Jean Badal

All hell breaks loose when a giant grizzly, reacting to the slaughter of her cubs by poachers, attacks a massive rock concert in the National Park. [This sequel to "Grizzly" (1976) was left unfinished after production wrapped prematurely in 1983, and was not officially released until 2020, though a bootleg workprint version had been in circulation for some years prior to this.]

A man comes to a small town in France and witness the apparent murder of a woman pharmacist. He teams up with the victim's vulgar assistant to try to solve the mystery.

Friends Philippe and Laurent, a violinist and a cello player, frequently team up to play special gigs. While performing for a wedding, they meet the high-class Sophie. Unfortunately for Sophie and the musicians, both of whom she eventually has relationships with, Sophie has an entirely unscrupulous drug-peddling mother, who will stop at nothing to pursue her plans.

세이슈 섬에 정착한 엠마뉴엘은 여전히 자유 분방한 성생활을 즐기며 행복하게 산다. 이해심 많은 남편과 뜻을 함께 하는 이웃들, 그녀에게는 더 바랄 것이 없다. 그러나 오랜 자유 성생활이 그녀의 이상에 맞는 것인지에 대한 회의가 생기기 시작한다. 그럴 즈음, 촬영 장소를 물색하기 위해 온 영화감독 그레고리를 만난다. 그와의 관계에서 엠마뉴엘은 육체적인 쾌락 이상의 무언가를 느낀다. 그것을 보통 사람들은 사랑이라고 부른다는 것을 알았을 때 그녀는 지금까지의 생활이 무의미해짐을 깨닫고 충격을 받는다. 그러나 오랜 생각 끝에 새로 발견한 가치를 따라 그레고리를 찾아서 파리행 비행기에 오른다...

Rod Taylor plays a United Nations bio-warfare disarmament expert whose lonely wife (Catherine Jourdan) has a steamy affair while she's away in France. But soon she finds out the hard way that her lover is not quite the charming and stable guy she thought he was, and starts to fear him and wonder about his true motives.

"In Serieux comme le plaisir, two men and a woman live quite happily together in a romantic liaison. The woman is probably wealthy anyway, so the trio doesn't worry much about money. One day they decide to take a trip in their beat-up car, managing the whole affair in their own special, insouciant manner. They are followed by a suspicious policeman who thinks there's something fishy about this group..."

For his final film, Jacques Tati takes his camera to the circus, where the director himself serves as master of ceremonies. Though it features many spectacles, including clowns, jugglers, acrobats, contortionists, and more, Parade also focuses on the spectators, making this stripped-down work a testament to the communion between audience and entertainment.

A desperate woman, whose son is on trial for murder, blackmails the judge and kidnaps his wife.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

Le grabuge is a French-British-American film drama.

Gilles Lantier, a young reporter on the AFP newspaper, is suffering from a nervous breakdown. Realising that neither his friend Jean nor his girlfriend Eloïse can help him, he decides to stay with his sister Odile, who lives near Limoges. At a party one evening he meets a wealthy bourgeois woman named Nathalie Sylvener. It is love at first sight, and on his return to Paris, Gilles tells Eloïse that he is now devotedly attached to another woman. Although Nathalie agrees to live with him in Paris, she rejects Gilles' offer of marriage. It is not long before the couple have settled into a routine and their passion begins to cool. Then Nathalie suddenly disappears from Gilles' life...

A judge investigating police corruption finds that the deeper he digs, the more roadblocks he finds.

A single mother raises her son in impossible circumstances first in Leningrad, then Krakow, and then France, and is over-ambitious about him but never gives in.

Treated as an outcast and exploited by the villagers of a small town, a young woman liberates herself through sex, which she uses as a tool of economic gain and an instrument of revenge against those who have wronged her.

This satire concerns three French singing idols and their attempt to stay in the public eye. A press conference, backstage hedonism, psychedelia, manipulative managers and disc jockeys are portrayed as the pop culture is thoroughly and effectively lampooned in this independent feature.

파리에 온 비즈니스맨 윌로 씨는 무표정한 사람들과 고층건물 그리고 낯선 공간 때문에 어리둥절하기만 하다. 마침 미국인 단체 관광객과 여기저기서 마주치던 중 그는 새로 개업한 '로얄 가든'이라는 레스트랑에서 만난 관광객 바바라와 친해진다. 처음 만나 어색했던 둘은 윌로 씨의 유쾌한 행동으로 즐겁고 로맨틱한 파티 무드가 밤늦게까지 계속된다. 이튿날 아침, 관광객들은 모두 공항으로 향하고 그녀는 윌로 씨로부터 작은 백합 꽃다발을 건네받는데...

Anne, an unhappily married actress, temporarily assumes the identity of her sister Simone, the successful director of a London fashion house.

Jacques Tati teaches an acting class about the subtleties of certain types of people to a group of eager (but not very talented) students.

A playboy who refuses to give up his hedonistic lifestyle to settle down and marry his true love seeks help from a demented psychoanalyst who is having romantic problems of his own.

Professor Calculus's friend develops a blue-skinned orange that can grow on any kind of land and survive harsh weather (in the manner of Lue Gim Gong) and therefore solve world hunger. The Professor and his friends, however, run afoul of gangsters who also covet the fruit. The adventure takes them from their home in Marlinspike Hall (Moulinsart), a fictional mansion that is presumably in Belgium, to Spain, where Calculus and another scientist are kidnapped.

Manuel Artiguez, a famous bandit during the Spanish civil war, has lived in French exile for 20 years. When his mother is dying he considers visiting her secretly in his Spanish home town. But his biggest enemy, the Spanish police officer Vinolas, prepared a trap at the hospital as a chance to finally catch Artiguez.

A policeman and a serial killer play cat and mouse in an isolated mountain village in Nineteenth century France. The second film directed by the man who played the admirable lead role in Robert Bresson's A Man Escaped is a stylized and intense adaptation of a novel by Jean Giono. This police investigation in a 19th century village combines visual beauty with the rigor of the mise-en-scène—the vertigo of the criminal motivations indivisible from the refined graphics of the images.

A young beautiful teacher is transfered to a remote island's school, where her colleague (also the principal of the school) falls in love with her. This banned love provokes the jealousy of the principal's wife and makes her seek revenge.

Vincent Vivant agrees to Stephan the spy's proposal: he is to cross the border with a mysterious suitcase.

Frédéric, a shy small-town man, falls in love with Anne, a middle class woman married to Didier, who cheats on her with top model Barbara. Catherine, a very determined woman, is secretly in love with Frédéric and in order to keep him away from Anne, pushes him into Barbara's arms.

Milan is an ex Formula One driver and now he lives with his wife Roberte in a small country town. But Milan is not satisfied, so Roberte encourages a love-story between Milan and Helene, a young woman. Milan can't decide and at last the tragedy comes. Then Milan returns to drive in Formula One.

A woman becomes distressed by the resemblance between the plot of a film and the reality of her own life. But what is reality: life or film?

Buda is mastered by the Turks. Student Gábor and his companion flee a troop into the castle, just in the garden of Gül Baba. Gábor and Leila, the daughter of Gül Baba fall in love with each other. Ali pasha, who wants to marry the girl, has the two Hungarians caught in order to let them be executed.

The top management of the co-operative in the rural community at Lake Balaton goes on coaches everywhere to irritate Mrs. Peczöli, the snobbish wife of the only individual farmer. Peczöli would readily join the co-operative, should it not oppose his apple improving experiments.