Arnaud Humbert

Set five years on from the school days of director Stevan Filipovic's previous film Next to Me, a state of emergency exists and politicians are accused of capitalising on public anxiety around Covid-19, which makes the shocking situation that reunites the characters significantly more extreme. The story centres on Ksenija (newcomer Mina Nikolic), a driven young woman striving to move from tabloid hack to a career journalist in a world of click-bait headlines and showbiz scandals cooked up to feed the masses. Ksenija's personal and professional journey is hampered when Vera tests positive for Coronavirus and Ksenija must question how far she will bend to survive in a climate where political pressure is increasingly overt and can be said to capitalise on fear during the pandemic.

A young American is trying to find a man from her past, but he is never to be found, during the largest conflict on European soil since World War II – the battle of Vukovar. It is a search of identity and truth at a place where truth is selective, elusive, and even feared. A quest for faith, connection, and redemption simmers beneath the search.

남편이 사망한 나이트클럽 화재가 발생한 지 6년 만에 화재는 사고로 판결이 난다. 사고 당시의 기억이 사라진 아나에게 이메일 한 통이 오면서 그녀의 삶은 요동치기 시작한다. 살인과 방화를 저지른 진범이 움직이기 시작한다.

After witnessing the murder of night club dancer Patra Kleo, Belgrade's private sleuth Johnny Paluba is on a quest to find the killer. Police inspector Todorov, newly decommissioned is also looking to solve the crime. In the process they may have discovered a lost Serbian film made during WW2.

1961년, 키로프 발레단 단원 루돌프 누레예프는 처음으로 소련을 떠난다. 파리의 생활로 기쁜 누레예프는 파리의 문화, 예술, 음악을 열망하지만, 그의 일거수일투족을 주시하는 KGB는 그의 행동에 대한 의심을 키운다. 결국 그들에게 충격적인 요구를 들은 누레예프는 그의 인생을 영원히 바꿀 수 있는 가슴 아픈 결정을 내리게 된다.

Somewhere in Europe a Greek owes to a French, who owes to a Slovenian and she owes to an Italian, who owes money to the Greek. A German owes no one, she just wants to get a good night's sleep. The Brit is looking for an exit. The film is shot in one take with a crew and actors coming from over ten countries. Everyone speaks their language and they all understand each other.

Die-hard fans of the 1980s, Vincent and Antoine run a company that supplies doubles of faded stars throughout the whole of France. What starts out as a promising business venture ends up as a calamity when Vincent and Antoine have over forty engagements booked but no one to attend them. They then have a brainwave. Why not get in touch with the real stars of the 1980s and persuade them to make a comeback? Why make do with an imitation when you can have the real McCoy?