focal point. The village lives and breathes in unison. The Chechen gravediggers are always busy. Death is an everyday visitor. It does not even matter that yet another war has ended. The people live stuck in a circle of vengeance. They also gather into circles to chant prayers to God. Only the cows are grazing calmly next to the cemetery and the children are happily going about their business. The Chechens' parting words to one another are, "May you come back free!"

A poetic documentary about life in a war-torn Chechen village, with the cemetery as its symbolic focal point. The village lives and breathes in unison. The Chechen gravediggers are always busy. Death is an everyday visitor. It does not even matter that yet another war has ended. The people live stuck in a circle of vengeance. They also gather into circles to chant prayers to God. Only the cows are grazing calmly next to the cemetery and the children are happily going about their business. The Chechens' parting words to one another are, "May you come back free!"

A poetic documentary about life in a war-torn Chechen village, with the cemetery as its symbolic focal point. The village lives and breathes in unison. The Chechen gravediggers are always busy. Death is an everyday visitor. It does not even matter that yet another war has ended. The people live stuck in a circle of vengeance. They also gather into circles to chant prayers to God. Only the cows are grazing calmly next to the cemetery and the children are happily going about their business. The Chechens' parting words to one another are, "May you come back free!"

A documentary about financial crisis in Russia.

This film is a journey from the modern world to the past, from the complex to the simple. Changing the appearance of cities is always associated with a change in the model of social relations. Through architecture, you can trace the course of history: victories and defeats, changes in the way of life of people and their key values. This is evidenced by the cities. Grozny, Volgograd, St. Petersburg, Pskov-absolutely not similar to each other, with different historical fate, however, the author shows in the film the common thing that unites their living space: the temple as an image of the universe. The largest mosque in Europe, Mamayev Kurgan, as a symbol of Victory in the World War, the polytheism of Imperial St. Petersburg, the heavenly city of ancient Pskov. However, any architectural project starts with a master pencil. The architect Andrey Anisimov tells about the exceptional features of these cities.

Valaam is an island in the north of Russia. For many years, monks and laypeople have been fighting for the right to live on the island. On Christmas Eve, all residents take part in one performance. The film is about how life goes on on Valaam.

Valaam is an island in the north of Russia. For many years, monks and laypeople have been fighting for the right to live on the island. On Christmas Eve, all residents take part in one performance. The film is about how life goes on on Valaam.

Film-essay about the original villages of the small people of Ludiki. The action takes place in Karelia. The film consists of three parts, each of which is dedicated to one village. Everyday life, myths, fairy tales, people and nature live a special life here, in which everything is important and everything is interconnected. The film contains fragments of a song in the Ludik language, which resembles Kalevala in content.

The remote, abandoned, snow-swept Belarusian village of Lute. The last resident of this village, Valentina Kirillovna Shpakova, is celebrating the New Year.

The remote, abandoned, snow-swept Belarusian village of Lute. The last resident of this village, Valentina Kirillovna Shpakova, is celebrating the New Year.