Assistant Editor
말 없고 조용한 소년 코디는 엄마를 따라 돌아가신 이모의 집으로 오게 된다. 집을 팔기 위해 정리를 하는 동안, 코디는 옆집에 사는 퇴역 군인인 델과 가까워진다. 델은 또래 남자아이들과 잘 어울리지 못하는 코디를 따뜻하게 챙겨주고, 코디는 델에게 점점 마음을 열기 시작한다. 그렇게 두 사람은 세상에 둘도 없는 친구가 된다.
Assistant Editor
Phillips has embarked on a new phase of work that hinges on the self-awareness of real-life subjects. Lindsay Lohan (2011) and Sasha Grey (2011), his first two films, made their debut at the “Commercial Break” film project at the 2011 Biennale di Venezia. In these "motion portraits ", the notorious actresses pose erotically—Grey in a modernist John Lautner home, and Lohan in an aquamarine infinity pool. Both actresses project self-conscious recognition in their performances and in turn point toward the transformative potential of narrative action, framed by their compelling beauty. Phillips’s third film, First Point (2012) marks his second collaboration with Lohan and third collaboration with legendary surf filmmaker Taylor Steele. A contemporary film noir, First Point juxtaposes haunting nocturnal imagery with surf sequences in which female pro-surfer Kassia Meador (Lohan's acknowledged stunt double) and Lohan herself appear.
