Filippo Gili

프로필 사진

Filippo Gili

참여 작품

Filumena Marturano
Screenplay
Filumena has lived for years with a wealthy pastry chef. She forces him to marry her, but he soon asks to annul the marriage. She then reveals that one of her children is his, making him obsessed to know which one.
The seagull - the movie
Editor
"Documents of the staging" of the play The seagull at the Orologio Theatre in Rome.
The seagull - the movie
Adaptation
"Documents of the staging" of the play The seagull at the Orologio Theatre in Rome.
The seagull - the movie
Director
"Documents of the staging" of the play The seagull at the Orologio Theatre in Rome.
The seagull - the movie
Il'jà Afanàsjevič Samràev
"Documents of the staging" of the play The seagull at the Orologio Theatre in Rome.
The Guest Room
Screenplay
The morning Stella decides to take her own life, a stranger knocks at her door claiming the guest room he booked for the night. Surprised but charmed by this man who seems to know her very well, Stella decides to let him in. But when Sandro, the man who broke Stella's heart, joins them at home, this odd situation turns immediately into chaos.
열여덟 번의 선물
매년 생일이 되면 세상에 없는 엄마로부터 선물이 도착한다. 임신한 채 시한부 선고를 받은 엄마가 미리 준비해둔 열여덟 개의 선물. 하지만 딸에겐 그 선물이 부담이다. 마침내 마지막 선물을 푸는 날, 모녀에게 새로운 시작이 찾아온다.
Ovvi destini
Writer
Three sisters. Laura, the eldest; Lucia, the middle one; Costanza, the younger. Costanza is wheelchair bound because of an accident caused by Laura. Costanza and Lucia are not aware of Laura's responsibility, but a strange being is: Carlo, who starts blackmailing Laura.
Ovvi destini
Director
Three sisters. Laura, the eldest; Lucia, the middle one; Costanza, the younger. Costanza is wheelchair bound because of an accident caused by Laura. Costanza and Lucia are not aware of Laura's responsibility, but a strange being is: Carlo, who starts blackmailing Laura.
L'ora accanto
Writer
The play wants to explore afterlife, death re-emerging into life even just for an hour in a whirlwind of powerful emotions ranging from disbelief to joy and anger, until total despair and the last goodbye.
Dall'alto di una fredda torre
Screenplay
Prima di andar via
Writer
"Tomorrow, I won't be alive anymore," Francesco tersely tells his family, gathered for dinner. He has decided to commit suicide because he can't bear living without his wife, who died three months earlier, and can't imagine the idea of getting used to the pain. After the initial shock, his parents and his sisters try to make him change his mind.
Prima di andar via
Francesco
"Tomorrow, I won't be alive anymore," Francesco tersely tells his family, gathered for dinner. He has decided to commit suicide because he can't bear living without his wife, who died three months earlier, and can't imagine the idea of getting used to the pain. After the initial shock, his parents and his sisters try to make him change his mind.
A porte chiuse
Translator
Three murderers. A journalist, a postal employee, a rich young lady. They're dead, but they prefer to call themselves "absent". One forgets they're still in a hotel. It's the nightmare of an infernal room that will imprison their existence forever, with their sins, desires and all they know about themselves.
A porte chiuse
Director
Three murderers. A journalist, a postal employee, a rich young lady. They're dead, but they prefer to call themselves "absent". One forgets they're still in a hotel. It's the nightmare of an infernal room that will imprison their existence forever, with their sins, desires and all they know about themselves.
Three sisters
Director
The play rotates around three sisters, whose father was a general who died the previous year. They can't wait to move to Moscow, leaving behind the mediocre provincial life.