Alberto Carlassare

An empty house. A journey through the corners of a space occupied by three generations of women. Through her family history, the author examines the relationships between the steel industry and the women who coexisted with it, as well as the imprint left by industrialization in the domestic sphere. The film is presented as a sort of archaeological investigation of workers' housing, where empty rooms or inert objects are the only elements that make up the image. In this process, the trace of an ideology of domesticity linked to the figure of the Angel of the Home emerges - whose origin dates back to the end of the 19th century - and which collides with the mentality of the new generations. By questioning forms of patriarchal domination as strongly rooted as the family institution or the idea of home, the film opens a space for the depatriarchalization of memory.

영화의 원제 ‘발견의 해’는 콜럼버스가 아메리카 대륙을 발견한 1492년을 지칭한다. 반면 현대 역사에서 ‘발견의 해’로 얘기되는 1992년은 바르셀로나 올림픽과 세비아 엑스포가 열려 ‘강국 스페인’으로서의 이미지를 다시금 내세운 해였다. 또한 무르시아 지역 산업 위기로 엄청난 규모의 노동자 시위가 일어난 때였으나 미디어는 ‘잔치’만을 기록하기에 바빴다. 영화는 1992년과 현재를 오가며 무르시아 시내 한 카페에서 다양한 연령대의 사람들이 나누는 대화를 기록한다. 일상 얘기부터 노동조합, 인종 차별, 파시스트, 독재로 이어지는 토론까지 카메라는 화자와 청자를 클로즈업해 보여준다.

Dormant for decades, a mothership hovering over post-apocalyptic Ethiopia awakens. Resolved to board the craft, a collector of late 20th century pop memorabilia embarks on a surreal journey to uncover its secrets.

Elena wakes up in a mental hospital room with no memory of anything. They tell him that he suffers from amnesia and that he suffers from paranoid schizophrenia. However, nothing is what it seems, and Elena will have to find a way to escape from there while fighting to keep her sanity and not confuse hallucinations with reality.