Murilo Barbosa Simões
출생 : , Campinas, São Paulo, Brazil
약력
Bachelor in Social Sciences at Unicamp (State University of Campinas) and in Cinema at UFF (Federal Fluminense University). Works as Director in short-length films, Assistant Director in feature films, Editor and Movie Critic. Director of the horror short-length films “Sand Boy” (2022), sponsored by Edital Lab Curta 2021 and “Let the Sun” (2019), released in Cinematéque of MAM (Modern Art Museum) and in Sundown Film Fest, in Germany. As a film critic for "Ganga Bruta” magazine, he covered the 21st and 22nd editions of the Tiradentes Film Festival. Simões was also the curator of the Film Club “Película Livre” in Campinas, São Paulo.
Editor
.living matter
Director
.living matter
Murilo
.living matter
Director
Bárbara accepts unwillingly her ex boyfriend’s invitation for a date, and soon she regrets the decision. "Any human ear would not hear now any call". The short film offers a new perspective of the short story "Come and See the Sunset", by the Brazilian author Lygia Fagundes Telles.
Executive Producer
Bárbara accepts unwillingly her ex boyfriend’s invitation for a date, and soon she regrets the decision. "Any human ear would not hear now any call". The short film offers a new perspective of the short story "Come and See the Sunset", by the Brazilian author Lygia Fagundes Telles.
Script
Bárbara accepts unwillingly her ex boyfriend’s invitation for a date, and soon she regrets the decision. "Any human ear would not hear now any call". The short film offers a new perspective of the short story "Come and See the Sunset", by the Brazilian author Lygia Fagundes Telles.
Assistant Director
After being diagnosed with Alzheimer's, Lino Santos Gomes, the grandfather of director Barbara Marques, will move in with his family. Videos were made with cell phone lenses. From chaos to love, a grandpa’s day.
Editor
After being diagnosed with Alzheimer's, Lino Santos Gomes, the grandfather of director Barbara Marques, will move in with his family. Videos were made with cell phone lenses. From chaos to love, a grandpa’s day.
Continuity
A street stickman needs to get out of the place where he lives. On the day of the change, children play in the courtyard and decide to invade the artist's apartment.
Editor
.abyssal cave
Director
.abyssal cave
Editor
Now I lay me down to sleep, I pray the Lord my Soul to keep. If I should die before I wake, I pray the Lord my Soul to take.
Director
Now I lay me down to sleep, I pray the Lord my Soul to keep. If I should die before I wake, I pray the Lord my Soul to take.
Murilo
Now I lay me down to sleep, I pray the Lord my Soul to keep. If I should die before I wake, I pray the Lord my Soul to take.
Color Grading
Life in spite of everything.
Editor
Life in spite of everything.
Assistant Director of Photography
death and despair death and despair death and despair death and despair death and despair death and despair death and despair death and despair death and despair death and despair death and despair
Filho
Vale is my father, and God is my brother. I am not from the chapel, I am not from São João. My roof is the sky, my bed is the floor. I am from the womb. Lyrics by Jefferson Cordeiro and the people of the Jequitinhonha Valley (MG).
Editor
Vale is my father, and God is my brother. I am not from the chapel, I am not from São João. My roof is the sky, my bed is the floor. I am from the womb. Lyrics by Jefferson Cordeiro and the people of the Jequitinhonha Valley (MG).
Director
Vale is my father, and God is my brother. I am not from the chapel, I am not from São João. My roof is the sky, my bed is the floor. I am from the womb. Lyrics by Jefferson Cordeiro and the people of the Jequitinhonha Valley (MG).
Me
The most suffocating is the awareness that nothing is happening. All the veins are drying without the blood running through them. I came to Barão Geraldo because things happen here. Here people love as much as dolls hang themselves and chicken are slaughtered to death. Would I still hang dolls and burn memories in the next 18 years? It astonishes me how less and less I do not care for things that are not my extension. Being my own destruction is the only way. Intimacy is a farewell. All I see is a lot water and all the colors are not enough. All forms of comunication are not enough for a lot of water.
Editor
The most suffocating is the awareness that nothing is happening. All the veins are drying without the blood running through them. I came to Barão Geraldo because things happen here. Here people love as much as dolls hang themselves and chicken are slaughtered to death. Would I still hang dolls and burn memories in the next 18 years? It astonishes me how less and less I do not care for things that are not my extension. Being my own destruction is the only way. Intimacy is a farewell. All I see is a lot water and all the colors are not enough. All forms of comunication are not enough for a lot of water.
Director
The most suffocating is the awareness that nothing is happening. All the veins are drying without the blood running through them. I came to Barão Geraldo because things happen here. Here people love as much as dolls hang themselves and chicken are slaughtered to death. Would I still hang dolls and burn memories in the next 18 years? It astonishes me how less and less I do not care for things that are not my extension. Being my own destruction is the only way. Intimacy is a farewell. All I see is a lot water and all the colors are not enough. All forms of comunication are not enough for a lot of water.
