Editor
My real name is Lucien Neuwirth, but people use to call me Lulu the Pill-man since I legalized the contraceptive pill.
Delegated Producer
My real name is Lucien Neuwirth, but people use to call me Lulu the Pill-man since I legalized the contraceptive pill.
Line Producer
My real name is Lucien Neuwirth, but people use to call me Lulu the Pill-man since I legalized the contraceptive pill.
Screenplay
My real name is Lucien Neuwirth, but people use to call me Lulu the Pill-man since I legalized the contraceptive pill.
Director
My real name is Lucien Neuwirth, but people use to call me Lulu the Pill-man since I legalized the contraceptive pill.
Production Director
Between the wars, more than eight hundred young Polish women came to Indre-et-Loire to work as farm maids. Their story has come down to us thanks to the letters exchanged by their social worker, Julie Duval. Louis Clergeau, an artisan photographer, whose pictures are scattered throughout this film, gave them a face and a body. This film bears witness to this little-known part of French immigration and tells the bitter fate of these immigrants in the Touraine countryside, whose story still shakes us today.
Line Producer
Between the wars, more than eight hundred young Polish women came to Indre-et-Loire to work as farm maids. Their story has come down to us thanks to the letters exchanged by their social worker, Julie Duval. Louis Clergeau, an artisan photographer, whose pictures are scattered throughout this film, gave them a face and a body. This film bears witness to this little-known part of French immigration and tells the bitter fate of these immigrants in the Touraine countryside, whose story still shakes us today.
Delegated Producer
Between the wars, more than eight hundred young Polish women came to Indre-et-Loire to work as farm maids. Their story has come down to us thanks to the letters exchanged by their social worker, Julie Duval. Louis Clergeau, an artisan photographer, whose pictures are scattered throughout this film, gave them a face and a body. This film bears witness to this little-known part of French immigration and tells the bitter fate of these immigrants in the Touraine countryside, whose story still shakes us today.
Editor
Line Producer
Screenplay
Delegated Producer
Director
Editor
Line Producer
Screenplay
Delegated Producer
Director
Screenplay
Editor
Delegated Producer
Director
Co-Producer
Gabrielle, a 19 years old, finds herself stuck near Death Valley between two parents who no longer speak to each other. The three of them, feeling trapped, try to escape the tension, in a huge scenery that feels unchangeable. The situation seems impossible, until an unexpected event comes to unravel everything...
Editor
Executive Producer
Screenplay
Delegated Producer
Director
Editor
Line Producer
Screenplay
Delegated Producer
Director
Director
On 23rd February 2005, the radio announces a bill on the benefits of French colonization. This announcement disrupts Louise and her family's daily life. Her house turns out to be inhabited by peculiar presences.
Director
Line Producer
Editor
Screenplay
Executive Producer
Production Director
Jann Gallois is a dancer and choreographer. Her body is her work tool. Always looking for the right movement, she twists it, bends it, stretches it, breaks it. But memories reappear and the body’s memory, excessively in demand, awakens old wounds. How does this dancer, who says she is "passed through by others and by herself", live with her body?
Line Producer
Jann Gallois is a dancer and choreographer. Her body is her work tool. Always looking for the right movement, she twists it, bends it, stretches it, breaks it. But memories reappear and the body’s memory, excessively in demand, awakens old wounds. How does this dancer, who says she is "passed through by others and by herself", live with her body?
Delegated Producer
Jann Gallois is a dancer and choreographer. Her body is her work tool. Always looking for the right movement, she twists it, bends it, stretches it, breaks it. But memories reappear and the body’s memory, excessively in demand, awakens old wounds. How does this dancer, who says she is "passed through by others and by herself", live with her body?
Producer
Two bored teenagers under the apocalyptic sunshine.
Director
Everybody knows Laughing cow but nobody knows who is the artist behind this famous trademark. Benjamin Rabier (1864-1939) is a French illustrator, comic book artist and animator. He became famous for creating La Vache qui rit (The laughing Cow) and Gédéon le canard (Gideon the duck) he is also one of the pioneers of animated films .
