Sameer Qumsiyeh

Military invasions, curfews and loss were realities that the director had to deal with as a child. This short is his revisit to that traumatic past in an attempt for a reconciliation.

Military invasions, curfews and loss were realities that the director had to deal with as a child. This short is his revisit to that traumatic past in an attempt for a reconciliation.

Military invasions, curfews and loss were realities that the director had to deal with as a child. This short is his revisit to that traumatic past in an attempt for a reconciliation.

Military invasions, curfews and loss were realities that the director had to deal with as a child. This short is his revisit to that traumatic past in an attempt for a reconciliation.

Military invasions, curfews and loss were realities that the director had to deal with as a child. This short is his revisit to that traumatic past in an attempt for a reconciliation.

사라는 이스라엘의 여성이고, 살림은 팔레스타인 남성이다. 이들은 단순한 불륜을 넘어서 극한의 절망으로 치닫게 되는데, 정치와 멜로가 만나 어떤 파국의 드라마가 펼쳐질 수 있는지 치정의 레포트는 극명한 현실을 보여준다.

사라는 이스라엘의 여성이고, 살림은 팔레스타인 남성이다. 이들은 단순한 불륜을 넘어서 극한의 절망으로 치닫게 되는데, 정치와 멜로가 만나 어떤 파국의 드라마가 펼쳐질 수 있는지 치정의 레포트는 극명한 현실을 보여준다.

A Palestinian filmmaker attempts to explore the planet as a backpacker, defying the restrictions of movement imposed on him as a holder of one of the World’s weakest ranking passports. Over a period of 3 years, Sameer Qumsiyeh travels with his personal camera from Palestine, to Europe, to the Canary Islands, and Ecuador (featuring the Amazon) documenting his encounters with other freedom seekers, wanderers, refugees, immigrants, indigenous communities, and nomads, all of whom are facing physical and non-physical borders, barriers, and walls, that are erected between people in our modern time.