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Iván García

Iván García

약력

Mario Iván García Granados has worked as executive producer and advisor in budget management, technical and artistic team contracting, resource management, in short, medium and feature films, commercials, documentaries, television series and theater. He trained as a field and executive producer at the International Film and Television School of San Antonio de Los Baños in Cuba, in 2006; he took the workshop with the MPA Motion Picture Association at the National University of Colombia. He is part of the production company Dago García Producciones, where he serves as manager and executive producer of its various productions. He has participated in the following digital format feature films Vivo en el limbo (2015), Uno al año no hace daño 2 (2015); Reguechicken (2015); Uno al año no hace daño (2014) written by Dago Garcia and produced by Dago Garcia Producciones; Polvo carnavalero (2016), Carta al niño dios (2014), El paseo 3 (2013) and Mi gente linda mi gente bella (2012) by Juan Camilo Pinzón; El paseo 2 (2012) by Harold Trompetero; El control (2013) and El escritor de telenovelas (2011) by Felipe Dothée. In 35mm, Iván García was the executive producer in El paseo (2010) by Harold Trompetero; Infraganti (2009) by Juan Camilo Pinzón; Ni te marry ni te embarques (2008) by Ricardo Coral-Dorado; La captura (2008), Las cartas del Gordo (2006); Mi abuelo, mi papá y yo (2005) by Dago García and Juan Carlos Vásquez; and Muertos de Susto (2007) by Harold Trompetero. From Dago García Producciones, in the theatrical field he has participated as producer and director of Cállate y escribe (2014), Bonita pero complicada (2014), Dios nos ampare (2014) and Hombre con hombre, mujer con mujer (2011), among others. Translated with www.DeepL.com/Translator (free version)

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Iván García

참여 작품

Executive Producer

A controversial TV host and comedian who has built his career on sexist humor is forced to assume a woman's identity to elude a relentless drug dealer.

Executive Producer

A group of employees from the Central Worker's Bank become heroes when they prevent a robbery. Their reward: a trip to Melgar, all expenses paid. This trip will reveal joys, griefs and other feelings that perhaps only appear after a few shots.

Executive Producer

The story of an upperclass guy that finds himself singing popular music in a reality show against his friends and family's endorsement.

Executive Producer

Teresa is an artificial intelligence device that comes from the United States to Colombia to be tested in a real world and with a very particular family: Los Rico. Teresa arrives just at Christmas time, where between novenas, fritters and custard, she will discover deep connections with her new family.

Once a Year Can't Hurt 2

Once a Year Can't Hurt 2

Executive Producer

A sequel to more traditions of a typical Colombian family, this time we will see a bachelor party, Halloween, a heartbreak and much more.

Executive Producer

Two teenagers, an orphan hen who loves reggaeton music and the son of a champion fighting-cock, will live an adventure in which they will learn to accept themselves, alongside a great lesson in tolerance and nonviolence.

Once a Year Can't Hurt

Once a Year Can't Hurt

Executive Producer

It tells the story of a university student who makes a documentary to find out if Colombia is a country of drinkers or not. In the midst of everyday and comic situations, the young man will obtain interesting and entertaining material for his research.

Mi gente linda, mi gente bella

Mi gente linda, mi gente bella

Producer

While abroad Colombians are the bad guys, in Colombia foreigners are the kings. And Vigo, a Swede who arrives to Colombia, will be no exception: he will be received as a prodigal son. He will soon discover that even with so much human warmth, in the country of the Sacred Heart of Jesus, magical realism is lived in the midst of chaos, impetus and thoughtlessness, which between tears and laughter blurs the fine line between good and evil.

당신에게 시체를

Associate Producer

Salvador is a peasant who one day wakes up as usual to work on his land but instead finds a pile of corpses in the middle of his crops. He runs to notify the authorities but is Sunday and Election Day so the dead ones end up being a nuisance that nobody wants to deal with.

Muertos de susto

Muertos de susto

Executive Producer

Amparo, an enigmatic woman, arrives at a funeral home offering a large sum of money for the body of the beautiful Lucia to be cremated quickly and without formalities. Ancizar and Oviedo, owners of the place, decide to reject the tempting offer, however, when Amparo returns, the undertakers discover that the corpse has disappeared and are forced to give her the chest with the ashes of Ancizar's deceased father. She pays and they all call it a day. What the pair of morticians don't know is that it will be the worst business of their lives.