Murilo Salles

The Baía de Guanabara is not just any bay: the metropolitan area of Rio de Janeiro has sprawled around it. Its waste water threatens the rich ecosystem, planes roar along the approach corridors above. These filmic explorations on the margins of the megacity portray various environments that are all connected to the bay in a specific way. The people here are micro-wage earners making a modest living.

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

Paulo (Pedro Brício), a publicist of Rio de Janeiro, moves to Brasília (capital of Brazil) to be the manager of the public image of a senator who wants reelection. Paulo is accompanied by his wife, Cris (Cintia Rosa), a journalist with whom he has a small daughter. But their relationship is not moved by love, they are only together for the girl, the result of an unwanted pregnancy.

Paulo (Pedro Brício), a publicist of Rio de Janeiro, moves to Brasília (capital of Brazil) to be the manager of the public image of a senator who wants reelection. Paulo is accompanied by his wife, Cris (Cintia Rosa), a journalist with whom he has a small daughter. But their relationship is not moved by love, they are only together for the girl, the result of an unwanted pregnancy.

Paulo (Pedro Brício), a publicist of Rio de Janeiro, moves to Brasília (capital of Brazil) to be the manager of the public image of a senator who wants reelection. Paulo is accompanied by his wife, Cris (Cintia Rosa), a journalist with whom he has a small daughter. But their relationship is not moved by love, they are only together for the girl, the result of an unwanted pregnancy.

Paulo (Pedro Brício), a publicist of Rio de Janeiro, moves to Brasília (capital of Brazil) to be the manager of the public image of a senator who wants reelection. Paulo is accompanied by his wife, Cris (Cintia Rosa), a journalist with whom he has a small daughter. But their relationship is not moved by love, they are only together for the girl, the result of an unwanted pregnancy.

Camila is in her mid-twenties and her life has been thrown into chaos ever since her boyfriend threw her out of their apartment during a bitter argument. Camila's ambition is to become a writer, and she posts regularly on her blog, entitled "Camila Jam." However, Camila wants to take her work into a different direction, and she throws herself head first into life in search of inspiration. As Camila struggles with alcohol, unsettled emotions and relationships with abusive men, it becomes increasingly obvious that her skills as a writer aren't all she needs to sort out if she wants to truly understand her life and her career.

Camila is in her mid-twenties and her life has been thrown into chaos ever since her boyfriend threw her out of their apartment during a bitter argument. Camila's ambition is to become a writer, and she posts regularly on her blog, entitled "Camila Jam." However, Camila wants to take her work into a different direction, and she throws herself head first into life in search of inspiration. As Camila struggles with alcohol, unsettled emotions and relationships with abusive men, it becomes increasingly obvious that her skills as a writer aren't all she needs to sort out if she wants to truly understand her life and her career.

A series foccusing the creative process of 4 young Brazilian artists: Carlinhos Brown (music), Tunga (painter), Deborah Colker (choreographer)and Alexandre Herchcovitch (fashion designer) through the eyes of director Murilo Salles.

Two children flee together with a grown up from a slum in Rio because this older person has had problems with the local drug lord. They end up in the house where a rich American lives with his daughter.

Two children flee together with a grown up from a slum in Rio because this older person has had problems with the local drug lord. They end up in the house where a rich American lives with his daughter.

Two children flee together with a grown up from a slum in Rio because this older person has had problems with the local drug lord. They end up in the house where a rich American lives with his daughter.

Two children flee together with a grown up from a slum in Rio because this older person has had problems with the local drug lord. They end up in the house where a rich American lives with his daughter.

For just over an hour and a half, Two Billion Hearts takes the viewer back to the adventure of the world cup of the United States and packs the audience on a journey through emotion, the expressions of their protagonists, fans in the stadiums and in the streets to the stars on the lawns, the cameras walk an uneven and vibrant path to world history. Two Billion Hearts is much more than the official World Cup film in the United States, it is a journey, for the passion of football, for the soul of the fans, for the feat of their idols. The film shows the best moments of the Cup and accompanies the Show of the fans of 24 countries in the United States, where more than 300 thousand football lovers traveled around the world

A documentary about the fathers of Bossa Nova: João Gilberto and Antonio Carlos Jobim.

Pornography is a film-manifesto. An outburst against the summary execution of Brazilian cinema. It is simple and straightforward: explicit sex, on-screen text, National Anthem.

Paulo is a rich lawyer who has a happy and comfortable family life, with his kid and very loyal to his wife. But when he finds out that the woman is cheating on him with his business partner and best friend, he decides to execute a perfect plan that involves murdering both and easily getting away with murder. However, Paulo's plans are about to be ruined due to some unpredictable factors involving powerful people, plenty of money, the kidnap of his son and a tenacious inspector following his steps.

Paulo is a rich lawyer who has a happy and comfortable family life, with his kid and very loyal to his wife. But when he finds out that the woman is cheating on him with his business partner and best friend, he decides to execute a perfect plan that involves murdering both and easily getting away with murder. However, Paulo's plans are about to be ruined due to some unpredictable factors involving powerful people, plenty of money, the kidnap of his son and a tenacious inspector following his steps.

During the military dictatorship, a political militant takes his son out of the boarding school, and puts him temporarily in a friend's luxury and empty apartment in Copacabana beach. The son knows very little about his father, and the latter cannot really explain his activities to his son, fearing for his security. So the young man stands alone in the huge apartment, waiting for the infrequent meetings with his father, without really knowing what's going on.

During the military dictatorship, a political militant takes his son out of the boarding school, and puts him temporarily in a friend's luxury and empty apartment in Copacabana beach. The son knows very little about his father, and the latter cannot really explain his activities to his son, fearing for his security. So the young man stands alone in the huge apartment, waiting for the infrequent meetings with his father, without really knowing what's going on.

During the military dictatorship, a political militant takes his son out of the boarding school, and puts him temporarily in a friend's luxury and empty apartment in Copacabana beach. The son knows very little about his father, and the latter cannot really explain his activities to his son, fearing for his security. So the young man stands alone in the huge apartment, waiting for the infrequent meetings with his father, without really knowing what's going on.

The fictional encounter in Rio de Janeiro, Brazil (in the 30s) between popular songwriter Lamartine Babo and inconoclast poet and playwright Oswald de Andrade.

When a pedestrian is hit by a bus, the simple clerk Arandir runs and kisses the moribund in a gesture of sympathy and unconditional pure love. Opportunist photographer Amado Pinheiro witnesses the scene and sees the opportunity to sell newspaper and, together with the despicable and abusive chief of police Cunha, accuses Arandir of homosexuality.

Man meets woman, and invites her home. The two start an intense relationship in order to shield themselves from loneliness.

The agitprop film Estas são as armas by Murilo Salles was edited together from archival images and formed one of the first works to be produced by the newly founded film institute in Maputo.

In a small city of Brazil, Flor, a cooking teacher, marries Vadinho, a very handsome and erotic man. Once married she finds he is a good-for-nothing who takes all her money to gamble. After his death, Flor misses the goods of the marriage so she marries again with a very correct gentleman - the owner of a drugstore. Now she's very happy with her man, but misses the erotic moments with her previous husband. One day, Vadinho comes back as a ghost to quench her desires.

A documentary that presents home movies and several excerpts of known films of famous actress Leila Diniz. Friends of the late actress, tragic killed on a plane crash in 1972, discuss about her life, her work and her legacy in Brazilian culture.

A German governess is hired to give German and piano lessons to the teenager son of a rich traditional family, in the 20s. But soon they get involved, and she teaches him love lessons instead.

A veteran popular singer remembers her early days before fame as a humble woman who faced many obstacles in order to achieve fame, notoriety and make her dreams come true. Her life, the songs, the men she knew and helped her on her ladder to success all have a big influence on her life.

Ox carts are still part of the landscapes of the Brazilian badlands, in a mixture of usefulness and poetry. Filmed in Volta Grande, in the Zona da Mata mesoregion of Minas Gerais, it was Mauro's only film in color and also his last.