Murilo Barbosa Simões

Murilo Barbosa Simões

Nascimento : , Campinas, São Paulo, Brazil

História

Bachelor in Social Sciences at Unicamp (State University of Campinas) and in Cinema at UFF (Federal Fluminense University). Works as Director in short-length films, Assistant Director in feature films, Editor and Movie Critic. Director of the horror short-length films “Sand Boy” (2022), sponsored by Edital Lab Curta 2021 and “Let the Sun” (2019), released in Cinematéque of MAM (Modern Art Museum) and in Sundown Film Fest, in Germany. As a film critic for "Ganga Bruta” magazine, he covered the 21st and 22nd editions of the Tiradentes Film Festival. Simões was also the curator of the Film Club “Película Livre” in Campinas, São Paulo.

Perfil

Murilo Barbosa Simões

Filmes

Ecos
Editor
.living matter
Ecos
Director
.living matter
Ecos
Murilo
.living matter
Deixe o Sol
Director
Bárbara accepts unwillingly her ex boyfriend’s invitation for a date, and soon she regrets the decision. "Any human ear would not hear now any call". The short film offers a new perspective of the short story "Come and See the Sunset", by the Brazilian author Lygia Fagundes Telles.
Deixe o Sol
Executive Producer
Bárbara accepts unwillingly her ex boyfriend’s invitation for a date, and soon she regrets the decision. "Any human ear would not hear now any call". The short film offers a new perspective of the short story "Come and See the Sunset", by the Brazilian author Lygia Fagundes Telles.
Deixe o Sol
Script
Bárbara accepts unwillingly her ex boyfriend’s invitation for a date, and soon she regrets the decision. "Any human ear would not hear now any call". The short film offers a new perspective of the short story "Come and See the Sunset", by the Brazilian author Lygia Fagundes Telles.
Amor
Assistant Director
After being diagnosed with Alzheimer's, Lino Santos Gomes, the grandfather of director Barbara Marques, will move in with his family. Videos were made with cell phone lenses. From chaos to love, a grandpa’s day.
Amor
Editor
After being diagnosed with Alzheimer's, Lino Santos Gomes, the grandfather of director Barbara Marques, will move in with his family. Videos were made with cell phone lenses. From chaos to love, a grandpa’s day.
Prisma
Continuity
A street stickman needs to get out of the place where he lives. On the day of the change, children play in the courtyard and decide to invade the artist's apartment.
Moon Party
Editor
.abyssal cave
Moon Party
Director
.abyssal cave
Cor de Meu Pai
Editor
Now I lay me down to sleep, I pray the Lord my Soul to keep. If I should die before I wake, I pray the Lord my Soul to take.
Cor de Meu Pai
Director
Now I lay me down to sleep, I pray the Lord my Soul to keep. If I should die before I wake, I pray the Lord my Soul to take.
Cor de Meu Pai
Murilo
Now I lay me down to sleep, I pray the Lord my Soul to keep. If I should die before I wake, I pray the Lord my Soul to take.
No Limbo
Color Grading
Life in spite of everything.
No Limbo
Editor
Life in spite of everything.
Paranóia
Assistant Director of Photography
death and despair death and despair death and despair death and despair death and despair death and despair death and despair death and despair death and despair death and despair death and despair
Cores de Terezinha
Filho
Vale is my father, and God is my brother. I am not from the chapel, I am not from São João. My roof is the sky, my bed is the floor. I am from the womb. Lyrics by Jefferson Cordeiro and the people of the Jequitinhonha Valley (MG).
Cores de Terezinha
Editor
Vale is my father, and God is my brother. I am not from the chapel, I am not from São João. My roof is the sky, my bed is the floor. I am from the womb. Lyrics by Jefferson Cordeiro and the people of the Jequitinhonha Valley (MG).
Cores de Terezinha
Director
Vale is my father, and God is my brother. I am not from the chapel, I am not from São João. My roof is the sky, my bed is the floor. I am from the womb. Lyrics by Jefferson Cordeiro and the people of the Jequitinhonha Valley (MG).
Cores
Me
The most suffocating is the awareness that nothing is happening. All the veins are drying without the blood running through them. I came to Barão Geraldo because things happen here. Here people love as much as dolls hang themselves and chicken are slaughtered to death. Would I still hang dolls and burn memories in the next 18 years? It astonishes me how less and less I do not care for things that are not my extension. Being my own destruction is the only way. Intimacy is a farewell. All I see is a lot water and all the colors are not enough. All forms of comunication are not enough for a lot of water.
Cores
Editor
The most suffocating is the awareness that nothing is happening. All the veins are drying without the blood running through them. I came to Barão Geraldo because things happen here. Here people love as much as dolls hang themselves and chicken are slaughtered to death. Would I still hang dolls and burn memories in the next 18 years? It astonishes me how less and less I do not care for things that are not my extension. Being my own destruction is the only way. Intimacy is a farewell. All I see is a lot water and all the colors are not enough. All forms of comunication are not enough for a lot of water.
Cores
Director
The most suffocating is the awareness that nothing is happening. All the veins are drying without the blood running through them. I came to Barão Geraldo because things happen here. Here people love as much as dolls hang themselves and chicken are slaughtered to death. Would I still hang dolls and burn memories in the next 18 years? It astonishes me how less and less I do not care for things that are not my extension. Being my own destruction is the only way. Intimacy is a farewell. All I see is a lot water and all the colors are not enough. All forms of comunication are not enough for a lot of water.