Assistant Editor
Cody chega junto com sua mãe na casa de sua tia falecida. Enquanto sua mãe está ocupada limpando a casa de sua falecida irmã, Cody tem que passar o tempo sozinho. O garoto introvertido não consegue se relacionar muito bem com as crianças vizinhas, mas ele logo forma um elo incomum com o veterano rabugento de 83 anos, Del, da casa ao lado, uma amizade que toca em todos os aspectos da vida em sua leviandade casual.
Assistant Editor
Phillips has embarked on a new phase of work that hinges on the self-awareness of real-life subjects. Lindsay Lohan (2011) and Sasha Grey (2011), his first two films, made their debut at the “Commercial Break” film project at the 2011 Biennale di Venezia. In these "motion portraits ", the notorious actresses pose erotically—Grey in a modernist John Lautner home, and Lohan in an aquamarine infinity pool. Both actresses project self-conscious recognition in their performances and in turn point toward the transformative potential of narrative action, framed by their compelling beauty. Phillips’s third film, First Point (2012) marks his second collaboration with Lohan and third collaboration with legendary surf filmmaker Taylor Steele. A contemporary film noir, First Point juxtaposes haunting nocturnal imagery with surf sequences in which female pro-surfer Kassia Meador (Lohan's acknowledged stunt double) and Lohan herself appear.
