Pedro Costa
출생 : 1958-12-30, Lisbon, Portugal
약력
Pedro Costa is a Portuguese film director. While studying history at University of Lisbon, Costa switched to film courses at Lisbon Theatre and Film School (Escola Superior de Teatro e Cinema) where he was a student of António Reis, Paulo Rocha and Alberto Seixas Santos. After working as an assistant director to several directors such as Jorge Silva Melo, Vítor Gonçalves and João Botelho, he made a first feature film O Sangue (The Blood) in 1989. He collected the France Culture Award (Foreign Cineaste of the Year) at 2002 Cannes Film Festival for directing the film In Vanda's Room. Colossal Youth was selected for the 2006 Cannes Film Festival and earned the Independent/Experimental prize (Los Angeles Film Critics Association) in 2008. He is considered to be part of "The School of Reis" film family. António Reis, Portuguese director, was his teacher at the Lisbon Theatre and Film School. Peter Bradshaw of The Guardian called Pedro Costa "the Samuel Beckett of cinema". He is acclaimed for using his ascetic style to depict the marginalised people in desperate living situations. Many of his films are set in a district of Lisbon inhabited by socially disadvantaged and shot in a natural and low-key way in documentary format: some are docufictions.
Apichatpong Weerasethakul, Pedro Costa, Manoel de Oliveira y and the film's director, with their own personal views, share that thin line that links life with cinema.
Director
"As Filhas do Fogo" follows the story of three young cape-verdean sisters upon their arrival at a foreign European port, in an attempt to escape another devastating eruption of the volcano Fogo. In this unknown country, they roam, hand in hand, evoking their secret fears through music and singing.
Screenplay
카보베르데 출신의 55세 비탈리나 바렐라는 남편의 장례식이 끝난 지 사흘이 지난 후에야 리스본에 도착했다. 25년의 기다림. 이제 그녀가 고작 할 수 있는 일이라고는 남편의 유품을 정리하는 거다.
Director
카보베르데 출신의 55세 비탈리나 바렐라는 남편의 장례식이 끝난 지 사흘이 지난 후에야 리스본에 도착했다. 25년의 기다림. 이제 그녀가 고작 할 수 있는 일이라고는 남편의 유품을 정리하는 거다.
Himself
포르투갈의 거장 페드로 코스타의 작품 세계를 관통하는 시네마틱한 여정이 펼쳐진다. 용암의 집부터 뼈, 반다의 방, 행진하는 청춘, 호스 머니까지 20년에 걸친 코스타 영화를 원재료로, 거기서 발췌한 스틸 컷과 사운드트랙이 직관에 따라 재배치된다. 사카벵은 예술가와 작품에 관한 전통적인 다큐멘터리가 아니다.
Himself
Six authorities of cinema describe their approach to transcendence, mysticism, spirituality and life after dead.
Writer
병원의 침대에 누운 한 남자가 1974년의 혁명을 기억한다. 옛 가요가 흐르는 가운데 병원과 거리, 숲에서는 유령들이 등장하고 카메라는 종종 하염없이 그들을 바라본다
Director
병원의 침대에 누운 한 남자가 1974년의 혁명을 기억한다. 옛 가요가 흐르는 가운데 병원과 거리, 숲에서는 유령들이 등장하고 카메라는 종종 하염없이 그들을 바라본다
Director of Photography
Four voices and their visions of Guimarães, cradle city of the Portuguese nation and European Capital of Culture in 2012.
Screenplay
Four voices and their visions of Guimarães, cradle city of the Portuguese nation and European Capital of Culture in 2012.
Director
Four voices and their visions of Guimarães, cradle city of the Portuguese nation and European Capital of Culture in 2012.
Writer
A participant in a coup d'état by young commissioned officers, Ventura loses his way within the woods. Eventually, Ventura is admitted into a mental hospital where he has conversations with "ghosts" of the past in the hospital's elevator.
Director
A participant in a coup d'état by young commissioned officers, Ventura loses his way within the woods. Eventually, Ventura is admitted into a mental hospital where he has conversations with "ghosts" of the past in the hospital's elevator.
Story
폰테이나스에 살고 있는 한 모자가 카보베르데로 돌아가는 문제와 어떤 남자에 관한 대화를 나눈다. 한편 같은 동네에 살고 있는 또 다른 남자는 배우자로부터 버림을 받은 뒤 벤투라에게 자신의 사정을 털어놓는다.
Director
폰테이나스에 살고 있는 한 모자가 카보베르데로 돌아가는 문제와 어떤 남자에 관한 대화를 나눈다. 한편 같은 동네에 살고 있는 또 다른 남자는 배우자로부터 버림을 받은 뒤 벤투라에게 자신의 사정을 털어놓는다.
Cinematography
One of the most important figures in contemporary cinema, Pedro Costa's celebrated music documentary is a mesmerizing portrait of French actress-turned-singer Jeanne Balibar, a transfixing, cigarette-smoking chanteuse with an intense devotion to her craft. Photographed in shimmering black-and-white and featuring a soundtrack of jazz-inflected pop songs, the film is a luminous exploration of the creative process.
Director
One of the most important figures in contemporary cinema, Pedro Costa's celebrated music documentary is a mesmerizing portrait of French actress-turned-singer Jeanne Balibar, a transfixing, cigarette-smoking chanteuse with an intense devotion to her craft. Photographed in shimmering black-and-white and featuring a soundtrack of jazz-inflected pop songs, the film is a luminous exploration of the creative process.
Director
An omnibus project examining, well, the state of the world.
Director
리스본 교외의 허물어진 판자촌의 일상. 새롭고 더 나은 삶은 안락함과 경제 성장에 대한 약속으로 공표된다. 그 와중에 비르질리오는 정말 새로운 냉장고가 필요한지 스스로에게 묻고, 벤빈도와 마리아는 결별하고, 이사벨은 창문 아래로 투신하는데…
Director
Pedro Costa's segment from "O Estado do Mundo".
Director
Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.
Story
Previously focused on Asian directors, “Jeonju Digital Project 2007” takes a look at Europe. The Portuguese filmmaker Pedro Costa, the German filmmaker Harun Farocki, and the French filmmaker Eugène Green participated in this project.
With this movie, Aurélien Gerbault invites us to know the portuguese filmmaker Pedro Costa and to witness the process of shooting of his movie Colossal Youth (2006). The nature of Costa's cinema is revealed to us: the criation of an intimate space in the hardness of reality.
Writer
After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past.
Cinematography
After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past.
Director
After the Portuguese government demolishes his slum and relocates him to a housing project on the outskirts of Lisbon, 75-year-old Cape Verde immigrant Ventura wanders between his new and old homes, reconnecting with people from his past.
Director
Pedro Costa's 2006 installation Little Boy Male, Little Girl Female is made up of additional footage from In Vanda's Room and Colossal Youth. Interior and exterior spaces in Fountainhas are set side by side. Editing the images is left up to the viewer.
Director
A short film showing a rehearsal and live performance by Jeanne Balibar. Costa would go on to make a feature-length documentary with the same title and subject matter in 2009.
Director
Director of Photography
Undaunted by a commission to make a film about his mentors and aesthetic exemplars, the filmmaking team of Jean-Marie Straub and Danièle Huillet, Costa records with great sensitivity and insight the exacting process by which the two re-edit their film Sicilia!, discussing and arguing over each cut and its effect. Incorporating comments about the influence of figures as diverse as Chaplin and Eisenstein, about the ethical and aesthetic implications of film technique and such matters as rhythm, sound mixing, and acting. The film becomes a tour de force, immersing us in the mysteries of cinema as practiced by some of its greatest creators. Costa calls the film both his first comedy and his first love story.
Director
Undaunted by a commission to make a film about his mentors and aesthetic exemplars, the filmmaking team of Jean-Marie Straub and Danièle Huillet, Costa records with great sensitivity and insight the exacting process by which the two re-edit their film Sicilia!, discussing and arguing over each cut and its effect. Incorporating comments about the influence of figures as diverse as Chaplin and Eisenstein, about the ethical and aesthetic implications of film technique and such matters as rhythm, sound mixing, and acting. The film becomes a tour de force, immersing us in the mysteries of cinema as practiced by some of its greatest creators. Costa calls the film both his first comedy and his first love story.
Screenplay
A man is standing at the window, holding a chair. There are wafts of street noise, and occasionally the curtain flutters. A dog is barking. Then, elegiac music sets in, a lavish string arrangement of Billie Holiday's The End of a Love Affair. With this one-shot film, Pedro Costa portrays the state of feeling of the afterwards of a love affair which led nowhere.
Director
A man is standing at the window, holding a chair. There are wafts of street noise, and occasionally the curtain flutters. A dog is barking. Then, elegiac music sets in, a lavish string arrangement of Billie Holiday's The End of a Love Affair. With this one-shot film, Pedro Costa portrays the state of feeling of the afterwards of a love affair which led nowhere.
Director of Photography
The original television version of 'Where Does Your Hidden Smile Lie?'
Director
The original television version of 'Where Does Your Hidden Smile Lie?'
Intertwined interviews of filmmaker Pedro Costa and philosopher Jean-Luc Nancy.
Director
Six unused scenes from Where Does Your Hidden Smile Lie? One of the more priceless of the “bagatelles” in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame. —Cinematheque Ontario
Screenplay
An unflinching, fragmentary look at a handful of self-destructive, marginalized people, but taking as main focus the heroin-addicted Vanda Duarte.
Director of Photography
An unflinching, fragmentary look at a handful of self-destructive, marginalized people, but taking as main focus the heroin-addicted Vanda Duarte.
Director
An unflinching, fragmentary look at a handful of self-destructive, marginalized people, but taking as main focus the heroin-addicted Vanda Duarte.
Screenplay
After a suicidal teenage girl gives birth, she misguidedly entrusts her baby’s safety to the troubled, deadbeat father, whose violent actions take the viewer on a tour of the foreboding, crumbling shantytown in which they live.
Director
After a suicidal teenage girl gives birth, she misguidedly entrusts her baby’s safety to the troubled, deadbeat father, whose violent actions take the viewer on a tour of the foreboding, crumbling shantytown in which they live.
Writer
아프리카의 북서쪽 해안에 위치한 카보베르데라는 작은 섬나라의 마을. 포르투갈에서 온 간호사 마리아나는 건설현장에서 사고를 당한 레오를 간호한다. 레오는 자신의 처지에 분노하며, 그런 레오를 지켜보는 마리아나는 유럽의 식민지였던 이 땅의 아픈 역사를 생각한다.
(2021 포르투갈 영화제)
Director
아프리카의 북서쪽 해안에 위치한 카보베르데라는 작은 섬나라의 마을. 포르투갈에서 온 간호사 마리아나는 건설현장에서 사고를 당한 레오를 간호한다. 레오는 자신의 처지에 분노하며, 그런 레오를 지켜보는 마리아나는 유럽의 식민지였던 이 땅의 아픈 역사를 생각한다.
(2021 포르투갈 영화제)
Editor
On an isolated Portuguese island, a nameless man makes a mental journey which brings him into contact with the strange and menacing world without peace and harmony.
Screenplay
어린 비센테와 니노 형제의 아버지가 어느 날 자취를 감춘다. 빈센테 앞에는 빚쟁이들이 나타나고 니노에게는 입양을 원하는 삼촌이 나타난다.
Director
어린 비센테와 니노 형제의 아버지가 어느 날 자취를 감춘다. 빈센테 앞에는 빚쟁이들이 나타나고 니노에게는 입양을 원하는 삼촌이 나타난다.
Assistant Director
Summer of 1964. The professor Carlos and the couple Dário and Alda spend time together in the beach during vacations. Away from the colonial war, everything seems lost in time.
Assistant Director
It is the end of summer and Isabel is a relationship with Diogo. She don't quite know what she wants from her life going forward as her father gets sick.
Assistant Director
In Africa, during the colonial war, a patrol is lost in the bush and a soldier dies in operation. Twelve years later, in Portugal, the soldier family meets in peace.
Director
Pedro Costa first foray into filmmaking was a short-film co-produced for RTP within a series named “Cartas a Júlia.”
A conversation between Pedro Costa, Andy Rector and Craig Keller.
